Conspiración y poder

Powerful non-fiction drama about the modern-age tactic of tearing apart someone else's news story for fear of its validity--or rather, finding a vulnerable link in that story and attacking it, dissecting it in the public eye, until nobody remembers anymore what the point of the actual story was supposed to be, only that a flaw was found and therefore it's a crock. Cate Blanchett is excellent as "60 Minutes" producer Mary Mapes who, just prior to the 2004 presidential election, thought she found a tasty piece for the television news program on CBS: questioning whether President George W. Bush received preferential treatment during his time in the military. With hard evidence in the form of letters and documents that Bush did skate by (going AWOL for one year), Mapes and her team beat a five-day clock to produce the story news-anchor Dan Rather (Robert Redford) reported on the air. All appears to be fine after the segment airs, but when pro-Bush camps go after the accuracy of the documents--perhaps smelling a liberal bias--Rather, Mapes and her crew are all called on the carpet by nervous network executives. An investigation of journalism, of television news and its ethics, of politics in the business of TV news and the internal workings of breaking a story about a story all come to the fore here, in generally grand fashion. Redford, initially, seems a curious choice for Rather; he looks nothing like the legendary television personality, though he does have Rather's cadence down and you come to believe in the performance. Blanchett and her support, Dennis Quaid, Topher Grace and Elisabeth Moss, are all terrific. Director James Vanderbilt, who also co-produced and adapted Mapes' book, "Truth and Duty: The Press, the President and the Privilege of Power", does fluid, engrossing work. While the theatrical film faded fast at the box office, it plays very strongly on cable or home video. This might have been the perfect HBO event movie, the intimate medium of television a better fit for the material. *** from ****

"Truth" is one film that's not great still it's an eye opening film that makes you think as each and every viewer must inform his or her own call no matter how you see the issue or what political side of the table your on. It questions in today's modern world of media do or can we really as people believe and trust documents and phone conversations and word of mouth. It pays so much to investigate and dig and dig real deep for information for sure when it involves a president's war record and service time and it's critical to get it right just before the reelection campaign of the one in question. Anyway you know the facts and this film portrays the real life story of the newsroom drama that took place in 2004 as it involved the report on President George W. Bush's military service record and brought to light was he really present or away on some of his air national guard service and was he a draft get away guy of war was he a son of special privilege. All of this in question would bring down and cut short the jobs of CBS news producer Mary Mapes(Cate Blanchett) and CBS legend evening news anchor and reporter Dan Rather(Robert Redford). Overall a film that grips with drama and searches for answers still you the viewer make you own call about right or wrong or "Truth".

Mike Smith: Why did you get into journalism?

Dan Rather: Curiosity. Why'd you get into it?

Mike Smith: You.

These three simple lines cut right to the heart of Truth, the new movie from established writer and first time director James Vanderbilt (Zodiac, The Amazing Spider-Man). The news used to consist of hard hitting investigative journalism, a public service that would expose relevant stories to shed light on the true condition of a deceptive world. Now, instead of covering stories like The Watergate Scandal or what was really happening in Vietnam, newscasters have become mouthpieces. They have become the personalities on TV who we look to for a recap of what happened last night on American Idol or what President Obama had for breakfast this morning. Truth attempts to shed light on the corruption of investigative journalism by corporate greed and political agendas which make it impossible for respected newscasters and their producers to do their jobs, and in so doing it shows us a dangerous future of smoke and mirrors that is already taking hold. Despite some of the film's minor faults, Truth is a beautiful and moving Requiem for The News.

When a scandal does come along that could rock the foundation of American politics, such as the surfacing of the so-called Killian Documents, there are factions that will try to kill the story no matter how much evidence of proof exists. This is the story of Truth, based on the book written by...

Check out the full review on David 'n the Dark! https://davidnthedark.wordpress.com/2015/10/25/a-requiem-for-the- news/

Truth is a thoughtful, subtle, quietly powerful movie - something you don't see much of these days. Yes, it's about the rights of wrongs of a journalistic investigation, part All The President's Men, part Shattered Glass. But it is also charts what has happened to news in recent decades, in particular how it has become a game of "Gotcha!", as the real issues, arguments and truths get lost in superficialities that better lend themselves to headlines and 30-second grabs, and how the news agenda is buffeted by politics, corporate demands and entertainment values. The films chief assets are a smart, snappy screenplay and an another astoundingly nuanced performance by Cate Blanchett. If she had not won an Oscar nomination for her riveting performance in Carol, then she should surely have been nominated for Truth.

James Vanderbilt's feature debut "Truth" assembles the likes of two- time Academy Award winner Cate Blanchett, alongside Oscar-winner Robert Redford, in a story about how Mary Mapes and Dan Rather lost their careers following a "60 Minutes" story about George W. Bush's military records. While professionally and passionately executed with the performances of its cast, Vanderbilt's film doesn't quite have a strong enough handle on the material or the story he's trying to tell. What is left by the credits, is a duo of stellar turns, alongside often forced and unnatural dialogue. If anything, it'll be the work of those two veterans that will pull you through successfully but most importantly, it does spark a needed interest on the state of modern journalism. Vanderbilt should be applauded for that at minimum.

"Truth" begins with Mary Mapes (Blanchett) producing a "60 Minutes" special, in which host Dan Rather (Redford) presented documents of George W. Bush's military records, showing that he went AWOL during his time in the military and received special treatment. After the episode airing, bloggers and experts make accusations that the records are indeed fake. As Mapes and her team try anxiously to retrace their steps, inaccuracies and possible corruption is brought to light.

Putting politics aside, I've never read Mary Mapes' "Truth and Duty," the memoir on which the film is based upon. Going by what the film shows, Mapes' account of the aftermath following the "60 Minutes" special becomes a dog chasing its tail. Unsure if they were trying to portray an incompetent producer/journalist, or a misguided woman, led astray by false information. Nevertheless, Vanderbilt's script, at times, portrays a compelling argument in favor of the accuracy but leaves the audience wondering what he or anyone firmly believes. There is some great things happening in the story, that would have made a smarter, more interesting complete film. Vanderbilt explores the relationship of Mapes and her family, which makes for an interesting perspective to see her actions. Rather's tumultuous relationship with CBS is touched upon, but little else outside of the compounds of the cameras.

Calling back to a film like "Shattered Glass," Blanchett often feels like Hayden Christiansen, desperately believing the "story" but giving everyone around her doubt. Cate Blanchett's work explodes on screen, jolting in and out of coherent thoughts and persuasion, often never letting the viewer feel secure about their how they really feel about her. In one dynamite scene, and we'll call it her "Oscar scene," Blanchett controls the screen and her cast members with a bull-like charge, invoking and bringing to life, the best written scene of the film. It's one of her very best performances ever, and something that will courageously keep her in the Oscar conversation for Best Actress.

Robert Redford's stoic and reserved take on Dan Rather is a quiet storm, and likely the unsung hero of the film. He takes on the man's mannerisms but inserts his own sensibilities about how we perceive him to be. Dennis Quaid shines as an ex-Military personnel working on the story while Topher Grace goes a little bit overboard as a manic and shrill young journalists trying to find the conspiracy theories. Elisabeth Moss is regulated in general inquiries about the players behind the documents but offers little else in her underwritten role. Bruce Greenwood, as the president of CBS, is fantastically present. David Lyons also surprises as Josh Howard, a role that boils right to the top without going over. Same goes for the always diabolical Stacy Keach.

"Truth" excels in many of its technical merits. Brian Tyler's score offers depth and suspense to certain scenes while Mandy Walker's camera work softly maneuvers through the film. Richard Francis- Bruce's editing almost nailed a perfect ending to the film, but for whatever reason, was taken to one extra scene that the viewer truly didn't need.

"Truth" may not be an all-out homerun for Vanderbilt, but its a fine example of the exceptional work that Blanchett and Redford are capable of doing in any role they're given. Though not magnificently executed, I can't help but still ponder on its findings, and the questions that it brings up in its first few moments. He gets the mind thinking, and the juices flowing, before ultimately resting on the merits of two journalists that may or may not have been duped.