Guerra y paz

I read Tolstoy's WAR AND PEACE when I was fifteen, and over the years I've read it so many times that the characters are almost like friends and family. And I have to say that on the whole this BBC adaptation was exciting, romantic, and great fun to watch!

Lily James is perfect as Natasha Rostov. She excels at capturing all the moods of a young girl's coming of age, from giddy excitement to tearful despair to frank curiosity about men and sex. The thing about Natasha is that she has to be as natural and exuberant in a fabulous ballgown surrounded by glittering aristocrats as she is in a log cabin making merry among the Russian peasants. That's a lot to take on and Lily James manages it all perfectly. Bravo!

James Norton and Jessie Buckley are both tremendously impressive as the Bolkonsky siblings, Andrey and his sister Marya. Both of them capture how deeply spiritual their characters are, in very different ways. Prince Andrey's search for meaning leads him to a near death experience on the battlefield, but his spiritual longings come across clearly even when is acting the part of a haughty aristocrat. Jessie Buckley's longing for her father's love is beautifully expressed, as is her devotion to Christian love in general. In the book Tolstoy suggests that Princess Marya's goal is simply "to love men as Christ loved men" and that quality is evident in every scene she plays.

I had a lot of trouble accepting Paul Dano as Pierre Bezukhov. So much of Pierre's stature in the novel comes from . . . well, from his stature. He's described over and over as being tall, broad shouldered, clumsy, too big to fit indoors, moving like a big bear. His childlike qualities, his kindness and trusting nature, are balanced out by a gigantic and often menacing physical presence.

Now, Paul Dano gets the childish side of Pierre perfectly, but in the darker moments there's definitely something missing. Even when he's a prisoner of the French he comes across more like Billy Pilgrim in SLAUGHTERHOUSE FIVE than like the Pierre of the book, who is looked upon by both prisoners and guards as a natural leader. I think there's a tendency today to downplay brute male strength as a positive asset, and Paul Dano's casting is symptomatic of a kind of bizarre politically correct form of censorship. But after all, this is a very multi- faceted character, and Paul D. certainly does capture Pierre's gentleness and kindness.

I don't want this to be a ten page review, so I just want to say that the rest of the very large cast is absolutely extraordinary. While Andrey, Pierre, Natasha and Marya are so complex that no actor could really capture them completely, there are dozens of lesser characters who actually come more to life in this mini-series than they do in the book itself. I just want to mention very briefly the following performances:

Tom Burke as Dolohov and Thomas Arnold as Denisov . . . these two characters are like book-ends, the good guy soldier and the bad guy soldier. And the two Toms nail them perfectly!

Aisling Loftus as Sonya was a true revelation. Reading the book as a kid, I always felt like Tolstoy had it in for Sonya. She's the poor relation who always gets left out in the cold, and Tolstoy does a lot of victim-blaming to rationalize how the system works. But Aisling Loftus gives Sonya a depth, strength, and courage that's actually better than what's in the book!

Greta Scacchi and Adrian Edmondson as Countess Rostov her husband Count Rostov. So much of the magic of WAR AND PEACE comes from the sense of family warmth and happiness in the Rostov home. These two actors really make you understand why Nikolay and his sister Natasha are so much loved and so at home in the world, because they grew up with the most loving parents imaginable! Even their flaws are endearing and totally believable.

Tuppence Middleton and Callum Turner really make an impression as the evil, deadly siblings, Helene and Anatole Kuragin. The two of them are like a perfectly matched pair of dragons, or a couple of deliciously deadly vampires set down among the unsuspecting nobility! But the actors find something sad and almost desperate about both of them, keeping them real and capturing the humanity of Tolstoy's vision even with characters he painted in very broad strokes.

The highest compliment you can pay to this production is that the great characters are represented in (almost) all their complexity, and that there are minor characters who are more real here than they were on the printed page. What a fabulous achievement for the writer, the director, the fabulous cast and the BBC!

The poor reviews that I've seen seem to betray either delusion or a complete misunderstanding of the book. This is an excellent adaptation.

War and Peace is a story of mortals, fallible, corrupt, and yet full of love and hope. Some of the reviewers seem to have gotten in their head that Prince Andrey or Natasha should be like gods and goddesses when Tolstoy could not have intended anything farther from that. Tolstoy meant for us to see how the lives of admirable men and women are yet filled with foolishness. We are meant to see that in the end, the foolishness shouldn't matter.

Others seem to be aghast that there's infidelity, violence, and dishonesty. My God, I can only imagine that these reviewers would be better off watching Barney and Friends. This adaptation captures brilliantly Tolstoy's view of how terrible the course of human interaction can run, and yet there is something magical to life.

As far as the casting goes, I personally thought Sonya was a little too plain, Princess Marya a little too attractive, and Pierre rather too skinny, but these physical quibbles are nitpicky. Each performance seems true to Tolstoy's characterizations, if not the idealizations people have conjured in their minds. In my view, Denisov, though a minor character, is particularly brought to life. The old Prince Bolkonsky also is terrific.

Finally, I am no expert on 19th century Russian aristocratic dress or interior design, but frankly I saw nothing particularly out of place. I would be quite surprised if any of the reviewers who took issue with the costumes or the decorations were far more knowledgeable.

I have read some of the reviews, and seen previous versions so looked forward to this with both hope and trepidation. I loved Anthony Hopkins in the 70s as Pierre, Sergay Bondachuk in the Russian version and Henry Fonda earlier than that. The character is one of my all time favourites, so it took me a while to take to Paul Dano, but once I had, I found it to be a sensitive performance that had its own merits, and deserves praise. Jim Broadbent, Ade Edmondson and the rest of the cast also make it worthy of your time.

All I can say is enjoy the show, lap up the scenery, wallow in the wonderful characters and costumes, charge in your minds eye to battle and dance at the balls. Visit Old St Petersburg without leaving your armchair and be entertained. The book has too much to ever do justice to, (unless perhaps Peter Jackson took it under his wing).

I can't tell you how curious I was to see this. Being both a Russian and a crazy fan of Andrew Davies adaptations. And, in a nutshell, I found W&P series heart-warming and absolutely satisfying. Truth be told - even finally opening up the greatness of this famous book to me. Never mind that it was written by my compatriot : )

A lot of students in Russia find the Leo Tolstoy masterpiece too big and too daunting. But it's a literature landmark, and you have to read it at school, at least skim through it : ) And because of that whopping size, it's hard to perceive the story as a whole - you just get too exhausted waiting for this or another thread to pick up again. However, Mr Davies shone his genius on us one more time - he took the essence of the story and presented it to a modern viewer in a digestible and tasty way. A big applause.

So, the choice of scenes for the script I find marvellous. Our own movie filmed by Sergey Bondarchuk is loved by many, especially by the older generation. But I've always thought it had too much emphasis on the war side of the novel. And what do we, women, watch period dramas for? : ) Of course more for the relationship side, to watch multilayered characters unfold. And Andrew masters this to perfection. It flows easily, one could watch all 6 episodes in a row - except that it's not a light and romantic Pride & Prejudice. This is deeper and more dramatic food for thought, which requires a break somewhere along the way.

The cast is generally very-very-very good. Pierre is portrayed brilliantly. I can't think of a better or a more sincere one. I also loved the choice of actress for Mariya Bolkonskaya, watching her I could forget this is a foreign actress. Can't say the same about Natasha Rostova, though. To me this was the worst casting fiasco. I'm sure Lily James tried her best. But I, personally, found her annoying in this part. I would prefer to enjoy her performance in Downton Abbey.

On the negative side are the erotic scenes. They are soooo off here. Can you imagine Mr Wickham and Lidiya having fun on the dining room table? I doubt the British audiences would approve of it in the adaptation of their beloved classic. So I couldn't understand why it was included here. The production isn't Tudors, so that's something which is expected least of all.

The other day I read a review by a Russian film critic, which said, "This wouldn't be a truly British adaptation if it didn't end with a scene of domestic bliss" : ) Ironic as it may sound, I find it a good thing and something to thank the production team for. Why not? I enjoyed the final scenes, even though in the original book some less satisfying points were highlighted by the author.

All in all, I felt the series was filmed with attention to detail (as best one can), respect for the original material (for the most part), as well as the nation's culture and traditions. After the disastrous "Anna Karenina" and "Onegin", which ruined 2 other all-time classics of the Russian literature, "War and Peace" by Andrew Davies was a pleasant treat. I just wish this outstanding man 200 years of a happy and productive life, so the world could enjoy more of his projects.

This seemed more like a an adaptation of Tolstoy's epic by the script writers that transferred her books to the little screen. maybe the BBC should have called it War & Prejudice or Gorky Park. It seemed to focus a bit too much on the tittering girls worrying about marriage. The miniseries just felt another of the many same types of staple shows to poke at British aristocracy and little to do about Russians, except it was filmed in Russia.