The Son

In 1849 central Texas, young Eli McCullough (Jacob Lofland) is the sole survivor when his family homestead is attacked by Comanche warriors. Tribal leader Toshaway takes him as his property. Prairie Flower takes an interest in him which makes her suitor Charges the Enemy a foe. Ingrid is another captive. In 1915, Eli (Pierce Brosnan) is a cattle baron and independence war hero. He sees the coming change and searches for oil on his property. His son Pete is heir apparent. They battle Mexican revolutionaries who are fighting to return Texas to Mexico. They have a long complicated history with their Garcia neighbors. Pete has his wife Sally but also has a history with Maria Garcia. When Eli suspects oil under the Garcia property, it sets off a series of tragic events.

AMC is trying for prestige television and Pierce Brosnan is very much the biggest part of that effort. The ambition is great but it never reaches the heights. The biggest issue is that it's hard to care about this family. Eli is evil and Pete is pathetic. It is not the most likeable characteristics. It's like Breaking Bad but starting at the end when Walter White is a brutal drug dealer. It's a completely different journey and it's off-putting. One can't revel in his evil brutality because of his inner moral conflict build up over his lifetime. It's hard to know whether to root for the man or not. It would help if Pete is not so weak and the father son rivalry has a better balance. Pete's many hangdog retreats are repetitive and infuriating. It's hard to care about him and his inner conflict. I can see the young Eli story as a compelling first season. The time jumping takes away the character growth of Eli. It's a hard conundrum. Brosnan needs to be the lead of the show. This show has high hopes but gets canceled after two seasons.

The series opens with what I would say is at least a 14 year-old boy being taken captive in 1849. The future is identified as 1915. That means the boy would be 80 years old. Seeing him on a horseback posse and being very physical in many ways doesn't make sense to me. Am I missing something?

After only 1 season and 2 years later AMC is releasing the FINAL season of The Son here soon. Frankly I don't get it, and can't for the life of me figure out why these good shows end up canceling great TV shows. I mean come on, 2 seasons of the Son and these writers can't come up with a new narrative? Gimme a break! These networks need to get it together! On some level they owe to the fans. Very selfish Network Bigwigs

I really did not want to become involved in another AMC show. However since Hell on Wheels finished its run and enjoying Westerns I decided to give The Son a chance. This is an excellent western well written and acted. Pierce Brosnan and cast are outstanding. Although the western frontier was considered "closed" in 1890 there seems to be issues that need to be settled even in 1915. I look forward to seeing how this series goes forward. Although Gunsmoke & earlier TV westerns were good drama The Son takes the Western to another level. At times brutal unflinching and unvarnished The Son probably presents a better idea of what the old West was really like. I enjoy the juxtaposition shown between the young Eli and the 1915 Eli. This isn't Dallas and with all due respect to the late Larry Hagman as good as he was in the role of JR Ewing, Pierce Brosnan's Eli would give JR a real run for the money.

This show's focus is on the relationship of a father to his son, only in this case we have several father-son relationships, including the young Eli McCullough (Jacob Lofland) and his Comanche captor (Zahn McClarnon), the elder Eli (Pierce Brosnan) and his two sons (Henry Garrett, David Wilson Barnes), and Eli's son (Henry Garrett) with his own son (Shane Graham).

Add to the father/son relationships is a West in transition, with the end of the Buffalo hunts in mid 19th century, and the faint beginnings of the oil industry in Texas in 1915.

If this isn't enough to entice you, throw in race relations, between the whites and the Indians and the whites and the Mexicans, and within the races, between those who practice compassion and those who do not, and those who have power and those who do not.

Onto this broad landscape we have marvelous photography, great location shots, and terrific acting. This is TV at its near best, and I think it may be Brosnan's finest role.