Funny Cow

Funny Cow is one of those British gems. Brutal, bleak, tender and comic. Only we can do this.

Set in the 1970's working men's clubs. It's a world of sweat, smoke; racism and sexism. We also have flashbacks to a 1950's childhood of poverty and domestic violence. Funny Calf (love that) is full of energy, mischief and defiance..

Men do not fare well in this film. Either beer-stained and openly violent, or sophisticated, affluent and weak Considine.

My favourite moment are the auditions for a "Search For A Star." Great cameos from John Bishop and Vic Reeves. The film's climax where she swears and tells racist, homophobic jokes is shocking. But it shouldn't be diluted, and the audience is delighted to hear her just as coarse and aggressive as any male comedian of the period.

Not everything works.The storyline is choppy and episodic, leaping randomly back and forth in time. It's disconcerting to see Stephen Graham as nasty father one moment, net curtain-twitching brother the next. Even Funny Cow seems remote at times, but it's great stuff from Peake.

Somber ,but a good study of a woman who managed via her wry view to achieve success in a man comedic world ... Though the darkness we saw a flower bloom . Her jokes were off but this was an era when cruss was fash ..I must confesses the outrangesness certainly did raise a laugh ... This was a period piece . My comments would not be complete without mention if the excellent soundtrack ..

Funny Cow is the insulting name given to the young woman who dreams of becoming a stand-up comedienne. She is funny and funny-peculiar. Not surprising as she has an alcoholic, neglectful and depressed mother and a foul mouthed and physically abusive father. The odd thing is that, even at a young age, Funny Cow knows her family situation is not normal. She learns effective methods to disarm the violence meted out against her - and it is the first thing she asks of the old comedian she tries to emulate. How do you rise up over the abuse? This is indeed a very interesting question and one we see Funny Cow address. However, she is still too funny-peculiar for the average person to learn much...but perhaps they should try. All the actresses playing Funny Cow at her various ages manage to merge seamlessly. Well cast, well directed and some fine acting. Only one person threatens to upstage these ladies and that is Diane Morgan whose exposure in the lead role of Cunk on Britain makes us want to see more of her here. No, it's not a funny film but, it does have some lovely one-liners. Just enough humour to compensate for the very sad tales this film depicts.

Maxine Peake is on top form as a conflicted maverick in seventies Yorkshire who rails against the endless stream of male violence ,human indifference and suffering with her dry wit. The film tips a huge nod to kitchen sink dramas like Saturday night Sunday morning and there's no flinching away from the racist /sexist/homophobic jokes of the era. This film is not for everyone but does provide lots of humorous lines and moments amid the relentless misery. Cameos agogo - even Corrine Bailey Rae gets a look in !

I've thought about this film more after seeing it than any other film I can remember. There are great performances from the central cast, and some amusing cameos, but I was drawn more to the story of Funny Cow's life. Some of it made uncomfortable watching, but I think that was the whole point.