Alleluia! The Devil's Carnival

I will admit, I wasn't sure where this one was going to go, but the creators delivered! The film has a longer running time, but still paces like the first, which helps diminish the 3 year gap between the two films. I was excitedly tapping (or stomping) my feet to the songs as the musical numbers came up. Like the first, I loved the characters and loved the story. If you are a fan of any of the performers and crew involved, or you loved musicals, this movie is for you, ESPECIALLY if you loved the first episode. Can't wait to see it again and again! Correction, can't wait to EXPERIENCE it again and again! Reviewing the movie here almost seems unfair. TDC was created to be experienced and consumed, not just watched!

I've been looking forward to this ever since I saw the first movie. It was definitely good, I thoroughly enjoyed the story (which was actually more of a prequel) and it was nicely done with sets, costumes, lighting, special effects, etc. I think it wasn't made quite as clear as it should have that most of the movie was a flashback, I got the impression that the flashback parts were just a parallel story line until near the end when it became obvious what the backstory was, although I won't go into more detail on that because it would be a spoiler. My main issue with this movie was that the music just didn't get to me. The first movie had some really catchy tunes ("Grief", "Beautiful Stranger", "Grace for Sale", etc.), as did Repo! by the same creators, but the songs in this one felt a little too... Staggered, for a lack of better words. They just didn't stand out. The only one that really appealed to me was "Hoof and Lap". Aside from that, this was interesting and I do hope they make a third one, because this really leaves you wanting more!

I loved the first movie and initially had very high hopes for the second installment. But... I started to feel disappointment in what I perceived as too much too late, trying too hard and failing, based on the clips and info being released up until the premiere (last evening). I had already planned to fly out to see the movie, and remained loyal to that commitment....

The film blew my mind. All my doubts, questions... all of them were answered. The music, visuals and acting was perfect. My biggest worry was if they could bridge the gap from the first film, and still bring something new. What I watched was beyond even my wildest expectations and I'm so glad that I went ahead with it! There were a lot of new (to the films) faces and while that could have been disastrous, it was exactly the opposite.

A feature-length sequel to a 50-minute short, I had no idea what to expect walking into this film. It completely blew my mind at every turn - it's like an acid trip art film, yet it has EVERY ELEMENT of the classic golden-age-of-Hollywood films of legend. Old-timey color filters, silent-movie setting titles, period slang, capes on suits, catchy tunes, swing dancing, police brutality, Schutzstaffel armbands, and Adam Pascal in a dog collar.

....Okay, maybe a couple of those were left out of the old classics. My point is, this film is like no other. It's Gentlemen Prefer Blondes meets Fight Club. You can't dream this shiz up. Unless you're Terrance Zdunich, of course. Then, I'd imagine, it'd be all you ever thought about.

In the interest of full disclosure, let me state right off the bat that I worked on this film.

However...

I've worked on other projects that I maybe didn't like all that much. This one is different.

I've always been a huge fan of musical theater, having grown up working crew for various productions throughout my early years. Then I got swept away by the music industry, and all my focus rested there - until I somehow found myself watching 'The Devil's Carnival' and working on that film's social media. It brought me right back to my roots, and I've jumped at every chance to further that project and this, its sequel, ever since.

When we were filming this one, 'Alleluia! The Devil's Carnival,' it became clear to me that what we were making went beyond the staid formula for musicals and indie films. We were pushing ourselves to create art that would transcend genre boundaries.

After watching the film at the premiere the other night, I feel as though we succeeded. The music, of course, is absolutely wonderful - catchy songs, with vocals that fit perfectly with the vision set forth by the creators of this topsy-turvy universe. Visually, the film is stunning: the wardrobe and art departments completely blew my mind with their pieces, the makeup and prosthetics were truly fantastic, and the cinematography and lighting make everything come to life even more.

I can't possibly say enough about the actors, from legends like Paul Sorvino and Ted Neeley and Adam Pascal (that voice!) to music icons like Emilie Autumn and Tech N9ne and Oghr, and all the other actors who you'd probably recognize from more mainstream projects (including super gorgeous humans Lyndon Smith and Briana Evigan and Kristina Klebe, to name a few). Each one brings something special to their character, a magic that you just can't write - it comes from within.

I'm eternally grateful to have been part of this maddening, chaotic, wondrous world...and hope that everyone who watches this film enjoys it as much as I did.