Las secretas cartas de amor de una adolecente salen a la luz y hacen estragos en su vida amorosa.Las secretas cartas de amor de una adolecente salen a la luz y hacen estragos en su vida amorosa.Las secretas cartas de amor de una adolecente salen a la luz y hacen estragos en su vida amorosa.
- Premios
- 5 premios ganados y 11 nominaciones en total
Madeleine Arthur
- Christine
- (as Madaleine Arthur)
Isabelle Beech
- Young Lara Jean
- (as Isabelle Beach)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Netflix recommended this, so i watched it. i was actually pleasantly surprised. it's no cinematic masterpiece, and some of the lines are kinda cringy, but i enjoyed it far more than i thought i would.
I haven't read the book, and hadn't heard about it, so I didn't have high expectations. Like others have said, Netflix hasn't had many good original movies recently (or shows, for that matter), but this one was good. I didn't have high expectations for the first 10 minutes but it redeemed itself pretty quickly. I think i might read the book!
It was a very cute story, and nicely shot. For the most part I found the dialogue to be natural and believable and the fake dating trope (though far from something we've never seen before) is one I can never tire of.
Though I was rooting for the main couple I felt their resolution required a tad more build up. I loved the overall concept and characters but I did feel more could have been done with them
Though I was rooting for the main couple I felt their resolution required a tad more build up. I loved the overall concept and characters but I did feel more could have been done with them
Oldsters (like me) are decades removed from this movie's target YA audience but, if you liked the teenage angst movies of John Hughes ("Sixteen Candles," "Pretty in Pink," "Some Kind of Wonderful") you can truly enjoy this modern-day, politically corrected dip into that genre. ("Sixteen Candles" actually gets a shout-out in the flick.)
It takes some suspension of disbelief (some relaxation of the critical mindset that comes with age) but no more than others of its type. ("Lady Bird" being the exception -- a teen angst movie that overlaid the Hughes blueprint with grit and realism.)
The biggest obstacle is accepting the obviously older actors playing teens, especially the 30-something actress playing the 18-year-old sister. (Molly Ringwald was 16 when she played a 16-year-old.) If that doesn't bother you, then go for it. (Mostly it's 20-somethings in the late-teen roles, according to birthdates on IMBD.)
It takes some suspension of disbelief (some relaxation of the critical mindset that comes with age) but no more than others of its type. ("Lady Bird" being the exception -- a teen angst movie that overlaid the Hughes blueprint with grit and realism.)
The biggest obstacle is accepting the obviously older actors playing teens, especially the 30-something actress playing the 18-year-old sister. (Molly Ringwald was 16 when she played a 16-year-old.) If that doesn't bother you, then go for it. (Mostly it's 20-somethings in the late-teen roles, according to birthdates on IMBD.)
I'm not going to lie, there were a lot of red flags going in to this, given the massive amount of dull and terrible Netflix films that have come out this year, many of which focused on relationships and slice-of-life type stuff, but I think I kind of like this one. It's certainly the least obnoxious of the bunch, and is even more surprisingly carried by the young female supporting actress. There's nothing this film does that's extraordinary, but it's an easily watchable film that's fine through and through, and manages to avoid dragging despite having such a simple premise and it doesn't overstay its welcome. The leads in the film aren't amazing, but they're certainly above average, and are relatively charming. The film is quite heavily reliant on exposition, and feels oddly reminiscent of 13 Reasons Why, though I would say this is a much more tasteful story that handles it's premise appropriately whereas 13 Reasons Why felt melodramatic and edgy. The melodrama here manages to be less melodramatic, and the material is light-hearted enough to deal with a pinch of superficial acting.
The dramatic elements are certainly nothing new, such as dealing with the loss of a parent, but they're implemented in a reasonable manner and are played out naturally and they add a bit of spice to what might have been an otherwise bland story with flat characters. It's refreshing nowadays to see characters with tragic backstories being portrayed in an empowering way. These elements are almost understated, and as a result the characters seem stronger than the usual. Towards the end there's a bit of an incident, but it doesn't cause tonal whiplash, and it's certainly not frustrating as it tends to be in other stories.
I'm not a huge fan of teen films, especially not in modern times with how the music industry has degraded into simple, easy-to-produce tripe whilst brainwashing the simple-minded teenagers into thinking they love superfluous and downright useless music, and there's certainly an abundance of that in this film. It's a shame because the score feels fine for the most part, and the film opts for no music when a scene works better without it. I'm fine with simple and fluffy tunes to accent the films various moments, but the commercial trash is hard to deal with, even in small doses.
This film's a bit of a pleasant surprise, and is among the few 2018 Netflix films I would recommend so far. For those who dislike 13 Reasons Why for being edgy or tasteless, this film will likely be more up your alley, and it's much less of a time investment as well.
The dramatic elements are certainly nothing new, such as dealing with the loss of a parent, but they're implemented in a reasonable manner and are played out naturally and they add a bit of spice to what might have been an otherwise bland story with flat characters. It's refreshing nowadays to see characters with tragic backstories being portrayed in an empowering way. These elements are almost understated, and as a result the characters seem stronger than the usual. Towards the end there's a bit of an incident, but it doesn't cause tonal whiplash, and it's certainly not frustrating as it tends to be in other stories.
I'm not a huge fan of teen films, especially not in modern times with how the music industry has degraded into simple, easy-to-produce tripe whilst brainwashing the simple-minded teenagers into thinking they love superfluous and downright useless music, and there's certainly an abundance of that in this film. It's a shame because the score feels fine for the most part, and the film opts for no music when a scene works better without it. I'm fine with simple and fluffy tunes to accent the films various moments, but the commercial trash is hard to deal with, even in small doses.
This film's a bit of a pleasant surprise, and is among the few 2018 Netflix films I would recommend so far. For those who dislike 13 Reasons Why for being edgy or tasteless, this film will likely be more up your alley, and it's much less of a time investment as well.
Lana Condor Has Big Plans for 'To All the Boys' Sequel
Lana Condor Has Big Plans for 'To All the Boys' Sequel
Lana Condor hopes to bring some of her "Deadly Class" character's toughness to Lara Jean in the upcoming To All the Boys I've Loved Before sequel.
¿Sabías que…?
- TriviaThe wallpaper on Lara Jean's phone showing her and Peter asleep was actually the actors relaxing together off-set. A crew member snapped the picture of them and used it in the film.
- ErroresWhen Peter and Lara Jean are making their relationship contract, the text of the words "ski trip" at the bottom of the list change throughout the scene.
- Créditos curiososThere is a mid credit scene in which the recipient of the fifth letter shows up at Lara Jean's house.
- ConexionesFeatured in MsMojo: Top 10 Best Netflix Romance Movies (2018)
- Bandas sonorasSwan Lake - Scene
Written by Pyotr Ilyich Tchaikovsky (as Peter Il'yich Tchaikovsky)
Courtesy of Extreme Music
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- How long is To All the Boys I've Loved Before?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Những Chàng Trai Năm Ấy
- Locaciones de filmación
- Vancouver, Columbia Británica, Canadá(uncredited)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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