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El jilguero

Título original: The Goldfinch
  • 2019
  • B15
  • 2h 29min
CALIFICACIÓN DE IMDb
6.4/10
29 k
TU CALIFICACIÓN
POPULARIDAD
4,970
1,790
El jilguero (2019)
A boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the Metropolitan Museum of Art.
Reproducir trailer2:25
7 videos
99+ fotos
CrimenDramaMisterio

Un chico de Nueva York es adoptado por una rica familia del lado noreste de la ciudad después de la muerte de su madre en un bombardeo en el Museo Metropolitano de Arte.Un chico de Nueva York es adoptado por una rica familia del lado noreste de la ciudad después de la muerte de su madre en un bombardeo en el Museo Metropolitano de Arte.Un chico de Nueva York es adoptado por una rica familia del lado noreste de la ciudad después de la muerte de su madre en un bombardeo en el Museo Metropolitano de Arte.

  • Dirección
    • John Crowley
  • Guionistas
    • Peter Straughan
    • Donna Tartt
  • Elenco
    • Oakes Fegley
    • Ansel Elgort
    • Nicole Kidman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    29 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,970
    1,790
    • Dirección
      • John Crowley
    • Guionistas
      • Peter Straughan
      • Donna Tartt
    • Elenco
      • Oakes Fegley
      • Ansel Elgort
      • Nicole Kidman
    • 341Opiniones de los usuarios
    • 154Opiniones de los críticos
    • 40Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Videos7

    Official Trailer #2
    Trailer 2:25
    Official Trailer #2
    UK Trailer
    Trailer 2:25
    UK Trailer
    UK Trailer
    Trailer 2:25
    UK Trailer
    Official Trailer
    Trailer 2:21
    Official Trailer
    The Goldfinch
    Trailer 2:27
    The Goldfinch
    The Goldfinch
    Trailer 2:31
    The Goldfinch
    Weekend Box Office: Sept. 13 to 15
    Clip 0:58
    Weekend Box Office: Sept. 13 to 15

    Fotos362

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    Elenco principal99+

    Editar
    Oakes Fegley
    Oakes Fegley
    • Young Theo Decker
    Ansel Elgort
    Ansel Elgort
    • Adult Theo Decker
    Nicole Kidman
    Nicole Kidman
    • Mrs. Barbour
    Jeffrey Wright
    Jeffrey Wright
    • Hobie
    Luke Wilson
    Luke Wilson
    • Larry
    Sarah Paulson
    Sarah Paulson
    • Xandra
    Willa Fitzgerald
    Willa Fitzgerald
    • Adult Kitsey Barbour
    Aneurin Barnard
    Aneurin Barnard
    • Adult Boris
    Finn Wolfhard
    Finn Wolfhard
    • Young Boris
    Ashleigh Cummings
    Ashleigh Cummings
    • Adult Pippa
    Aimee Laurence
    Aimee Laurence
    • Young Pippa
    • (as Aimée Laurence)
    Robert Joy
    Robert Joy
    • Welty
    Boyd Gaines
    Boyd Gaines
    • Mr. Barbour
    Carly Connors
    Carly Connors
    • Young Kitsey Barbour
    Luke Kleintank
    Luke Kleintank
    • Adult Platt Barbour
    Hailey Wist
    Hailey Wist
    • Theo's Mother
    Ryan Foust
    Ryan Foust
    • Young Andy Barbour
    Jack DiFalco
    Jack DiFalco
    • Young Platt Barbour
    • Dirección
      • John Crowley
    • Guionistas
      • Peter Straughan
      • Donna Tartt
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios341

    6.428.7K
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    Resumen

    Reviewers say 'The Goldfinch' explores themes of trauma and art, with standout performances by Ansel Elgort and Oakes Fegley. Roger Deakins' cinematography is lauded, yet the film's length and convoluted narrative are criticized. Emotional depth and pacing issues are noted, with mixed opinions on its fidelity to Donna Tartt's novel. Despite these flaws, some find it engaging and resonant.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    6ferguson-6

    circumstances such that

    Greetings again from the darkness. The challenge after watching this movie is deciding whether it needed more time or less. With a run time of two-and-a-half hours, that may seem like a ludicrous question, but Donna Tartt's Pulitzer Prize (fiction) winning 2013 novel was almost 800 pages long, covering many characters and spanning more than a decade. What to include and what to omit surely generated many discussions between director John Crowley (the excellent BROOKLYN, 2015) and screenwriter Peter Straughan (Oscar nominated for the fantastic TINKER TAILOR SOLDIER SPY, 2011).

    13 year old Theo (Oakes Fegley) is visiting the Metropolitan Museum of Art with his mother when a bomb explodes leaving Theo dazed in the rubble and his mother dead. An encounter with an injured stranger causes Theo to take a painting and flee the museum. Theo proceeds to hide the artwork as the family of one of his schoolmates takes him in. The painting is "The Goldfinch" by Rembrandt's pupil Carel Fabritius. In the first of many parallels separated by time, we learn Fabritius was killed (and most of his work destroyed) in an explosion. In fact, it's these parallels and near-mirror-images are what make the story so unique and interesting ... and so difficult to fit into a film.

    When Theo's long-lost drunken shyster father (Luke Wilson) shows up with his equally smarmy girlfriend Xandra (Sarah Paulson), they head to the recession-riddled suburbs of Las Vegas. It's here where Theo meets Boris (Finn Wolfhard, Richie from the two IT movies), a Ukranian emigrant living with his dad (yet another parallel). The two boys become friends, partaking in drugs, alcohol, and shoplifting. Another tragedy puts Theo on the run. He finds himself back in New York, where he takes up with Hobie (Jeffrey Wright), the partner of the stranger from the museum.

    All of this is told from the perspective of young adult Theodore Decker, played by Ansel Elgort. We see him bunkered in a hotel room contemplating suicide. The story we watch shows how his life unfolded and landed him in this particular situation. And it's here where we find the core of the story. Circumstances in life guide our actions, and in doing so, reveal our true character. Theo carries incredible guilt over his mother, and his actions with Hobie, regardless of the reasons for doing so, lead him to a life that is not so dissimilar to that of adult Boris (Aneurin Barnard, DUNKIRK) when their paths cross again.

    Other supporting work is provided by Ashleigh Cummings as Pippa, the object of Theo's desire, Willa Fitzgerald (played young Claire in "House of Cards") as Kitsey Barbour, Theo's fiancé, as well as Denis O'Hare, Peter Jacobson, and Luke Kleintank. As a special treat, Oscar winner Nicole Kidman plays Mrs. Barbour in what feels like two different performances. When Theo is young, she is the cold, standoffish surrogate mother who takes him in; however when older Theo returns, her own personal tragedies have turned her into a warm bundle of emotions in need of pleasantry. It's sterling work from an accomplished actress.

    The segments of the film that resonate deepest are those featuring Oakes Fegley as young Theo. Fegley was so good in the criminally underseen WONDERSTRUCK (2017), and here he conveys so much emotion despite maintaining a stoic demeanor. It's rare to see such a layered performance from a young actor. Of course the film is helped immensely by the unequaled work of cinematographer Roger Deakins. Mr. Deakins finally won his first Oscar last year in his 14th nomination. Trevor Gureckis provides the music to fit the various moods and the two time periods. All of these elements work to give the film the look of an Oscar contending project; however, we never seem to connect with the older Theo, which leaves a hollow feeling to a story that should be anything but. Instead we are left to play "spot the parallels" ... a fun game ... but not engaging like we would hope.
    8karimgh

    The critics are wrong about this one

    I had high hopes for this movie ever since it was announced, as it had cast an all-star cast and the novel (though I never read it) was considered great, so when the negative reviews came out, I lowered my expectations going into the movie and I'm glad I did. The cinematography was great as well as the directing, Oakes Fegley is a star in the making and this is his movie. The remaining cast was pretty good and Finn Wolfhard, despite what critics are saying, nails the Russian accent. This movie represents life and how just one mistake can change your future drastically and it's not a movie for casual film-goers (as I thought 10 minutes could have been trimmed). All in all I loved The Goldfinch and don't let the critics convince you not to watch it.
    6f-keys

    Sparknotes lite version

    Overall, well done film in terms of acting, cinematography, and ambiance. But if you walked into this film with no knowledge of the plot.. you'll walk out without knowing any more. It feels more like an extended trailer or light outline of the story rather than delving in to anything. Nothing is ever fully explained, silences brood with no answers, and overall just felt like it was completely missing a rich story line. Want to know the story? Read the book.
    6Hitchcoc

    Disappointing

    I have a hard fast rule. Never compare a movie to the book on which it is based. This, of course, is impossible in many ways. But one needs to accept the limitations of the silver screen. Little introspection, detail, character development, and so on. Obviously, with good direction and acting, we have a new telling of a tale. I really enjoyed the book here, but was astounded that a movie was being made of it. The dull portrayal of the cerebral nature of the plot doesn't stand up well. It kept my interest only in a how-are-they-going-to-show that kind of way. There is something so drab here. We are asked to glean all kinds of information from close-ups of the protagonist and Nicole Kidman. Connections fail. Suspense is non-existence and contrived. Some books just weren't meant to be movies.
    9farmeglio

    Despite what so many say, the story makes complete sense.

    If you listen carefully and pay attention to all the details, you'll find the plot fits together like a jigsaw puzzle.

    I enjoyed this movie immensely, a process that may have been helped by being able to turn on subtitles at home (which handled the mumbling and the background noise distractions). This was one clever script, but again, you have to stay alert. (I have not read the book.)

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The painting featured in the novel, The Goldfinch, is work by Carel Fabritius from 1654. It belongs to the collection of the Mauritshuis in The Hague, Netherlands. Author Donna Tartt first saw the painting twenty years before the release of the book.
    • Errores
      It is not possible for a dead person to stay in a sitting position on the floor as all muscles lose their tone or power: the back muscles cease to support the spine and chest.
    • Citas

      Adult Theo Decker: I wear bespoke suits. I swim twice a week. I socialize with people I can't stand. I'm relaxed, personable. I don't indulge in self pity. It's true what I read, "We're so accustomed to disguise ourselves to others, that in the end we become disguised to ourselves."

    • Créditos curiosos
      Credits are unfolding over travelling zoomed images of the painting "The Goldfinch".
    • Conexiones
      Featured in CTV News at 11:30 Toronto: Episode dated 8 September 2019 (2019)
    • Bandas sonoras
      Piano Concerto No. 5 in E-flat major Op. 73 II. Adagio un poco mosso
      Written by Ludwig van Beethoven

      Performed by Glenn Gould with Leopold Stokowski and the American Symphony Orchestra

      Courtesy of Sony Classical

      By arrangement with Sony Music Entertainment

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    Preguntas Frecuentes

    • How long is The Goldfinch?Con tecnología de Alexa
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de septiembre de 2019 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idiomas
      • Inglés
      • Ucraniano
      • Alemán
      • Francés
    • También se conoce como
      • The Goldfinch
    • Locaciones de filmación
      • Albuquerque, Nuevo México, Estados Unidos
    • Productoras
      • Amazon Studios
      • Color Force
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 45,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 5,332,621
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,679,027
      • 15 sep 2019
    • Total a nivel mundial
      • USD 10,032,621
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 29 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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