En nombre del amor

I'll save you some time. The lead female protagonist has zero redeeming qualities (no reflection on the actor - she did a great job of portraying a dreadful character). She is an objectively terrible person and I kept looking for a reason the male lead was into her apart from the fact that she's pretty. She cheats, leads people on, verbally abuses people, doesn't own up when she's in the wrong, rebukes, and criticizes, and we're supposed to be rooting for this girl? Seriously, why does the male lead like her so much? If a character is going to be that flawed, she has to be likable to redeem herself to the viewer. In a cliché Hollywood trope, the screenwriter was in far too much of a hurry to fling the two characters together to actually make the woman likable. (And yes, I have read the book. She has redeeming qualities in the book.)

"Every path you take leads to another choice. Some choices change everything." Travis (Walker) is a confirmed bachelor who loves being single and doing what he wants. When his new neighbor Gabby (Palmer) shows up at his house everything in him changes. Now Travis will stop at nothing to be with her. After all his pursuits he finally wins her over, but when the unthinkable happens Travis must once again make a choice that will affect both of their lives forever. Going in to this I was not excited at all. I know 99% of women love the Nicholas Sparks movies, but for me they are just too ridiculous. In the Notebook the main guy builds the woman he is obsessed with a house. In The Lucky One within a week of meeting the girl he fixes her car, boat and teaches her son to play baseball. It is hard for me to get past the perfect man image that is portrayed and they really lose me. Again, being a guy I am not the target audience for these movies. All that said this was, to me, the best of all the movies made from his books. The characters were actually real and believable. There were no over the top scenes and I was actually into this movie more than I expected. Without ruining anything, the ending did get over the top cheesy for me and lost me a little, but since this is a chick flick that is to be expected. Overall, it could have been because of my expectations but this was not a bad movie at all and is a date night movie women will love and men will be able to watch without too much pain. I surprisingly, extremely surprisingly, give this an A-.

Greetings again from the darkness. When the word formulaic is used to describe a movie or book, it's typically meant as a disparagement. We must admit, however, that if the formula works, it only makes sense (and dollars) to stick with it. Most Hollywood blockbuster franchises are built around a basic formula – superheroes, romantic-comedies, alien invasions, etc. Author Nicholas Sparks (The Notebook) has taken his tragic-romance novel formula and turned it into big screen gold. This is the eleventh film developed from his writing, and it's likely to be another successful entry into the Sparks canon.

Director Ross Katz (Adult Beginners, 2015) is at the helm of the screenplay by Bryan Sipe (upcoming Demolition) and many of the familiar Sparks features are present. First off, the key players are all exceedingly attractive – Ralph Lauren model attractive. Secondly, there is a will they/won't they romance that will of course happen and then may fall apart, but probably won't. And third, some type of tragedy will occur that will kick off a stream of tears from a certain segment of the audience.

This one begins with a narrator's humble-brag promising to tell us the "secret of life". That narrator is Travis, played with an over-flowing abundance of southern charm by Benjamin Walker (Abraham Lincoln: Vampire Hunter, 2012). His main vices are a tendency to use "damn" to the point of overkill in most every conversation, and his natural ability to attract the ladies. Oh, and he has a rescue dog and a lake house and he is a veterinarian. See, in the Sparks universe, everyone is beautiful and successful. Travis has his eye on his new neighbor, who is pretending to be annoyed but mostly admits to playing a game of hard-to-get. This is Gabby (Teresa Palmer, Warm Bodies 2013), and she is beautiful and a doctor-to-be. Gabby's current boyfriend is, of course, a handsome doctor. Ryan is played by Tom Welling (a bit heftier than his days as Clark Kent/Superman in "Smallville").

The beautiful Maggie Grace (Taken) plays Travis' sister, and Alexandra Daddario (San Andreas) plays Monica … she is not only beautiful, but she is also the nicest, most understanding and supportive "other" woman ever seen on screen. Tom Wilkinson plays Travis' veterinarian dad, and Sharon Blackwood plays the wise-cracking and match-making assistant Cora. If that's not enough beauty and success for you, we also get "puppies in a basket"! Come for the chuckles and tears … just not twists or surprises. Fans of this genre will get exactly what they want. It's a romantic fantasy set in the somewhat realistic world of doctors, veterinarians, and equestrians. The faces are perfect. The dialogue is snappy without being demanding (even in the God discussion). Many scenes feature loyal dogs, or a serene lake, or the "moon and stars". Even the difficult parts of life – raising kids, health issues, etc – are given the "yada, yada, yada" treatment. While Travis claims over and over that Gabby "bothers him", it's the kind of bother that creates a cryfest in the theatre … whether things go right or wrong. It's also the reason that all eleven Sparks films feature a couple of lovers on the poster. Just remember, if that formula works ….

Another Nicholas Sparks' (The Notebook) novel adapted for the screen where there's some love, some sadness, some happiness and a dash of mystery. 'The Notebook' was such a captivating love story that it cemented Mr sparks word on romance as the only word. The many mediocre stories that followed proved otherwise. Perhaps it's in the medium and the storyteller's ability to take the novel and turn it into a successful screenplay? But 'The Last Song', where Mr Sparks flexed his screenplay talents, is without a doubt the worst of the bunch.

Neighbours, Travis and Gabby, meet as most annoying neighbours meet, in a heated engagement over noise, which quickly turns from outrage to mild intrigue to full on schoolyard-smitten.

She's a doctor to be from a wealthy family and he a vet from modest upbringings – complete with a southern accent even though neither his sister nor father shares this accent. How peculiar. Was Benjamin Walker merely flexing his craft for accents or was it that nobody wants to hear Tom Wilkinson attempt a southern accent? And then how does one make the creative decision, do we remove the southern charm or remove Tom Wilkinson? You remove neither and pretend no one will notice, which, as you can see, totally worked. Smooth transition, my foreign soul totally couldn't tell that the Parks family don't share a familial speech pattern. But major digression there.

So, the doctor to be and the wild and crazy animal doctor – I know right, a wild and crazy vet because that's so common to find – more digression.

So, they flirt over a litter of puppies and with a few smooth moves are engulfed in the intoxication of the other. Things seem to be moving on swimmingly until things stop moving along swimmingly. Mainly because it gets a little boring. Or a lot boring, depending on the type of person you are. But the boredom is there, how much you want to drink up is entirely up to you. I personally could have had fifteen per cent less and a tad more T&A but apparently there's more romance in the awkward middle than the sexy beginning.

Give or take a few captivating moments, 'The Choice' is not as moving as 'The Notebook', nor is it as sexy as "The Longest Ride" but it is nowhere near as brain-dead as "The Last Song" – take that for what its worth.

Excellent movie! I felt feeling I haven't felt in a long time.