The Son

Yes, this series is a bit cruel, which is only realistic since it's set in early 1900 (and before). A show must be able to show topics like racism and savagery without people shouting "it's a racist show!" like one person did here. It has nothing to do with racism. The whites are not portrayed in a very favorable light at all many times, far from it.

The pacing is slow compared to more "actioney" shows like Hell on Wheels. It has a main and a secondary plot, both of which are very enjoyable. So far it does not contain any cheap nudity or such, which i think is welcome.

It's leaning far more towards realism than being over the top - everything from clothing to language e.g the native Americans speak their own language. So if you're expecting Xena in Texas, well, you'll be disappointed ;)

Like always I really enjoyed Zahn McClarnon's performance, great actor with such great presence.

Looking forward to see more.

I am only through the first two episodes, but I created an IMDb account just so I could review this program. It's awesome. Don't let the negative reviews keep you from watching it. I'm a seventh generation Texan from South Texas. It's as if the mythology of my family history has come to life. For anyone doubting the historical accuracy of the writing, simply google Mary Hefferman of Beeville, Texas for a brutal account of the violent clashes between whites and Indians. Or read up on the legacy of the famous King Ranch, whose Running W brand no doubt provided the inspiration for the McCoullough family ranch brand. The mythical depiction of the oil, the politics, the violence, the opulence, and the toughness of the people is all very real. Don't let some dumb dumbs who aren't from Texas tell you it isn't, because it is.

The series opens with what I would say is at least a 14 year-old boy being taken captive in 1849. The future is identified as 1915. That means the boy would be 80 years old. Seeing him on a horseback posse and being very physical in many ways doesn't make sense to me. Am I missing something?

In 1849 central Texas, young Eli McCullough (Jacob Lofland) is the sole survivor when his family homestead is attacked by Comanche warriors. Tribal leader Toshaway takes him as his property. Prairie Flower takes an interest in him which makes her suitor Charges the Enemy a foe. Ingrid is another captive. In 1915, Eli (Pierce Brosnan) is a cattle baron and independence war hero. He sees the coming change and searches for oil on his property. His son Pete is heir apparent. They battle Mexican revolutionaries who are fighting to return Texas to Mexico. They have a long complicated history with their Garcia neighbors. Pete has his wife Sally but also has a history with Maria Garcia. When Eli suspects oil under the Garcia property, it sets off a series of tragic events.

AMC is trying for prestige television and Pierce Brosnan is very much the biggest part of that effort. The ambition is great but it never reaches the heights. The biggest issue is that it's hard to care about this family. Eli is evil and Pete is pathetic. It is not the most likeable characteristics. It's like Breaking Bad but starting at the end when Walter White is a brutal drug dealer. It's a completely different journey and it's off-putting. One can't revel in his evil brutality because of his inner moral conflict build up over his lifetime. It's hard to know whether to root for the man or not. It would help if Pete is not so weak and the father son rivalry has a better balance. Pete's many hangdog retreats are repetitive and infuriating. It's hard to care about him and his inner conflict. I can see the young Eli story as a compelling first season. The time jumping takes away the character growth of Eli. It's a hard conundrum. Brosnan needs to be the lead of the show. This show has high hopes but gets canceled after two seasons.

This show's focus is on the relationship of a father to his son, only in this case we have several father-son relationships, including the young Eli McCullough (Jacob Lofland) and his Comanche captor (Zahn McClarnon), the elder Eli (Pierce Brosnan) and his two sons (Henry Garrett, David Wilson Barnes), and Eli's son (Henry Garrett) with his own son (Shane Graham).

Add to the father/son relationships is a West in transition, with the end of the Buffalo hunts in mid 19th century, and the faint beginnings of the oil industry in Texas in 1915.

If this isn't enough to entice you, throw in race relations, between the whites and the Indians and the whites and the Mexicans, and within the races, between those who practice compassion and those who do not, and those who have power and those who do not.

Onto this broad landscape we have marvelous photography, great location shots, and terrific acting. This is TV at its near best, and I think it may be Brosnan's finest role.