Opiniones de usuarios

What attracted me to this TV series was the cast, however even after watching the first episode i was fascinated by its soundtrack. I feel lucky to discover some great piece of music. The acting was also impressive as one can guess. I would highly recommend it, you won't regret it :)

... but didn't understand the purpose of season 2 at all.

I was on the edge of my seat for a great part of season 1, yet was on my phone for most of season 2. The whole Zoe Kravitz storyline is so slow and, frankly, uninteresting. I was glad to know, going into season 2, that we would see more of her but I just couldn't get attached to her character. It's just doom and gloom, nothing happens. I could not get to care about Laura Dern and Reese Witherspoon's issues either. Nicole Kidman's performance remains my favorite, as in season 1. She's magnificent. Meryl Streep is great in her role but again, the storyline just falls flat in my opinion.

The 8 stars are for season 1, I binged it all in ONE day. The performances were ourstanding. I really wish they would have stopped there. I genuinely don't understand the purpose of season 2.

Exquisite. 'Big Little Lies' takes us to an incredible journey with its emotional and intriguing storyline. The characters are so thoroughly and thoughtfully developed. Nicole Kidman, Reese Witherspoon, Shailene Woodley, Laura Dern gave breathtaking performances. Directing, screenplay, photography, everything is brilliantly done. I would deeply recommend it.

HBO's new limited series, Big Little Lies, is simply outstanding in every way. The casting is perfect - Reese Witherspoon as Madeline, Shailene Woodley as Jane and the always fabulous Nicole Kidman as Celeste - three very different mothers residing in the ultra wealthy enclave of Monterey, California. The show also focuses on Renata (a tense, edgy performance by Laura Dern and the families of the four main characters. James Tupper, Adam Scott, James Nordling turn in great performances, but Alexander Skaarsgard really shines as Perry, Celeste's troubled, volatile husband.

Without giving away the plot, the show is part is Desperate Housewives part Knots Landing and part Secrets and Lies in that it's a drama, a soap and a mystery, all rolled into one delicious package.

Beautiful cinematography and an amazing soundtrack add to the enjoyment. I just binge-watched the first three episodes and they left me wanting more. Just watch it - it's the show you've been waiting for...

I almost gave up on it after the lacklustre and uncreative beginning, but then the clever structure and intricate story-line kicked-in, followed by the interesting characters who are slowly taking form. Their purpose and meaning to the unfolding mystery is becoming evident and damn fascinating. All thanks to the performers who have already got this perfectly down-pat in the first episode, and that allows the story to take shape and meaning for the remainder of the series.

So far this series is more than about fighting mums and a "who-done-it". What is so prevalent in the first episode is the underlying themes of parenthood, marital relationships and school-mom politics. I'm sure the writers will have more juice to add as the series progresses.

For now, it's the mystery that has got me hooked. And to heighten my viewing pleasure, it is the development of the characters and the conflicts surrounding them, and also within, that makes me want to watch it that little bit longer, hopefully right to the very end of the series that is slowly peeling away the hypocrisy and the nastiness of an affluent suburb/town!

I have HBO and NEVER watch it. I'm not a big fan of what apparently many other people like to watch. But when I saw the commercial for this I was intrigued. I never heard of the book, but highly respect many of the lead actors so I figured if they were involved it couldn't totally suck. Speaking of suck, I was completely sucked in on the first episode. I don't know why but I found this show completely and utterly mesmerizing, all the way down to the music and cinematography. Everyone involved in this from top to bottom hit it out of the park. I've never experienced this kind of life-style (ie mommy, daddy and school politics) but one of my clients who watches the show and lives in the general area said they nailed her experience when her kids were in school.

To put in perspective, I usually work when I watch TV, don't really even 'watch' it, just background noise. Not only did I stop working to watch this, I ran the last few minutes in slow motion to fully absorb what happened. I can't give a show much more praise than that! You'll understand the scene I'm talking about when you see it.

I am a big fan of Liane Moriarty and when I read this book I couldn't put it down. Reese Witherspoon has done the book justice as I understand she has produced the series.

It's not often you read a book and the pictures that you form in your mind suddenly become real through a great translation to the screen. Although the book was originally set on the Northern beaches of Sydney the translation to Monterey California is perfect. David E Kelly has written the screenplay and has done an excellent job and dare I say taken a great story and enhanced it beautifully.

The casting is absolutely perfect with Reese as Maddy, Nicole Kidman as Celeste, Laura Dern as Renata and Shailene as Jane. Great choice with Zoe Kravitz as well.

Any parent and especially any mother will really relate to the story which keeps you guessing until the very end. AAA+++

Season One: 9.5/10

Themes: Drama, Crime, Mystery, Mothers, Spousal Abuse, Bullying, Murder, Sexual Assault, Sisterhood, Marriage, Childcare, Cheating & Gossip.

Review: Honestly, this was absolutely brilliant. Not only was the acting superb, the plot, suspense-building and pacing were also phenomenal. I would say this whole thing was very close to perfection. The characters were all extremely interesting and intriguing as well; they each have their own story to tell, and none fail to deliver in telling them. Another thing I really liked was the bond these women formed with each other: it was so natural and impactful. I loved everything about this series. It was so good.

Top five characters: 1) Madeline Martha Mackenzie, 2) Renata Klein, 3) Jane Chapman, 4) Ed Mackenzie and 5) Ziggy Chapman.

I didn't see this until after the Emmys, but wondered what all of the fuss was about. So, I watched the entire series - and still wonder what the fuss was all about. The characters are so stereotypical California chic that it was almost funny. All, but one, ultra wealthy and all of the leads are gorgeous. No uglies allowed. I found it hard to be very interested in any of them, and to find much sympathy for them as well. Lots of self-absorption in every episode. The director had lots of filler shots of surf hitting the beach or moody dark scenes to try to inject some suspense. There simply wasn't enough material to have made seven episodes. What story there was could have been easily, and better, presented as a feature-length film. One of the meaningful (and it is) subjects covered in this show was actually done more dramatically in the TV movie "The Burning Bed" decades ago. Some ABC network "After School Specials" covered other aspects of the story, too - and more quickly. I think the show was overpraised and awarded because a) it wasn't on network television, and b) had strong female leads who swore a lot and appeared naked. That's not enough to elevate it to classic status.

Look at the cast and people involved. HBO has Game of thrones, The Wire, Sopranos, etc. They set an extremely high expectation and this delivers. The night of was the last short series I loved like this. Its a short Mystery, that has a twist or two built in. Dark, well written and well acted. Very very good

Big Little Lies, created by David E. Kelley and based on the novel by Liane Moriarty, stands out as a nuanced, emotionally charged exploration of the lives and secrets of five women living in Monterey, California. Over its two seasons, the show delves deep into the intricacies of friendship, domestic abuse, the impact of lies, and the struggles of motherhood, all woven together through a murder mystery that keeps viewers engaged from the first to the last episode. The series uses this mystery as a means to explore the psychology of its characters and the ways in which society imposes certain expectations upon women. Season one focuses on building up each woman's story, unveiling traumas and secrets that culminate in a shocking and transformative finale. Season two, though more polarized in reception, introduces complex themes of guilt, accountability, and redemption. Together, both seasons offer a compelling narrative arc that challenges perceptions of innocence, strength, and the multifaceted nature of female relationships.

One of the most striking aspects of Big Little Lies is its impeccable cast, led by Nicole Kidman, Reese Witherspoon, Laura Dern, Shailene Woodley, and Zoë Kravitz. Each actor brings a distinct vulnerability and depth to her role, which is especially notable in Kidman's portrayal of Celeste, a woman grappling with the trauma of abuse while attempting to reclaim her autonomy. The addition of Meryl Streep in season two as Mary Louise, Perry's manipulative and grieving mother, was a masterstroke. Streep's performance added a new layer of complexity, especially in scenes with Kidman, where the tension and suppressed pain are palpable. Every performance in the series is meticulously crafted to reveal both the strength and fragility of the characters, making them feel realistic and deeply human. This strong casting and character development serve as the backbone of the series, ensuring viewers remain emotionally invested in the unfolding drama.

The direction across both seasons deserves praise, as Jean-Marc Vallée (season one) and Andrea Arnold (season two) employ distinct yet complementary styles. Vallée's direction is highly stylized, often utilizing quick cuts and an almost dreamlike approach to flashbacks and memories, which help convey the underlying trauma each character faces. Arnold, known for her raw, grounded style, shifts the series to a more intimate, character-focused narrative, especially as the Monterey Five deal with the repercussions of Perry's death. While some found Arnold's approach less stylized than Vallée's, it lends authenticity to the themes of guilt and secrecy that permeate season two. The subtle visual differences between the seasons enrich the overall tone of the show, reflecting the shifts in each character's life as they navigate new emotional landscapes.

Big Little Lies also benefits from its impeccable writing, which captures the nuances of trauma, relationships, and self-identity without ever feeling exploitative. Kelley's adaptation respects Moriarty's original material while expanding upon it to create a more comprehensive look at each character's psyche. The first season carefully builds tension, slowly unraveling the layers of each woman's life while keeping the murder mystery at the forefront. In contrast, season two shifts its focus from suspense to the emotional fallout of season one's climactic events, resulting in a slower pace but a richer exploration of guilt and accountability. However, some critics argue that the writing in season two lacks the tightness and intensity of the first season, with certain plotlines, such as Bonnie's backstory and Jane's new relationship, feeling somewhat underdeveloped. Despite this, Kelley's script succeeds in portraying the emotional complexities of its characters, giving each woman room to grow, confront, and ultimately, reconcile with their pasts.

Visually, the series makes excellent use of its Monterey setting, with sweeping shots of the Pacific coastline juxtaposed against intimate scenes within the characters' homes, symbolizing both isolation and connection. The cinematography, particularly in season one, conveys a haunting beauty that underscores the hidden darkness in each character's life. This setting becomes almost a character in itself, its crashing waves and foggy landscapes echoing the turmoil within the protagonists. In season two, Arnold's direction introduces more handheld camera work and close-ups, enhancing the sense of claustrophobia and tension as the Monterey Five attempt to keep their secret. This visual consistency helps anchor the viewer in the story's world, with each stylistic choice contributing to a sense of both beauty and foreboding.

The editing throughout the series, especially in season one, is precise and evocative, often cutting to fragmented images and sounds that reflect the fractured memories and emotional states of the characters. This technique is most effective in portraying Celeste's flashbacks, offering a visceral look into the trauma she endures, which adds depth to her narrative. Season two's editing is more restrained, perhaps reflecting the more subdued, contemplative tone of the storyline. However, some viewers found the pacing in season two uneven, particularly in the episodes focused on Mary Louise's manipulations and Celeste's custody battle. Despite these minor issues, the editing remains a crucial element that enhances the series' emotional impact and thematic resonance.

One of the most compelling themes in Big Little Lies is the exploration of domestic abuse and its lasting effects, particularly through Celeste's character. The series does not shy away from the complexity of abuse, depicting Perry as both charming and terrifying, which complicates Celeste's journey to freedom. This portrayal highlights the difficulties survivors face in leaving abusive relationships and underscores the psychological manipulation that often accompanies physical abuse. Additionally, the show addresses the effects of abuse on children, as Celeste struggles to protect her sons from repeating their father's behaviors. These themes are handled with care, creating a narrative that is both thought-provoking and socially relevant, bringing attention to issues often overlooked in mainstream media.

Motherhood is another theme intricately woven into the narrative, examined through each character's experiences and relationships. Madeline's guilt over her perceived failures as a mother, Renata's struggle to balance career and family, and Bonnie's complicated relationship with her own mother add layers to their characters, illustrating the varied expectations and pressures placed on mothers. Mary Louise's presence in season two adds a darker perspective on motherhood, as she seeks to control and manipulate under the guise of maternal love. This exploration of motherhood in all its forms adds depth to the series, resonating with viewers and offering a realistic portrayal of the conflicts many women face.

In conclusion, Big Little Lies successfully blends suspense, drama, and social commentary to create a series that is both entertaining and thought-provoking. Its strong performances, especially from Kidman, Witherspoon, and Streep, elevate the show, while the direction and cinematography bring a distinct visual flair that captures the beauty and darkness of Monterey. Though season two may not have achieved the same critical acclaim as the first, it still provides a worthwhile continuation of the characters' stories, delving into themes of guilt, redemption, and the cost of secrecy. The show's handling of difficult subjects like domestic abuse, motherhood, and trauma adds to its relevance, making it more than just a murder mystery.

While Big Little Lies faced some criticism for its pacing and certain underdeveloped subplots in season two, it remains a landmark series in terms of storytelling and female representation. The show's impact on audiences and its contribution to discussions on gender, power, and violence cannot be overstated. Ultimately, Big Little Lies stands as a masterful portrayal of the complexities of female relationships, the endurance of friendship, and the resilience required to confront one's darkest secrets.

It was a pretty much good first episode for a series giving all information and context. The cast is awesome. - good mystery -nice title - many questions - good direction .Take on ex-husbands and second wives, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive People who liked the movie gone girl will surely like it . So give it a go....

The first episode established the potential here right from the start. Writing, casting and acting is on point. Great to see the cast of actors that were pulled together for the project. I hope to see more of this type of 7 episode story telling where you can get such a deep cast of actors to commit to a project that they might not otherwise be able to do if it were a typical ongoing series. In my opinion some great flawed and complex characters that aren't always what they seem on the surface (who is). In particular Reese, Nicole and Dern. In addition, the child actors, who's characters really need to support the story line, really bring it as well. Check it out.

'Big Little Lies' has for its opening scene, five of its leading ladies taking their children to school, while the shots are interwoven with dazzling ocean shots, sex imagery, as a soothing track 'Cold Little Heart' by Michael Kiwanuka plays in the background. The surrealism of the opening scene has you hooked, and so does the entire series.

Moms with their first graders, dropping them off to school. How can this become a series which has already swooped away 8 Primetime Emmys, taking in award in every major category it was nominated! 'Big Little Lies' might seem like an another of those clichéd dramas involving parents but this is a masterpiece that proves you wrong shooting you right in the heart in the pilot itself. There have been pleasing shows exploring the concept of secrets and bitching like 'Desperate Housewives', teen-favorite 'Pretty Little Liars' and the recent 'Devious Maids'- but 'Big Little Lies' has its own ways of exploring the themes, it knows where to be soft and where to be brutal. By brutal, I am talking really brutal!

We have Madeline, Celeste, Jan, Renate and Bonnie- all mothers of first graders who are there to drop their children for the orientation. Madeline is the quirky, outspoken one BFF with Celeste who has two lovely boys and a lovely husband, Renate is the grossly rich CEO working mom, Jane is the newbie in town fighting her troubled past while Bonnie is married to Madeline's ex Nathan. After an incident of bullying on the orientation day of the school, Madeline becomes friends with Jane whose son has been accused. As the situation gets worse, dirty secrets are exposed, love is hindered and a deadly past crawls out from the grave, ultimately leading to a final-showdown at a fund-raising event.

To say that one factor upheavals the show would be untrue cause this is a show that is made phenomenal by its entire crew- be it the vivid approach of direction that is both mainstream and David Lynch like, or the haunting cinematography, the masterful screenplay and obviously the talented cast. Kidman and Witherspoon rule this series, while the former plays a wife who has a seemingly perfect life- the other is dealing with the consequences of her own actions. These two actresses know how to literally switch personalities with their characters and its hard to talk about their unnerving talent without spoiling the entire show- just know that Witherspoon plays the most lovingly bitchiest character you'll see while Kidman brings forward the plight of women stereotyped as 'housewives'. Woodley is never given enough character development due to the slow build up- but when she really comes to the picture, she displays why she has developed such a massive appeal in her short acting span. Skarsgård comes out as a riveting surprise of the entire series- you'll know it when you have seen it. Dern also doesn't lets her supporting character be thrown into the background- playing a rich and overprotective mother, and that too with a charm. Other cast members like Kravitz, Scott, Tupper and Nordling to give the best in their relevant roles. No doubt the show was nominated for the best casting choice and won too!

The gossip talks are beautifully explored with dexterity that is so close to brilliance- you have town folks being questioned one by one in random sequences that pop midway – that contributes largely to know more about the characters. However the best part about the series is that it's just not limited to its gossip material- it explores so much about female psychology coming out as very sensitive drama discussing issues like marriage, sex, extra-martial affairs, violence, rape and bullying, parenting, hope and love. Violence is graphic at times but never over the top- it's up to a level that is just necessary to showcase the heinous evils of the society. It also cleverly debunks the theory of perfection in today's world and is stated amazingly by one character's lines,

"Beautiful, rich, and madly in love…something's got to be wrong.."

The series does kinda goes downhill after the third episode- the fourth and fifth episode could have been joined in one. The final twist is predictable, but satisfies largely.

'Big Little Lies' is kind of Desperate Housewives meets Gone Girl vibes, but has an undeniable identity of its own. Watch it !

I was late to watching this show which meant i'd heard the hype, reviews and unfortunately a few spoilers prior to watching it.

I think the acting was amazing, especially Nicole Kidman and Alexander Skarsgard. Their scenes always made me extremely nervous as I didn't know which way it was going to go.

Aside from this, I found the series a bit boring and predictable (that is perhaps because of the spoilers I had half heard beforehand) but I think even without the spoilers, the big twist at the end wasn't that much of a twist and wasn't that exciting or shocking.

Worth a watch, but not a re-watch.

I have not read the book, so my opinion is just about the show. Also, never really felt the need to give my review on a show. It could have been so, so good. The cast, the money, parts of the script. Reading tons of positive reviews ahead - saying it was like Pretty Little Liars for adults.. Jeez, I was excited to start watching. I generally don't prefer 'slow' shows, but sometimes they're worth it, even with a short attention span. This show? It took work, serious work to keep attention to the screen. I took a full Sunday to push myself through it. I mean, this show should have had it all, right? It took so much prep and planning to get all these great actors together.. opportunity of a life time, one might think. Sure, it looked pretty. But how to say this nicely? No building up tension, no serious problems (okay, 2 cases). Rich, Privileged, bored.

I sure hope upper class people, or rich actors and actresses haven't forgotten what the real world looks like.

Ps. does that camouflage makeup really exist? The one that isn't visible, doesn't rub off on highly expensive clothes in a warm climate.