CALIFICACIÓN DE IMDb
7.7/10
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TU CALIFICACIÓN
En 2001, Afganistán está bajo el control de los talibanes. Cuando capturan a su padre, una joven decidida se disfraza de niño para mantener a su familia.En 2001, Afganistán está bajo el control de los talibanes. Cuando capturan a su padre, una joven decidida se disfraza de niño para mantener a su familia.En 2001, Afganistán está bajo el control de los talibanes. Cuando capturan a su padre, una joven decidida se disfraza de niño para mantener a su familia.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 24 premios ganados y 55 nominaciones en total
Saara Chaudry
- Parvana
- (voz)
Soma Chhaya
- Shauzia
- (voz)
- (as Soma Bhatia)
Noorin Gulamgaus
- Idrees
- (voz)
- …
Laara Sadiq
- Fattema
- (voz)
- …
Ali Badshah
- Nurullah
- (voz)
- …
Shaista Latif
- Soraya
- (voz)
Kanza Feris
- Sorceress
- (voz)
- …
Kane Mahon
- Optician
- (voz)
- …
Mran Volkhard
- Megaphone
- (voz)
- …
Ezra Sholeh
- Stall Seller
- (voz)
- (as Reza Sholeh)
- …
Opiniones destacadas
From the creators of The Secret of Kells & Song of the Sea comes an unexpectedly bleak, depressing & powerfully evocative story that's crafted with the same passion, devotion & intimacy as their previous efforts, and paints a dark, disturbing & daring portrait of life under the regime of terror. Arresting, enchanting & thoroughly captivating, The Breadwinner is another winning feature from Cartoon Saloon that not only establishes them as a strong creative force but also catapults them into the same league as Pixar, Laika & Studio Ghibli.
The beauty about discovering independent animated films outside of America is that you discover gems that could never be made here. In the case of today's film, it comes from the Irish studio Cartoon Saloon, known for making The Secret of Kells and Song of the Sea. Although the film did go under the radar outside of getting an Oscar nom and premiering at TIFF in 2017, it's still regarded as a beloved feature amongst critics and film fans. What could have easily been done in live-action ends up working well in the other medium to really bring to life the turmoil in Afghanistan through pure artistry.
The Breadwinner focuses on a little girl named Parvana who lives under the Taliban rule in Afghanistan. After her father is arrested without charge, Parvana disguises herself as a boy to support her family, whilst working alongside a friend of hers named Shauzia. As a lead, Parvana helps drive the film forward so she can save her loved ones, and the stakes that come from living in such an oppressive country make us sympathize with her. That being said, there is a sense of optimism displayed through both her and Shauzia, as they cleverly trick the hierarchy who view them as boys. It's also neat how the filmmakers made Parvana feel relatable by displaying her home life that shows as many sibling rivalries and issues as the average family.
It's neat how even though the film details many hardships, it also has several moments of sweetness and levity. The film sporadically showcases a story told by Parvana that ends up connecting to all the events happening to her, and it does it in a way where we want to know how it all ends. In terms of dark content, the film does not shy away from displaying the violence, evil from the order and even bits of war to heighten up Parvana's desperation and risk taking. However, there are still moments of soothing relaxation, especially whenever Parvana tells her story, allowing the viewers to digest the severely tense moments. While they can interrupt the main narrative's flow sometimes, it's still cool to see the contrast between the harsh reality and uplifting fantasy displayed in this film.
Cartoon Saloon outdid themselves with their previous features in terms of animation, and this film is no exception. The overall Middle-eastern inspired designs of the film create a very stylish and angular hand-drawn feel that's become so rare to find nowadays. In addition, another notable contrast is how the film emulates reality in Parvana's state of being. In contrast, the stories she tells are presented in a more abstract and storybook illustrative aesthetic that gives one the impression they are viewing an ancient narrative. Where the real world is murky, grainy and filled with bright lights and grim shadows, the surreal worlds of the story display a very versatile amount of colors, designs and characters to utilize the much needed creativity from a storyteller.
Although by no means a happy go lucky film, The Breadwinner succeeds very well in telling a narrative through the harsh realities of growing up in a dangerous country filled with oppression and prejudice. If you haven't seen this film yet, definitely check it out. It works as a story of feminism, it works as a blend of differing mediums shown throughout different states of reality, and it especially works as a biting tale on surviving in a country filled with tyrannical cruelty. This is the kind of underrated gem that demands a larger audience, so it can go on to become a cult classic and then a beloved film by more than just animation buffs. If Cartoon Saloon keeps pushing themselves to making more unique and great content like this, I think they're in for a wonderful future.
The Breadwinner focuses on a little girl named Parvana who lives under the Taliban rule in Afghanistan. After her father is arrested without charge, Parvana disguises herself as a boy to support her family, whilst working alongside a friend of hers named Shauzia. As a lead, Parvana helps drive the film forward so she can save her loved ones, and the stakes that come from living in such an oppressive country make us sympathize with her. That being said, there is a sense of optimism displayed through both her and Shauzia, as they cleverly trick the hierarchy who view them as boys. It's also neat how the filmmakers made Parvana feel relatable by displaying her home life that shows as many sibling rivalries and issues as the average family.
It's neat how even though the film details many hardships, it also has several moments of sweetness and levity. The film sporadically showcases a story told by Parvana that ends up connecting to all the events happening to her, and it does it in a way where we want to know how it all ends. In terms of dark content, the film does not shy away from displaying the violence, evil from the order and even bits of war to heighten up Parvana's desperation and risk taking. However, there are still moments of soothing relaxation, especially whenever Parvana tells her story, allowing the viewers to digest the severely tense moments. While they can interrupt the main narrative's flow sometimes, it's still cool to see the contrast between the harsh reality and uplifting fantasy displayed in this film.
Cartoon Saloon outdid themselves with their previous features in terms of animation, and this film is no exception. The overall Middle-eastern inspired designs of the film create a very stylish and angular hand-drawn feel that's become so rare to find nowadays. In addition, another notable contrast is how the film emulates reality in Parvana's state of being. In contrast, the stories she tells are presented in a more abstract and storybook illustrative aesthetic that gives one the impression they are viewing an ancient narrative. Where the real world is murky, grainy and filled with bright lights and grim shadows, the surreal worlds of the story display a very versatile amount of colors, designs and characters to utilize the much needed creativity from a storyteller.
Although by no means a happy go lucky film, The Breadwinner succeeds very well in telling a narrative through the harsh realities of growing up in a dangerous country filled with oppression and prejudice. If you haven't seen this film yet, definitely check it out. It works as a story of feminism, it works as a blend of differing mediums shown throughout different states of reality, and it especially works as a biting tale on surviving in a country filled with tyrannical cruelty. This is the kind of underrated gem that demands a larger audience, so it can go on to become a cult classic and then a beloved film by more than just animation buffs. If Cartoon Saloon keeps pushing themselves to making more unique and great content like this, I think they're in for a wonderful future.
Cartoon Saloon shows us a moving story in Afghanistan; the plot is good, the characters are charismatic, the animation is excellent and the soundtrack is very good; I highly recommend it.
In the Taliban-controlled city of Kabul, Afghanistan in the early 2000s, Parvana (voiced by Saara Chaudry) is a pre-teen girl who must disguise herself as a boy in order to earn money for her family. As females are forbidden to appear in public without an adult male, she must also shop for the family as well.
"The Breadwinner" is an animated film co-produced by Canada, Ireland, and Luxembourg and is in the English language.
The story (from the book by Deborah Ellis) can be highly praised for focusing on Parvana's struggles while also involving related subplots that add richly to the story without ever creating the feeling of overwhelm or confusion. The most fascinating is one that begins as Parvana (as a boy) is approached by an illiterate man who needs to have a letter read to him.
This film pulls no punches in the injustice against females by Taliban zealots. One of the ways this is exposed is when Parvana walks outside for the first time dressed as a boy and the viewer can easily sense her great feeling of freedom.
Two other strengths add to the greatness of this movie. One is unexpected humour. It truly works despite the grim situation overall and is neither facetious nor unbelievable. The other is the beautiful visuals in the animation. This is especially apparent in a parallel mythical story - one that matches the main narrative - which Parvana narrates to her baby brother.
The finale is open-ended leaving the viewer wondering what will happen to Parvana and her family. It's a rather perfect ending as it gives us just the right amount of information for us to imagine in different ways what could happen next.
Make no mistake: "The Breadwinner" is a winner in many ways. - dbamateurcritic
"The Breadwinner" is an animated film co-produced by Canada, Ireland, and Luxembourg and is in the English language.
The story (from the book by Deborah Ellis) can be highly praised for focusing on Parvana's struggles while also involving related subplots that add richly to the story without ever creating the feeling of overwhelm or confusion. The most fascinating is one that begins as Parvana (as a boy) is approached by an illiterate man who needs to have a letter read to him.
This film pulls no punches in the injustice against females by Taliban zealots. One of the ways this is exposed is when Parvana walks outside for the first time dressed as a boy and the viewer can easily sense her great feeling of freedom.
Two other strengths add to the greatness of this movie. One is unexpected humour. It truly works despite the grim situation overall and is neither facetious nor unbelievable. The other is the beautiful visuals in the animation. This is especially apparent in a parallel mythical story - one that matches the main narrative - which Parvana narrates to her baby brother.
The finale is open-ended leaving the viewer wondering what will happen to Parvana and her family. It's a rather perfect ending as it gives us just the right amount of information for us to imagine in different ways what could happen next.
Make no mistake: "The Breadwinner" is a winner in many ways. - dbamateurcritic
This was a unique and very different kind of movie. It's not likely that an animated movie would be set in war-torn Afghanistan. But this one was. And it _felt_ very authentic. I'm no authority on whether it was authentic or not, but it's the attention to detail that lends to the feeling of authenticity. Details about life, the clothing, the accents, the marketplaces, the politics, the culture, etc., add to the richness of the movie.
It's an animated movie. So of course you expect it to all end well at the end. But as you near the ending, you start to wonder how could it possibly end up all well. And then you get to the ending. And then, I don't know. Of course, I won't spoil it. But the ending was not a conventional ending. It wasn't a sad ending; it wasn't a happy ending. I guess it was an ambiguous ending. And even though it leaves me without a fully satisfying ending, the journey it took me on was fantastic!
It's an animated movie. So of course you expect it to all end well at the end. But as you near the ending, you start to wonder how could it possibly end up all well. And then you get to the ending. And then, I don't know. Of course, I won't spoil it. But the ending was not a conventional ending. It wasn't a sad ending; it wasn't a happy ending. I guess it was an ambiguous ending. And even though it leaves me without a fully satisfying ending, the journey it took me on was fantastic!
¿Sabías que…?
- TriviaThe book that's being read in the real world and the fantasy world sequences in the film is the same. It's a volume of poetry by Rumi.
- ErroresAccording to sources the film takes place in 2001. But the currency used in the film is Afghani which wasn't introduced until 2003.
- ConexionesFeatured in The 75th Annual Golden Globe Awards (2018)
- Bandas sonorasThe Crown Sleeps
Performed by Felicity Williams and Elaha Soroor
Original Song by Qais Essar
Lyrics by Joshua Hill
Arranged and Produced by Aaron Lightstone and Justin Gray
Mixed and Remastered by Justin Gray
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- How long is The Breadwinner?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Cô Bé Dũng Cảm
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 313,215
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,395
- 19 nov 2017
- Total a nivel mundial
- USD 2,790,214
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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