CALIFICACIÓN DE IMDb
7.6/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA quirky comedy about the relationship between a daughter and her aging father, whose eccentricities drive everyone crazy.A quirky comedy about the relationship between a daughter and her aging father, whose eccentricities drive everyone crazy.A quirky comedy about the relationship between a daughter and her aging father, whose eccentricities drive everyone crazy.
- Premios
- 40 premios ganados y 34 nominaciones en total
Irrfan Khan
- Rana
- (as Irrfan)
Raghubir Yadav
- Dr. Srivastava
- (as Rhagubir Yadav)
Nutan Surya
- Sansaari (Rana's Mother)
- (as Nutan Mathur)
Avijit Dutt
- Bodo Mesho
- (as Avijit Dutta)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Shoojit Sircar's film strives for excellence in cinema focusing on human relationship, strong bonding between characters and acting style which approximates real life and is relatively free of contrivance and device. Piku was a nice dramady with mind blowing performance by Amitabh Bachchan , Deepika Padukone and Irrfan Khan who vehemently carried the film on their shoulder.
Piku tells the story of old-aged, suffering from constipation who travels with his daughter on a memorable road trip from Delhi to Calcutta to visit their ancestral home.
From critical acclaim films like Yahaan, Vicky Donor and Madras Cafe, Shoojit Sircar explores an untouched area which I guess no other Indian filmmaker has attempted before and gives a heart-warming and sweet father-daughter relationship which is sure to be enriched in your memory after you leave theater. The tagline " Motion se hi Emotion" makes sense here as the entire movie talks about the constipation, bowel movement and even the color of the poop which Sircar does succeeds to bring humor without making it look bad. The scene where Irrfan Khan describes the benefit of Indian toilets over the Western one will certainly bring down the house, the constant nagging between father and daughter over the bowel movement is not dragging and will keep you entertained. The script written by Juhi Chaturvedi is refreshing and yet convincing. Art direction is magnificent capturing the essence of Delhi and Calcutta. Cinematography is stunning, capturing the beauty of India's highway all the way from Delhi to Banaras to Calcutta. Dialogues are funny. Music is tuneful which gels well with the mood of the film. Coming to performances, the film completely belongs to Amitabh, Deepika and Irrfan. Amitabh Bacchan once again proves his versatility. Deepika Padukone surprises with her simple and yet so powerful role. She is natural and makes her acting so easy as it is a cup of tea for her. Irrfan Khan is just perfect fit for his role. The actor is outstanding and you love him for that. On the flip side, the ending could have been bit more convincing and impacting.
Piku promises and delivers what it was shown in the trailer – Brilliant. I am happy with the way Bollywood directors are doing things differently and thinking out of the box. This one is sure to keep you entertained. Excellent 4.5/5
www.facebook.com/Filmychowk
Piku tells the story of old-aged, suffering from constipation who travels with his daughter on a memorable road trip from Delhi to Calcutta to visit their ancestral home.
From critical acclaim films like Yahaan, Vicky Donor and Madras Cafe, Shoojit Sircar explores an untouched area which I guess no other Indian filmmaker has attempted before and gives a heart-warming and sweet father-daughter relationship which is sure to be enriched in your memory after you leave theater. The tagline " Motion se hi Emotion" makes sense here as the entire movie talks about the constipation, bowel movement and even the color of the poop which Sircar does succeeds to bring humor without making it look bad. The scene where Irrfan Khan describes the benefit of Indian toilets over the Western one will certainly bring down the house, the constant nagging between father and daughter over the bowel movement is not dragging and will keep you entertained. The script written by Juhi Chaturvedi is refreshing and yet convincing. Art direction is magnificent capturing the essence of Delhi and Calcutta. Cinematography is stunning, capturing the beauty of India's highway all the way from Delhi to Banaras to Calcutta. Dialogues are funny. Music is tuneful which gels well with the mood of the film. Coming to performances, the film completely belongs to Amitabh, Deepika and Irrfan. Amitabh Bacchan once again proves his versatility. Deepika Padukone surprises with her simple and yet so powerful role. She is natural and makes her acting so easy as it is a cup of tea for her. Irrfan Khan is just perfect fit for his role. The actor is outstanding and you love him for that. On the flip side, the ending could have been bit more convincing and impacting.
Piku promises and delivers what it was shown in the trailer – Brilliant. I am happy with the way Bollywood directors are doing things differently and thinking out of the box. This one is sure to keep you entertained. Excellent 4.5/5
www.facebook.com/Filmychowk
Piku is one gem of a movie - a film that is as realistic as it is charming, as beautiful as it is brilliantly humorous. Soojit Sircar's able directorial efforts on Juhi Chaturvedi's excellent script turn it into an ineffable film experience. With its quirky and eccentric characters, the film adopts a persistent sense of everyday realism which makes the overall product consistently engaging, funny, moving and fascinating. Piku is comic and dramatic in equal parts, but more than its substance, it is a true visual treat. What starts as a nice domestic picture concentrating on the routine of its lead players in what is clearly reminiscent of the old Hrishikesh Mukherjee classics, it takes a turn of events to become an eminently watchable and breathtakingly shot road movie. It never drags for one minute, often making you wish it wouldn't end as quickly as it eventually did.
The film presents one of the most authentic and credible father-daughter relationships ever recorded on film. In so doing, it celebrates values of children looking after their aging parents, values which certainly prevail in a country like India and which gradually disappear from the common consciousness of the current youth. The main character Piku's responsibility towards her ailing father, her patience towards his annoying habits and oversmart nature, is captured with terrific detail, and not for a moment does it veer into cliche. Her almost maternal care of him is never portrayed with overdone sentimentality, sweet talk, or much physical interaction. Her love is selfless and unconditional, and it's proven in actions rather than words. In that respect it reminds one of Mrinal Sen's classic Khandhar, where Shabana Azmi took care of her bedridden mother.
The soulful delivery could not have been possible without the acting, and Piku, both the film and the character, reveals Deepika Padukone as an actor who, at her best, has the rare ability to grasp the complex realities of the human condition. Easily irritable, no-nonsense, always under the pressure of her struggle, she is fully in sync with her character, capturing the flawed nature of Piku with tremendous subtlety. Hers is a portrait of true selflessness and strength. At the same time, Amitabh Bachchan offers a poignant study of old age experience. His mastery of the essence and meaning of growing old and of this ultra-annoying yet touchingly endearing man is phenomenal in a performance that is remarkably well-detailed, nuanced and naturalistic. To think that this towering star-actor would ever approach his parts with the sensibility of character actors is a treasure to behold.
These two work wonderfully opposite each other, but the rest of the cast are all brilliant living their parts. Obviously Irfan's quiet, effortless charisma is undeniable, and his performance vies for top honours despite perhaps being given the status of a supporting actor here. He is dependable all through, and this touch of mystery where you never know what exactly this guy is thinking is as great as ever. In a small part with almost no lines, but being present in almost every scene, Avijit Dutt is reliably good. Yesteryear star Moushumi Chatterjee is also very good in a role that would certainly remind you of some woman you know. But Piku has no stars, is a film which conveys simple and meaningful messages, and it does so through pure entertainment. The constipation part is a recurring comic motif here, but the reinforcement of the divine duty to honour one's parents is stronger.
The film presents one of the most authentic and credible father-daughter relationships ever recorded on film. In so doing, it celebrates values of children looking after their aging parents, values which certainly prevail in a country like India and which gradually disappear from the common consciousness of the current youth. The main character Piku's responsibility towards her ailing father, her patience towards his annoying habits and oversmart nature, is captured with terrific detail, and not for a moment does it veer into cliche. Her almost maternal care of him is never portrayed with overdone sentimentality, sweet talk, or much physical interaction. Her love is selfless and unconditional, and it's proven in actions rather than words. In that respect it reminds one of Mrinal Sen's classic Khandhar, where Shabana Azmi took care of her bedridden mother.
The soulful delivery could not have been possible without the acting, and Piku, both the film and the character, reveals Deepika Padukone as an actor who, at her best, has the rare ability to grasp the complex realities of the human condition. Easily irritable, no-nonsense, always under the pressure of her struggle, she is fully in sync with her character, capturing the flawed nature of Piku with tremendous subtlety. Hers is a portrait of true selflessness and strength. At the same time, Amitabh Bachchan offers a poignant study of old age experience. His mastery of the essence and meaning of growing old and of this ultra-annoying yet touchingly endearing man is phenomenal in a performance that is remarkably well-detailed, nuanced and naturalistic. To think that this towering star-actor would ever approach his parts with the sensibility of character actors is a treasure to behold.
These two work wonderfully opposite each other, but the rest of the cast are all brilliant living their parts. Obviously Irfan's quiet, effortless charisma is undeniable, and his performance vies for top honours despite perhaps being given the status of a supporting actor here. He is dependable all through, and this touch of mystery where you never know what exactly this guy is thinking is as great as ever. In a small part with almost no lines, but being present in almost every scene, Avijit Dutt is reliably good. Yesteryear star Moushumi Chatterjee is also very good in a role that would certainly remind you of some woman you know. But Piku has no stars, is a film which conveys simple and meaningful messages, and it does so through pure entertainment. The constipation part is a recurring comic motif here, but the reinforcement of the divine duty to honour one's parents is stronger.
Shoojit Sircar reigns supreme as his latest offering 'Piku', is a hugely entertaining, simple & sweet film, that also has some amazing performances working for it. Here's a film that has humor, emotions & the pace, one expected from it.
'Piku' examines the life of a father & daughter, along-with a dry-humored car-hiring company owner/chauffeur.
'Piku' is about relationships & responsibility. The narrative wonderfully narrates the relationship of an overbearing, constipated father & his hard-working daughter. Even the part of the car-hiring company owner is so nicely written. In fact, the diversity between its primary characters is what makes 'Piku' such an absorbing watch. There are moments when you laugh-out-loud & there are times when your heart just melts. You feel for the characters & that kind of connect, is a huge bonus for any film.
While the first-hour builds-up the structure of the film with some hilarious moments, the second-hour shifts into the emotional zone, especially in the penultimate portions. 'Piku' is a lovely blend of humor & emotions.
Juhi Chaturvedi's Screenplay is first-class. She has created a world of difficult, diverse minds with precision. A Special Mention for the fantastic dialogue all through. Shoojit Sircar's Direction is excellent. Sircar is only getting better & better with every film. He's undoubtedly, among the most precious filmmakers working in the Hindi Film Industry today! Cinematography, Editing & Art Design, are superb. Music & Background Score by Anupam Roy is wonderful.
Performance-Wise: 'Piku' is enriched by amazing performances. Deepika Padukone is at her natural best as Piku, the daughter of a selfish father, who's torn between responsibility & her own ambitions. Deepika is believable & affecting throughout. Amitabh Bachchan, as the selfish & constipated old-man, is outstanding. Right from speaking Bengali with the correct dialect, to delivering some of the spiciest lines, the legend doesn't seem to miss a single beat. Irrfan is fabulous. He's given some of the film's best moments & the talented actor only elevates those moments with his superior act. Moushumi Chatterjee is flawless. Its so nice to see the veteran back after a hiatus. Raghuvir Yadav & Jishu Sengupta lend able support.
On the whole, 'Piku' is one enjoyable ride! Go, have a good time! Recommended!
'Piku' examines the life of a father & daughter, along-with a dry-humored car-hiring company owner/chauffeur.
'Piku' is about relationships & responsibility. The narrative wonderfully narrates the relationship of an overbearing, constipated father & his hard-working daughter. Even the part of the car-hiring company owner is so nicely written. In fact, the diversity between its primary characters is what makes 'Piku' such an absorbing watch. There are moments when you laugh-out-loud & there are times when your heart just melts. You feel for the characters & that kind of connect, is a huge bonus for any film.
While the first-hour builds-up the structure of the film with some hilarious moments, the second-hour shifts into the emotional zone, especially in the penultimate portions. 'Piku' is a lovely blend of humor & emotions.
Juhi Chaturvedi's Screenplay is first-class. She has created a world of difficult, diverse minds with precision. A Special Mention for the fantastic dialogue all through. Shoojit Sircar's Direction is excellent. Sircar is only getting better & better with every film. He's undoubtedly, among the most precious filmmakers working in the Hindi Film Industry today! Cinematography, Editing & Art Design, are superb. Music & Background Score by Anupam Roy is wonderful.
Performance-Wise: 'Piku' is enriched by amazing performances. Deepika Padukone is at her natural best as Piku, the daughter of a selfish father, who's torn between responsibility & her own ambitions. Deepika is believable & affecting throughout. Amitabh Bachchan, as the selfish & constipated old-man, is outstanding. Right from speaking Bengali with the correct dialect, to delivering some of the spiciest lines, the legend doesn't seem to miss a single beat. Irrfan is fabulous. He's given some of the film's best moments & the talented actor only elevates those moments with his superior act. Moushumi Chatterjee is flawless. Its so nice to see the veteran back after a hiatus. Raghuvir Yadav & Jishu Sengupta lend able support.
On the whole, 'Piku' is one enjoyable ride! Go, have a good time! Recommended!
The trailers told us what to expect, and the film definitely lives up to what it endorses. Piku may have taken the subject of constipation quite too seriously, but it really is a realistic depiction of (familial) relationships.
Story of a septuagenarian Bhaskor (Bachchan) who is more concerned about his health issues, especially his holiday tummy, has a daughter named Piku (Padukone). Piku takes care of Bhaskor like a child SHOULD take care of her parent. And that is what the primary theme of the film is, and it slightly preaches that towards the end. Although one cannot call the film preachy, it does convey a message or two.
The plot begins with Bhaskor diagnosing his Delhi belly and ends when he finally empties his bowels, literally. His violent relationship with his digestive system is the reason he acts temperamental, which has far-reaching effects, mostly on Piku. How Piku tackles his snappiness forms the essential part of the film. It is appealing to watch the story unfold, and if one concentrates on the natural dialogs that are delivered by the characters, one is sure to lay back and enjoy a hearty chuckle. The humor is natural and the family ambiance is ideal for an afternoon watch with your family.
How old age has to be handled the same way infancy is handled should be learned by the titular character, played beautifully by gorgeous Padukone. She is shimmering throughout the frames, but for me personally, Bachchan takes the pie. His portrayal is simply fantastic. That brings the attention to the perfect casting done by the makers; Irrfan is phenomenal and so are the pillaring cast. The subject of constipation is so comprehensively addressed one doubts if it is a guide for dummies. The soundtrack and score by newcomer Anupam Roy sounds repetitive, but strictly complements the theme of the film, which is part road drama.
BOTTOM LINE: Soojit Sircar has carved something essential in Bollywood with Piku - a fine story whose effect may not stay for long, but its themes and performances certainly remembered in years to come. 7/10 - recommended.
Can be watched with a typical Indian family? YES
Story of a septuagenarian Bhaskor (Bachchan) who is more concerned about his health issues, especially his holiday tummy, has a daughter named Piku (Padukone). Piku takes care of Bhaskor like a child SHOULD take care of her parent. And that is what the primary theme of the film is, and it slightly preaches that towards the end. Although one cannot call the film preachy, it does convey a message or two.
The plot begins with Bhaskor diagnosing his Delhi belly and ends when he finally empties his bowels, literally. His violent relationship with his digestive system is the reason he acts temperamental, which has far-reaching effects, mostly on Piku. How Piku tackles his snappiness forms the essential part of the film. It is appealing to watch the story unfold, and if one concentrates on the natural dialogs that are delivered by the characters, one is sure to lay back and enjoy a hearty chuckle. The humor is natural and the family ambiance is ideal for an afternoon watch with your family.
How old age has to be handled the same way infancy is handled should be learned by the titular character, played beautifully by gorgeous Padukone. She is shimmering throughout the frames, but for me personally, Bachchan takes the pie. His portrayal is simply fantastic. That brings the attention to the perfect casting done by the makers; Irrfan is phenomenal and so are the pillaring cast. The subject of constipation is so comprehensively addressed one doubts if it is a guide for dummies. The soundtrack and score by newcomer Anupam Roy sounds repetitive, but strictly complements the theme of the film, which is part road drama.
BOTTOM LINE: Soojit Sircar has carved something essential in Bollywood with Piku - a fine story whose effect may not stay for long, but its themes and performances certainly remembered in years to come. 7/10 - recommended.
Can be watched with a typical Indian family? YES
Wow...! I expect this level of expression from Bollywood. In the midst of nonsense and illogical movies, comes a piece of powerful and sentimental love,emotion and drama. It is based on a Father - Daughter relationship which people may call weird but, in fact it is depiction of situations of all old and sick parents in the world, specially India. Why should u watch it ? Because Bachchan Sir has given us a memorable and subjective touch through his acting as Piku's father. It shows how a daughter never forgets her duties even when his father irritates her by impulsive and relentless behavior. It shows how a man accepts death happily. It shows love is not a treaty. It takes us to a life changing journey from Delhi to Calcutta by road ! Just exchange of thoughts and love sprouts from strangest of places with strangest of people no matter what are the circumstances. Irfan is as expected, Deepika fits to the role, Amitabh sir is unforgettable.
¿Sabías que…?
- TriviaAll shots inside Toyota Innova are taken after removing first row headrests. Probably this was done to capture Amitabh Bachhan in the same frame as Irfan or Deepika. Driving without headrest is very dangerous for the first row passengers especially on highways.
- ErroresEarly in the film, Piku tells Rana that her address is 'C-124, C.R. Park'. However, the gate says 'B-201', not 'C-124'.
- ConexionesFeatured in 61st Britannia Filmfare Awards (2016)
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- How long is Piku?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,801,807
- Fin de semana de estreno en EE. UU. y Canadá
- USD 941,490
- 10 may 2015
- Total a nivel mundial
- USD 2,479,411
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