The Son

If you're reading this maybe your like me and your late to the party too! For whatever reason I held off on this show. Maybe it's because none of the reviews really sold me or I just simply put it off. HUGE MISTAKE! In hindsight best mistake, because I was just granted the luck of watching the best 8 hours of pure brilliance and all the while I kept asking myself, how is this series not a massive, massive hit! It's like a watching a great old fashion novel. I'm not writing this to tell you what it's about, no I'm writing this to sell you this series like I wish could have been done for me. There's flashbacks to the main character to his earlier years where he's held captive and it reminds me of dances with wolves in essence, and I literally yearn for the Flashbacks. Zahn McClarnon from Fargo season 2, plays an incredible part in the flashbacks as young Eli's captor, but what that relationship becomes is a prize to watch unfold. Both timelines are so fascinating and captivating that each one can have its own TV series! each timelines plot is so stunning and stellar and the way they both intertwine is beautiful. That's the only flaw with this series is I don't want to leave a particular time period because the story is told so richly. When we leave 1850 to return to 1915, I yearn for the earlier time period. It's absolutely riveting and captivating! This series has every key ingredient to mold a masterpiece of a series! pierce brosnan is incredible as well as the additional cast! so prepare yourself for a binging experience like no other! so whatever your doing right now stop and watch The Son! You'll thank me

The series opens with what I would say is at least a 14 year-old boy being taken captive in 1849. The future is identified as 1915. That means the boy would be 80 years old. Seeing him on a horseback posse and being very physical in many ways doesn't make sense to me. Am I missing something?

I am only through the first two episodes, but I created an IMDb account just so I could review this program. It's awesome. Don't let the negative reviews keep you from watching it. I'm a seventh generation Texan from South Texas. It's as if the mythology of my family history has come to life. For anyone doubting the historical accuracy of the writing, simply google Mary Hefferman of Beeville, Texas for a brutal account of the violent clashes between whites and Indians. Or read up on the legacy of the famous King Ranch, whose Running W brand no doubt provided the inspiration for the McCoullough family ranch brand. The mythical depiction of the oil, the politics, the violence, the opulence, and the toughness of the people is all very real. Don't let some dumb dumbs who aren't from Texas tell you it isn't, because it is.

I really did not want to become involved in another AMC show. However since Hell on Wheels finished its run and enjoying Westerns I decided to give The Son a chance. This is an excellent western well written and acted. Pierce Brosnan and cast are outstanding. Although the western frontier was considered "closed" in 1890 there seems to be issues that need to be settled even in 1915. I look forward to seeing how this series goes forward. Although Gunsmoke & earlier TV westerns were good drama The Son takes the Western to another level. At times brutal unflinching and unvarnished The Son probably presents a better idea of what the old West was really like. I enjoy the juxtaposition shown between the young Eli and the 1915 Eli. This isn't Dallas and with all due respect to the late Larry Hagman as good as he was in the role of JR Ewing, Pierce Brosnan's Eli would give JR a real run for the money.

This show's focus is on the relationship of a father to his son, only in this case we have several father-son relationships, including the young Eli McCullough (Jacob Lofland) and his Comanche captor (Zahn McClarnon), the elder Eli (Pierce Brosnan) and his two sons (Henry Garrett, David Wilson Barnes), and Eli's son (Henry Garrett) with his own son (Shane Graham).

Add to the father/son relationships is a West in transition, with the end of the Buffalo hunts in mid 19th century, and the faint beginnings of the oil industry in Texas in 1915.

If this isn't enough to entice you, throw in race relations, between the whites and the Indians and the whites and the Mexicans, and within the races, between those who practice compassion and those who do not, and those who have power and those who do not.

Onto this broad landscape we have marvelous photography, great location shots, and terrific acting. This is TV at its near best, and I think it may be Brosnan's finest role.