Monty Python Live (Mostly)

Having watched a lot of the Monty Python sketches on TV as a kid, I have always had a particular fondness for the comedy from these English chaps. And the 2014 farewell show definitely is something you have to watch if you enjoy Monty Python.

With 45 years of comedy, the guys certainly have brought a lot of laughs to the audience throughout the years. And what works is the quirkiness of the sketches and their ability to take things a step further out than what you expect and still keep it hilarious and enjoyable.

And the six chaps, being John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin and Graham Chapman each brought something unique and funny to the troupe, giving the sketches their own personal and memorable touch. And that is what I enjoyed throughout the years.

It was good fun to watch the guy revisit old and classic sketches and songs in this 2014 show, and I will say that they went out with a bang, because "Monty Python Live (Mostly)" was great entertainment.

My rating of "Monty Python Live (Mostly)" lands on a six out of ten stars.

The mere existence of a Python reunion after all this time is worth celebrating, and I can't say it wasn't cool to see the surviving members side-by-side on that stage, but the ensuing performance left a lot to be desired. Despite all efforts to imply the opposite, this largely felt like a troupe of rusty old-timers stammering their way through the material of their youth, minus the power, sincerity and resounding cultural relevance of their heyday. I snickered with some regularity, but that was mostly due to long-term appreciation rather than of-the-moment admiration. The whole show felt too polished and jazzy, a billion-dollar spit shine that stood at-odds with the quaint, elbow-greased character I'd grown to know and love. Dozens of forced, sharply unfunny dance sets padded out each costume change - of which there were many - and seemed to annoy even the cast members, who varied in mood from ecstatic (Terry Gilliam) to barely-bothered (John Cleese). The show wheeled out all the right skits, but the funniest bits were when the actors would flub a line and go off-script to needle each other. Disappointing.

I really wanted to get tickets to this but they were hugely expensive and very difficult to get hold of also I couldn't attend the 'live' cinema screening of the last night as we were on holiday. For both of these misfortunes I can now in hindsight be very glad.

A re-union after such a long time is always risky and likely to disappoint, just ask many rock bands that tried to re-capture the old magic, and the Pythons pretty much fail in the expected ways. They're old tired-looking men performing material written by bright energetic young men and it shows. In many of the routines they appear to be simply going through the motions, there's no energy or edge to the performances. The sharp comic timing is generally absent and instead there's heavy reliance on the good will of the audience enjoying the familiar favourites.

Eric Idle and his team did put together a cleverly constructed show, with big musical and dance numbers in a Python style to give the Pythons themselves time to change costumes and, presumably, have a little lie down.

Very little of it made me laugh out loud and the bits that did were generally the big-screen inserts showing famous sketches from the TV-era Python, such as Philosopher's Football, and their series of spoofs on the Olympics, the hundred yard dash for people with no sense of direction etc.

It was great that they included Carol Cleveland, the unofficial seventh Python and the only regular female performer in the shows and films, and there are a couple of funny cameos from Professors Brian Cox and Stephen Hawking at the end of one of the few bits that really did still work, Eric Idle's Galaxy Song from the film "The Meaning of Life". The Argument Sketch, the Dead Parrot Sketch and The Cheese Shop Sketch all worked pretty well as did "Nudge Nudge" but aside from that very little of it would have attracted a paying audience if it wasn't part of an established and historic team.

The DVD itself was badly let down by the appalling picture quality; it was often like watching something on YouTube! It was grainy and fuzzy in almost all the close-ups and I wonder if there had in fact been no close-up shots filmed and the close-up was just a computer- enhanced zoom in on an existing wide shot with the usual loss of resolution that this entails? If so then someone from the film production team needed firing.

For die-hard Python fans only, and even then you'd be better off watching "Life Of Brian" or "Holy Grail" again.

Yes, those are mostly well known famous sketches you probably know if you are a fan. Adapted and made more glamorous and spectacle for such enormous audience but the core is very well known. But it's never boring or unfunny and it was great to see old (now literally) guys together again. They still have it and they can still make me laugh. They still have the energy and big smiles, so why stop at any age?

I found the whole thing to be rather flat and forced. The problem, in my opinion, stems from the Pythons putting on this big, extravagant, over-long show - perhaps to justify the high ticket cost of seeing the show there in London? - with endless dancing and musical numbers, and some celebrity guest stars (on the DVD we only see Mike Meyers and Eddie Izzard on stage with the troupe; Warwick Davis and Stephen Fry, among others, also appeared during the show's run, and can be seen, briefly, in the DVD extras. Brian Cox and Stephen Hawkins appear in a funny taped segment).

The old skits performed here feel tiresome; the clips from Flying Circus are too familiar to be funny. The only genuine laughs occurred when one of the Pythons deviated from the anticipated - either purposely (a new gag scripted into an old skit) or accidentally (because someone has flubbed/forgot a line or ad-libbed an unexpected joke). The longest and best laugh of the entire show came toward the end in the combination Pet Shop/Cheese Shop skit with Michael Palin and John Cleese.

The big thing missing was irreverence, not taking themselves too seriously. Things got off to a good start with a funny piece of animation that revealed Graham Chapman's head - which then got kicked like a football (English football). Unfortunately, this was followed up by the still-unfunny-as-it-was-back-on-MPFC llama skit, with John Cleese and the Pythons addressing the audience in Spanish (not French, as in the original skit, if I recall correctly). There were far too many musical numbers, which I found myself fast-forwarding through. Hey, at least that helped cut down on this DVD's long running time!

Monty Python Live (Mostly) is the troupe taking a victory lap as establishment figures - not the take-no-prisoners comedy radicals that they once were. Besides, "Sit on my Face" seems awfully quaint in comparison to the potty-mouth kids of South Park. The end result here would've been much better if they'd allowed themselves to tweak their known skits and come up with something new and surprising, audience expectations be damned.

(On a side note, the booklet accompanying the DVD gives thanks to Tim Brooke-Taylor for allowing use of The Four Yorkshiremen skit but doesn't credit Marty Feldman as co-writer of the skit. It was originally performed on the At Last The 1948 show by Feldman, Brooke-Taylor, Cleese and Chapman).