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Greetings again from the darkness. Director Nicole Garcia (The Adversary, 2002) takes the best-selling novel from Milena Agus and hearkens back to good old-fashioned movie melodrama – with a French twist. Of course, most any project is elevated with the beautiful and talented Marion Cotillard in the lead role. Few can suffer on screen as expertly as Ms. Cotillard, and she conveys that disquiet through most of this story.

What is love? You'd best not look to Gabrielle (Cotillard) for clarification. As a young woman, her search for love and sexual fulfillment follows the fantasies of the novels she reads (Wuthering Heights). Her corresponding inappropriate behavior teeters between delusion and hysteria. It's the 1950's in rural France, so her actions and attitude are not much appreciated, and her parents bribe Jose (Alex Brendemuhl), a local bricklayer, to marry Gabrielle. She is then given the choice of (an "arranged") marriage or a mental institution.

As a romantic dreamer whose blurred reality expects love to mirror those romance novels, Gabrielle's self-centeredness and failure to grasp reality results in a loveless marriage – and easily one of the most uncomfortable lovemaking scenes in the history of French cinema. Beyond that, severe kidney stones make it impossible for her to bear children. In hopes of "the cure", she is sent for treatment to a spa in the Alps (it's the same spa from Paolo Sorrentino's 2015 film YOUTH).

While at the spa, she meets handsome Andre (Louis Garrel), a gravely ill soldier from the Indochina War. Gabrielle imagines Andre to be everything she dreamt a lover should be (except for that whole sickness thing). The contrast between the two love-making sessions is startling, and it seems as though Gabrielle has found her bliss.

The years pass after her release from the spa, and Gabrielle makes one mistake after another … blind to what and who is right in front of her … while holding on to the dreamer's dream. She is certainly not a likable person, and is downright cruel to her loyal (and extremely quiet) husband Jose. However, Ms. Cotillard is such an accomplished actress that we somehow pull for Gabrielle to "snap out of it".

The novel was adapted by Jacques Fieschi, Natalie Carter and director Garcia, and you'll likely either be a fan or not, depending on your taste for old-fashioned melodrama. Despite numerous awkward moments, it's beautifully photographed by cinematographer Christophe Beaucame. Additionally, the music plays a vital role here – both composer Daniel Pemberton's use of the violin, and the duality of Tchaikovsky's piano concerto that connects Gabrielle's two worlds. You may say she's a dreamer, but I hope she's the only one.

From an early age, "Gabrielle" (Marion Cotillard) has shown a bit of a rebellious spirit. As a girl, she was determined not to obey her parental wish to marry the local "Jose" (a subtly nuanced effort from Alex Brendemühl) - even though he was quite fond of her, and as a result she lived in the semi-seclusion that befitted an unwed girl in rural France. Her "break" comes in the unlikely form of some kidney stones that necessitates a trip to an Alpine hospital. It's here that she encounters the recovering "André" (Louis Garrel) who has just returned from French Indochina shell-shocked and badly wounded. There's a little of a Wildred Owen poem to this drama, I thought. It shows us the results of the horrors of war, the after effects and trauma, but there's also a degree of hope and optimism as their love story takes shape and maybe, just maybe, there's scope for contentment somewhere. Cotillard is on solid form as the rather self-obsessed and just a bit flaky "Gabrielle" and though Garrel doesn't have so much to do, he still comes across convincingly as a soldier conflicted by a reality and a dream - it's that conclusion that is quite a touching affair, and causes us to have a think about just who "Gabrielle" actually is. The film looks good and is well scored by Daniel Pemberton which all gives a certain lustre to Cotillard's portrayal of a woman I don't think I'd have liked very much.

Another bright movie from Marillon Cotillard, the very talented French actress who shines in other ways in this limited, averagely deep production. Everything is on point in a simple, semi-impactful and mysterious way. The beginning was well developed alongside the middle, just the end and what precede it was a little average, hurting the production in a minimal to the sense way.

• Screenplay/storyline/plots: 7
• Production value/impact: 7
• Development: 7.5
• Realism: 7
• Entertainment: 7
• Acting: 8
• Filming/photography/cinematography: 8
• VFX: 8
• Music/score/sound: 7
• Depth: 7
• Logic: 6
• Flow: 7.5
• Drama/romance: 6.5
• Ending: 6.

I will be honest, I did see this film because it is directed by Nicole Garcia, one outstanding female French director, the best I guess. She has a very sensitive way of filming. So, I did go to see this film without hesitating. And of course I don't regret it at all. Marion Cotillard, whom I don't particularly appreciate, is at her best here. Although I don't crave for her, she is a damn good actress, but sorry, I felt a little emptiness here, I don't really know where. Something missed somewhere. The actors and actresses around her are flawless, but I persist on my opinion. I don't think that's a matter of directing. Not with Nicole Garcia. Maybe because this kind of scheme has already been told a hundred times before.

But it remains a good film.

In life many times the grass looks greener on the other side of the fence . Both stars in this film are excellent and perfectly cast . Is the glass half empty or half full ? Sometimes it takes a shock to see that your glass is full and has been all the time . This is a beautiful movie and a" must see" for Marion Cotillard fans . It also could double for a marriage counceling film !!!!!!! True love is hard to find and sometimes harder to see .

Ends with a mighty thud. Typically the way the French play it in my experience watching French movies. Gabrielle is more troubled emotionally and mentally than just a woman of passion...All the signs are there. This movie was a real disappointment and could have been so much more...

I absolutely loved this film, French films are masters at this type of art. The longing for love the unknown forbidden fruit. Not wanting it yet finding it out of the blue, again metaphorical substances, her pain is real, the stone in her body is real, not attention seeking as her mother would say. Just as painful as her yearning for love, to be loved, to give love, naive, curious... The parents strict in many ways we do not know as to what she went through as a young child, but it forms and shapes her womanhood. Her mind in turmoil, visions, fantasies that are alive as daylight. Twists and turns in the film that left me totally glued as to what is going on with this creature, this beauty, these consequences that are occurring all the time, her loveless marriage, her son... It's the passion of love, lasting a mere moment in a lifetime, and ending so abruptly. To reconcile with herself, in the end finding who she is, finding her inner peace...she is in reality a part of most of mankind.

Ok she's nuts we got that message after 10 minutes already... Nicely photographed and fine performances from the lead actors but that's about it.

Its hard to start where. I mean the movie is like an eternally flowing river. So you simply don't know where it started or ends. Just like Gabrielle's life, feelings, emotions, love....oh the list is long. Marion is fantastic! She is the live wire of the movie. She takes you wherever she wants to go, along with her journey. Her intensity, stature, fervor has always been her identity or trademark in any movie she acts in. Jose is equally good with his supposedly subdued character. But his silence, that mostly lives in, reflected through his razor sharp eyes hangs on your head like a dagger. I am not too sure of Lt. Andre's character. As to me, was the weakest cast in the movie. True, with his illness there was nothing much he could do in the role, but his imposed vampire like look didn't help much either, to build whatever left to be build.

Daniel Pemberton's Music was awesome and soothing. Use of violin in an alluring pitch in many intense scenes was spellbinding. Chris captures gorgeous landscapes and close-ups. Nicole has done a fantastic job bunching up all these talents together. Simply Fantastic! I will live a long time mesmerizing on this beautifully crafted movie. Excellent!

This movie deserves a generous 9/10!

'From the Land of the Moon' tells the tale of Gabrielle (Marion Cotillard) who develops an unfortunate - and unreciprocated - sexual obsession with her local teacher in 1950s rural France. Her mother hastily arranges for her to be married off to itinerant Spanish workman José (Alex Brendemühl), who can not even be bothered shaving for their wedding day. Gabrielle resigns herself to a loveless marriage - charging José 200 francs for sex - before she has to stay at a Swiss spa to be treated for 'stones sickness' (not, as you might think, an obsession with Mick Jagger et al, but kidney stones). At the spa she meets aristocratic soldier André (Louis Garrel), with whom she develops a deep (though, to her disappointment, platonic) relationship. But when André leaves and Gabrielle returns to José, how will her experiences have changed her?

I spent much of the film trying to work out how old Gabrielle is supposed to be: when the film opens the story suggests she is the equivalent of a sixth form student, but Cotillard, in her forties, hardly looks the part. In other respects, though, she is perfect, conveying with the minimum of fuss Gabrielle's undercurrent of frustration with her lot in life - and the look she gives the man with whom she has ended up in the film's very last shot speaks volumes. Brendemühl and Garrel are pretty much Cotillard's supporting players (after all, neither of *them* has an Oscar!) but both make the most of their parts, again without resorting to over-acting.

Subtlety is the watchword in setting the film's period, too: director Nicole Garcia choosing to express it with costumes, interior decorations and cars, rather than beating the viewer around the head with pop songs from the time as other directors might be tempted to do. There no big explosions, no screeching-wheeled car chases; this is simply a film about human emotions - and contains a twist I certainly did not see coming. Well worth a viewing.

I loved this film. It is such a great story told beautifully. I don't want to say too much because I think it's better to let the film take you on its journey but it is supremely acted by Marion Cotillard who wholly inhabits Gabrielle and Alex Brudenmahel was just a revelation. He says so much without saying much at all. I would recommend that you skip the critics reviews and just watch the film and judge for yourself.

I was waiting for this movie after I have watched "Youth" of Paolo Sorentino. The reason is quite simple from the first glance and extremely marvelous from my point of view. First time in my life, I am still with Youth, I realized what is the pure beauty of the nature….

Thus, what I found out that in the same location "Mal de pierres" was shout I was expecting to indulge once again into fascinating scenery of nature. And of course, I was expecting the other background - provided by the movie and the plot.

I would divide movie into three parts: part 1 - boring & typical, part 2 - natural eye opening and part 3: reasonable

The plot is exactly what is said about the movie on any poster: she does not love, he (looks like) loves, she is becoming crazy and mad in the naive searches of love from the book. And this is basically the first part of mine.

My second part starts with the trip to Schatzalp in Davos. At the end of the first part an idea stroke my mind - what if the movie is not about she and her sufferings of loving not the right people?.....My second part is the most beautiful - breathtaking views of Swiss Alps, love story of the main she male character - an affair with young lieutenant (by the way perfectly chosen youth + war - for sure must be inspired by Thomas Mann's "Der Zauberberg").

My third part - leaving Alps and coming back to humdrum reality and again waiting for a love. Same stupid, naive love from the novels… Beautifully playing actors, beautiful need and the search for the real love and even after realizing that this love can be nearby - may be not even love but "near & dear". Maybe we can call it to to grow up & become a woman ...finally.

But in my opinion, the main idea as well as the main character is not Gabriel. What if the key to decipher the movie lays in undistinguished Jose? Do you remember his sight at the beginning of the movie? I guess this is the sight of the man willing to die for his love…

In my opinion, the movie is about Jose and his love, about the man who sacrificed his life and was withstanding all the "whims" and finally received hope for love. I would call it "the silent fight" for the love.

Coming back to the movie, the film is nice and beautiful, but in some moments a bit boring and lacks some expression and deepness. But for sure, I personally received what I was expecting and definitely it is one of the best recent movies so far.

... certain films the story just doesn't sink-in right-away... either it's the pacing.. just missing some pieces need fitting together ... even you think you had it all down correctly... watch it again & maybe-again... she's one of the finest at her craft... a pleasure to watch in practically every production she performs

... never receiving its-due at the box-office or from American audiences... nominated for numerous European-film-awards... just requires a patience of which we are fast-running in short supply ... watch it again on a leisurely afternoon w/o-distractions.. you will be rewarded with a subtlety-intense-film-experience.

Amazing movie remember me of A Beautiful Mind this time in a love story.

Amazing movie despite low rating, it is a must watch movie. I personally put it on my top list of preferred movies.

Just watch it and ignore its low rating...many people may not understand it.

Gabrielle, a stunning embodiment of 1950s Provence hysteria in full HD, yearns, craves and longs. Her oozing desire is disruptive to those around her and excruciatingly painful for her to bear, pushing her into silently abundant jouissance beyond words, which passes through her body in cramps of both pain and pleasure.

Bearing such free-floating desire in turn makes Gabrielle barren - her wandering womb (the ancient Greek explanation for hysteria) refuses to stay attached to one place and nurture a fetus, conceived in what Gabrielle perceives a loveless marriage with Jose.

Diagnosed with kidney stones as the scientific explanation for her ailments, Gabrielle is subsequently sent off to a mountain resort, one with uncanny ability to dive into the hemispheres of the unconscious mind, strangely resembling Mann's Magic Mountain, thus allowing Gabrielle to spill her desire over reality itself, over time and memory as she meets a charming young man, physically and emotionally absent enough for her to project her longing onto him, for him to play a phantasmatic figure in her own monodrama of Wuthering Heights. She can finally live her jouissance fully and completely by bringing her unconscious phantasies to life as the object of these phantasies, on the other hand, slips into death. The love scene portraying the perfect union comes to stand for a breathtaking example of how the mechanisms of trauma, repression and narcissistic loss (melancholia) work. The trauma of loss (not of the man Gabrielle thought she had loved, but of her own narcissistic self in and with his death) becomes repressed and another scene happens in Gabrielle's mind instead, which secures linearity of Gabrielle's historic self. She can only come to decipher this event years later via the narrative of the silent Jose, whose silences had been nurturing silent gaps in Gabrielle's memory until she was finally ready to bear them. Until she was finally ready for a dialogue. Until she was finally ready to hear Jose speak his story.

This film is a remarkable narrative of a ruthless abundance of feminine desire that longs for a language to speak itself, and take ownership of the ambivalent continuity of self, which is all but linear. Cotillard is exquisite in this role, and so is the cinematographic gaze following movements of her wandering/wuthering womb.

Marion Cotillard is arresting as a selfish, neurotic young woman who carries her self-imposed burdens into adulthood before an epiphany years later awakes her to the realities of love and life. Cotillard's "Gabrielle" when younger, reveals a selfish, emotionally disturbed young lady believing she has an entitlement to a passionate erotic love life with partners out of her reach. Such leads to her parents' drastic counter-productive remedy of an arranged marriage. I've not read the novel and am unsure if Gabby's physical malady which send her to a sanatorium suggests a cause of her problems or is simply a plot devise. Regardless, the dialog, acting, pacing and photography in this film are first rate! If I had to find fault I'd suggest adding some "clues" and/or nuance to the "mystery" that leads us to the solution But don't miss this fine French film!

I watched this at home on DVD from my local library. My wife skipped, she doesn't enjoy reading subtitles. It is mostly in French and I watched it with English subtitles.

I got the movie mainly because it features Marion Cotillard. She is a lovely lady and one of the best actresses of the current generation.

Here she is Gabrielle, part of a farming family in France that includes her dad and mom, plus a younger sister. We see that she was difficult growing up, what some may call "mean." And also fixated on nudity and sex. Looking like she might never marry, her parents made a deal with one of the workers, a Mr. Rabascal, if he would marry her then they would help set him up with his own masonry business. He agrees, Gabrielle eventually goes along, but she tells him directly that she will never love him and they will not have husband-wife relations. In her magnanimity she tells him she doesn't mind if he goes into the city to hire a prostitute.

I will not say much more except to say it is mainly a character study of Gabrielle, how she deals with her difficult personality, in the end trying to achieve some happiness with her husband and son who has a gift for playing the piano.

Marion Cotillard is superb.

Engrossing story; wonderful acting, not only from Marion Cotillard but from the entire cast; ultimately heartwarming. The ending was unexpected but perfectly fitting. One I could watch again in a few years time.

So many negative reviews, esp the Metacritic reviews! What movie were they watching? Guess it is a love/hate kind of movie.

Tour de force acting by all. This could have easily turned melodramatic in other hands, esp with Gabrielle's state of mind, but Marion Cotillard's acting skills worked a wonder, as did Nicole Garcia's directing. A beautiful, if melancholic, love story. Gorgeous locations and photography, in the Alps and by the sea.

The sound was spectacular and nominated for a Cesar award. It seemed like the ambiance was recorded while filming, instead of the usual Foley artists coming in to re-create the sound later. I think they did Foley some things, like footsteps, but the important scenes were recorded live. That is so rare; I felt like I was there, as I was when younger. If I am wrong, then outstanding Foley work!

The music was perfect for the mood. Wow, I didn't even realize it was so long. It never felt like it. Sparse dialog and much of the film is done via feelings. When that is done so well it is truly a treat not many can pull off. Be sure and catch all the dialog, though, or you may not get it. I tried to guess what 'twist' could possibly happen, as I had read some reviews and knew there was one, but I was wrong (although mine was a good one!). It is rare to be fooled by a film these days!

I feel strangely uplifted just now after watching this film, for some odd reason. Perhaps it is that I feel like I have just had a trip to Europe, or I was so immersed it was truly an escape and a journey. Enjoy!