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Agrega una trama en tu idiomaLyndon B. Johnson becomes the President of the United States in the chaotic aftermath of John F. Kennedy's assassination, and spends his first year in office fighting to pass the Civil Right... Leer todoLyndon B. Johnson becomes the President of the United States in the chaotic aftermath of John F. Kennedy's assassination, and spends his first year in office fighting to pass the Civil Rights Act.Lyndon B. Johnson becomes the President of the United States in the chaotic aftermath of John F. Kennedy's assassination, and spends his first year in office fighting to pass the Civil Rights Act.
- Nominado a 8 premios Primetime Emmy
- 3 premios ganados y 33 nominaciones en total
Opiniones destacadas
All the Way
An impressive cast, centered around the LBJ actor Bryan Cranston, keeps the historical facts alive and relevant.
We often forget Johnson the president between Kennedy and Nixon. He was the most responsible for Vietnam, but also for a huge range of social programs that really make him the ultimate big government guy since Roosevelt. But important programs like Medicare and social legislation like the Civil Rights Act and the Voting Act. Seeing him struggle to make it happen is a kind of poker game, and he does it with famously Johnson candor and humor.
There's no getting around the fact that these are facts. There are no dramatic surprises here (so it's like seeing a movie the second time). But it's a good movie—one that you can see a second time and get a lot from it. There are weak points (some miscast figures like, unfortunately, Martin Luther King Jr. who is played by Anthony Mackie), but overall the drama of the events is kept intense and pertinent.
And Cranston is sublime. If you know him from "Breaking Bad" you will surprised by his depth here. See him, at least. And Johnson, too.
An impressive cast, centered around the LBJ actor Bryan Cranston, keeps the historical facts alive and relevant.
We often forget Johnson the president between Kennedy and Nixon. He was the most responsible for Vietnam, but also for a huge range of social programs that really make him the ultimate big government guy since Roosevelt. But important programs like Medicare and social legislation like the Civil Rights Act and the Voting Act. Seeing him struggle to make it happen is a kind of poker game, and he does it with famously Johnson candor and humor.
There's no getting around the fact that these are facts. There are no dramatic surprises here (so it's like seeing a movie the second time). But it's a good movie—one that you can see a second time and get a lot from it. There are weak points (some miscast figures like, unfortunately, Martin Luther King Jr. who is played by Anthony Mackie), but overall the drama of the events is kept intense and pertinent.
And Cranston is sublime. If you know him from "Breaking Bad" you will surprised by his depth here. See him, at least. And Johnson, too.
November, 1963. President John F Kennedy has just been assassinated and Vice President Lyndon Johnson (played by Bryan Cranston) is now President. One of his first acts as President is to reaffirm the US government's intention to pass the Civil Rights Act. This Act was drafted while JFK was in office and gives people of all races the same rights, including voting rights, access to education and access to public facilities. However, he faces strong opposition to the bill, especially from within his own party. He will have to use all his political will and cunning to get it through.
Incredibly engaging drama, showing the passage of a major and historic piece of legislation in US history. Quite an eye-opener: hard to believe that in 1963/4 there was such a huge North-South divide and that racism was so rampant. Also amazing to see that some of the strongest opposition to integration was from Democrats - the left-wing/right-wing lines were clearly quite blurred in those days.
Fascinating insight into the personality of LBJ. On the surface he seems like a man wanting to what is right for his fellow man. However, his motives are not always that altruistic, and his actions are often more driven by personal power than good intentions (which would be common to almost all politicians, I guess, so not such a huge surprise). Highly complex, we see what drives him, especially how his childhood experiences shape his motivations and thinking.
Quite balanced too. We see LBJ, warts and all: his temper, his treatment of staff and wife, his colourful language, what he'll do to win. He's hardly a saint.
Superb performance by Bryan Cranston in the lead role. He inhabits the character of LBJ.
A story that needed to be told.
Incredibly engaging drama, showing the passage of a major and historic piece of legislation in US history. Quite an eye-opener: hard to believe that in 1963/4 there was such a huge North-South divide and that racism was so rampant. Also amazing to see that some of the strongest opposition to integration was from Democrats - the left-wing/right-wing lines were clearly quite blurred in those days.
Fascinating insight into the personality of LBJ. On the surface he seems like a man wanting to what is right for his fellow man. However, his motives are not always that altruistic, and his actions are often more driven by personal power than good intentions (which would be common to almost all politicians, I guess, so not such a huge surprise). Highly complex, we see what drives him, especially how his childhood experiences shape his motivations and thinking.
Quite balanced too. We see LBJ, warts and all: his temper, his treatment of staff and wife, his colourful language, what he'll do to win. He's hardly a saint.
Superb performance by Bryan Cranston in the lead role. He inhabits the character of LBJ.
A story that needed to be told.
Bryan Cranston brings Lyndon Johnson to life in this absorbing real life drama focusing on 1964 when LBJ not only got a major civil rights bill passed, but set the stage for the 1965 voting rights act and the war on poverty. Cranston's portrayal is uncanny, and turns this made for HBO movie into a quasi-documentary. Cranston carries this movie and makes it one of the best television events of the year. The rest of the cast is excellent too but in some cases, the actors don't look enough like the characters they are playing: Hubert Humphery and Martin Luther King Jr., come to mind. The storyline is fairly well known to anyone who follows politics and U.S. history, but the behind the scene's maneuvering to get a very major bill passed makes for great story telling and LBJ was one of the great story tellers. The stories told by LBJ are the glue that holds this movie together. His poor upbringing gave him the resolve to do something about helping the poor once he got into office. And of course he saw first hand in his home state of Texas, the massive racism that prevented blacks from taking their rightful place in American society. No doubt LBJ could have been a candidate for Mt. Rushmore were it not for Vietnam which is explored in the movie but not in-depth. That should be a sequel. Melissa Leo is wonderful as Lady Bird Johnson, and Frank Langella is excellent as Senator Richard Russell. This is a must see movie. Cranston will be picking up more awards.
There are a lot of complimentary things one could say about HBO's "All The Way": great acting, historical ambiance, and cohesion of narrative. What really makes this a truly great film, however, is how its themes are just as relevant and striking here and now as they were in the 1960s.
For a basic plot summary, "All The Way" tells the story of President Lyndon B. Johnson's (Bryan Cranston) first year in office. The primary focus is on the Civil Rights Act of 1964 and the type of political and social upheaval/compromises that here undertaken to make it a reality. Key personal/political figures of the early Johnson Administration also feature heavily, such as Martin Luther King Jr. (Anthony Mackie), Lady Bird (Melissa Leo), Senator Richard Russell (Frank Langella), Senator Hubert Humphrey (Bradley Whitford), & J. Edgar Hoover (Stephen Root).
It is amazing (and equal parts inspiring and sad) to watch "All The Way" and understand how the Civil Rights Act was neither the beginning nor the end of race issues in this country. In this current era of Black Lives Matter and other racial-based demonstrations fighting for justice, the struggles of Dr. King, the NAACP, the American government, and the populace at large are driven home even further (as they are so much on the forefront of politics and society right now).
Acting-wise, the performances are solid all-around, with Cranston especially shining (when does he ever not?!) as LBJ (from what I have read/seen, an uncanny resemblance in terms of mannerisms). Cranston first inhabited this role on Broadway in 2014, so it makes sense that he is the most comfortable here.
Thus, with the combination of tremendous acting and incredibly relevant themes, I consider "All The Way" to be a biopic of the highest order (my only slight complaint would be it perhaps could have been trimmed by 15 minutes or so). I'm a big fan of the biopic genre, as I feel like it has so much power (along with a high degree of responsibility, obviously) to bring the past alive and more relate-able than a textbook or tome ever could. "All The Way" succeeds wildly in this regard.
For a basic plot summary, "All The Way" tells the story of President Lyndon B. Johnson's (Bryan Cranston) first year in office. The primary focus is on the Civil Rights Act of 1964 and the type of political and social upheaval/compromises that here undertaken to make it a reality. Key personal/political figures of the early Johnson Administration also feature heavily, such as Martin Luther King Jr. (Anthony Mackie), Lady Bird (Melissa Leo), Senator Richard Russell (Frank Langella), Senator Hubert Humphrey (Bradley Whitford), & J. Edgar Hoover (Stephen Root).
It is amazing (and equal parts inspiring and sad) to watch "All The Way" and understand how the Civil Rights Act was neither the beginning nor the end of race issues in this country. In this current era of Black Lives Matter and other racial-based demonstrations fighting for justice, the struggles of Dr. King, the NAACP, the American government, and the populace at large are driven home even further (as they are so much on the forefront of politics and society right now).
Acting-wise, the performances are solid all-around, with Cranston especially shining (when does he ever not?!) as LBJ (from what I have read/seen, an uncanny resemblance in terms of mannerisms). Cranston first inhabited this role on Broadway in 2014, so it makes sense that he is the most comfortable here.
Thus, with the combination of tremendous acting and incredibly relevant themes, I consider "All The Way" to be a biopic of the highest order (my only slight complaint would be it perhaps could have been trimmed by 15 minutes or so). I'm a big fan of the biopic genre, as I feel like it has so much power (along with a high degree of responsibility, obviously) to bring the past alive and more relate-able than a textbook or tome ever could. "All The Way" succeeds wildly in this regard.
I can say without doubt that Cranston is as close to the real thing as I have seen. Close, but not complete. I grew up in Dallas during the assassination and remember Johnson very well from that time. This movie shows a lot more about the man then ever was shown during his presidency. Johnson was not known for his popularity and was not an icon like Kennedy. But I believe he did more for the nation than most Presidents before and after. One thing he was and that was a true Texan and touted that persona throughout his life. And as one Texan to another Johnson always showed his colors even though the rest of the nation did not understand it. I give him that. As for the only critique of Cranston I would say look at the real Johnson on past videos and then Cranston. Johnson was a little more quiet and subdued in front of cameras and the public eye. It was his back room political demeanor that made this man who he really was.
¿Sabías que…?
- TriviaRight after President Lyndon B. Johnson signs the Civil Rights Act of 1964, Senator Dick Russell (Frank Langella) walks off into an adjoining room, obviously very upset. He's then seen standing and looking at a painting of President Harry S. Truman, as Johnson comes into the room after him. The reason this is important is because President Truman unsuccessfully tried passing a major civil rights bill in 1948, and Russell, a segregationist, had a leading role in blocking Truman's bill. Russell had a long track record of defeating civil rights legislation via use of the filibuster. However, he was unsuccessful in his efforts to defeat Johnson's bill.
- ErroresWhen President Johnson is on the telephone with J. Edgar Hoover he makes repeated references to Alan Dulles as head of the CIA. Dulles had actually been fired by President Kennedy in 1961 and replaced by John McCone who served in that role until he resigned in 1965.
- Citas
Lyndon B. Johnson: I'm gonna need another set of those cufflinks.
- ConexionesFeatured in Bryan Cranston: Becoming LBJ (2016)
- Bandas sonorasJava
Written by Freddy Friday, Marilyn Schack, Allen Toussaint, Alvin Tyler (as Alvin O. Tyler)
Performed by Al Hirt
Courtesy of RCA Records
By arrangement with Sony Music Licensing
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Chặng Cuối Con Đường
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 2h 12min(132 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD
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