Baby, el aprendiz del crimen

Baby Driver is one hell of a film,I was lucky enough to go to preview of this film and it was worth it.This film uses music the way no other film has ever, It's stylish and has a cast that bring it to life especially Ansel Elgort,Jamie Foxx,Jon Hamm and Kevin Spacey bring a performance that almost tops all their others.The film has exciting car chases and intense moments that leave you on the edge of your seat just acing to know what happens,the final act is probably where Baby Driver shines in all it's glory.Period. Overall this film is a film for everyone,it has music that makes you want to get up and dance right there in the theater.I give Baby Driver a 10/10,go and see it now.

Edgar Wright remains one of my all-time favourite directors. Why? Because each and every film he crafts reeks of originality, he takes a few similar traits, throws them together, delves down a completely unexpected route and forms something unique, something masterful. From 'Shaun of the Dead' to 'Hot Fuzz' and so on and so forth, each film feels like something you think you've witnessed before, but on a whole new level, something fresh, something alluring, packed with adrenaline... and of course, 'Baby Driver' followed suit.

'Baby Driver' is an utterly engrossing caper-comedy that is (in my personal opinion) the finest film to face 2017 so far, I couldn't help but smile throughout, from the stunningly executed action scenes and stunts, through to the soundtrack (with an abundance of classic rock and soul tracks) and finally the heavily relatable characters. The lack of disappointment in Edgar Wright's work continues with this masterful film, which is ultimately also one of the coolest films of the past decade or so.

Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement, however when something like 'Baby Driver' makes an appearance, it's refreshing to know that indie films are still taking this planet by storm and shunting the blockbusters out of the limelight. To know that certain production companies still trust the creativity of a director over the monetary expectations, and by doing so, unleashing a flurry of fantastic independently "driven" films.

I'm gonna finish with this (partially odd) statement / testimonial... when I went to sleep last night, I had odd dreams of car chases and stunt driving to rock classics, and that is thanks to this film, the fact that it stuck with me even when I wasn't fully conscious. That's how much of a damn cool film 'Baby Driver' is... just go watch it, just throw away your tickets to 'Transformers' and 'The Mummy' etc, and go see this instead.

Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.

In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.

The film stars Ansel Elgort as the titular character in deep with some undesirables from the criminal underworld. To pay them back, he must use his driving skills to help with a number of heists. During all this, he becomes smitten with a waitress (Lily James) who makes him feel like he's more than just a criminal. He then decides to try and escape his life of crime, but he soon realizes that it's much easier said than done.

I must say, Edgar Wright did a fantastic job with this film. All the music fit so well in their respective scenes, combined with the great acting all around to make one of the most entertaining films I've seen in a long time.

Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers. This is the first time Wright has worked with this much star power, specifically American star power. The actors played well off of each other, especially in scenes involving comedy where they nailed the punchlines.

The music was good, not all of it recognizable by the average viewer, but effective nonetheless. Supposedly Edgar Wright based the whole movie idea around the Baby Driver song by Simon & Garfunkel, which is an accomplishment all on it's own.

Baby Driver was paced well, was never boring, and made me want sit back down in my seat and watch it over again.

I wanted to keep this review kind of short, but I did want to give you enough information to hopefully convince you to go out and see this film if you get the chance.

My suggestion: Do yourself a favor, go enjoy a night out at the movies and go see Baby Driver!

Seen at a advance screening in Roseville, Minnesota.

I somehow felt love and hate sort of feeling for Baby Driver. The movie started off on nice note but then somehow slows down and eventually picks up too much pace in second half. It's pretty hard to keep the interest alive all the time. I really loved the song selection and even noticed me nodding to few beats as well. The car action sequence were well shot too. But then the second half of the movie was so fast that it feels like they just wanted to end this but still wanted to keep it alive. Don't think if there was any need of few gruesome sequences.

The story had so much potential and having some good cast along, it could have gone to great heights. But it disappoints in this area and turns out to be just another mindless action drama for light viewing.