La macchinazione

I'm very young, I'm still attempting the high school and Cinema is my passion. Some months ago I watched "Salò" by Pier Paolo Pasolini, then I've studied that Pasolini was murdered and that no one knew why. So you can imagine how much I was interesting in David Grieco's "La Macchinazione". So I bought the DVD. I was enchanted by the resemblance of Massimo Ranieri who plays wonderfully the poet of Casarsa. The film shows me how was the matter of facts. I think that young people like me have a responsibility to ask questions and to reflect on this History. I also liked the modern technology of photography and the soundtrack: I had never heard Pink Floyd before, but I really appreciate now. I would like to do a lot of questions to the director, there are many things I still want to understand. So thanks to David Grieco for showing us what Pier Paolo Pasolini suffered: he has become my favorite poet. This film is highly recommended.

David Grieco piece together the documents and some important investigations about the murder of Pasolini with a coherent internal logic. The work is a masterpiece, beyond the high ethical value. Sets and costumes are great, Massimo Ranieri who plays Pasolini is extraordinary, touching and intense, poetic and strong. Excellent all the cast members. The music of Pink Floid make the film simply visionary and concrete. Pasolini used to say: "Once life is finished it acquires a sense; up to that point it has not got a sense; its sense is suspended and therefore ambiguous." Through this film you will understand that an intellectual, a poet never dies.

This film has deeply impressed me. I have never been so sad after seeing a movie. I had tears in my eyes after the last scene and a strong sense of hardship. David Grieco, many thanks for the courage. The actors are all very good, especially the protagonist. I understood many things, and I knew better the story of Pasolini. Incredible how important is this intellectual, this man who cared about understanding his time. I think we have a great opportunity to understand our time too through this film. The scene that struck me mostly is the one in which Pasolini releases an interview with a French journalist. I also appreciate the next one, in which Pasolini has the vision of our digital age, I think that both scenes are very representative of our condition.

Pasolini is one of the most quoted poets but often some people tries to manipulate his thought, I have always believed this. Every time some people try to say that Pasolini is passed. This film restores the full strength of Pasolini's vision without any rhetoric. The plot is brought forward really impeccably. The elegant trait of David Grieco is rare in our cinema and the film has a very good pace. The clarity allows the viewer to follow the film, but care is needed. Excellent the actors in particular Massimo Ranieri and Roberto Citran. The soundtrack is beautiful, Pink Floyd are a really great choice. Photography is for gourmets. Very accurate reconstruction of the "Borgata" spoken. It seems to be carried in 1975. The film is highly recommended!

If you want to understand what happened to Pier Paolo Pasolini, this is the right film. David Grieco leaves the viewer the chance to pick up the information that he gives. An accurate reconstruction that is not only fiction. Massimo Ranieri resembled Pasolini and he's extremely generous in this interpretation. Milena Vukotić's in her best interpretation. Every actor pursues his own interpretation impeccably. An extraordinary soundtrack (Pink Floyd), an engaging and emotionally mounting, especially in the end. It is a political and ethical film in the best way, it has its origins in Pasolini and Petri, but has its own strong originality. Grieco uses modern techniques to make the truth accessible and reachable for everyone who care. No one can abstain after watching this movie.