Una historia que gira en torno a tres hermanas que viven en la casa de su abuela y la llegada de su media hermana de trece años.Una historia que gira en torno a tres hermanas que viven en la casa de su abuela y la llegada de su media hermana de trece años.Una historia que gira en torno a tres hermanas que viven en la casa de su abuela y la llegada de su media hermana de trece años.
- Dirección
- Guionistas
- Elenco
- Premios
- 16 premios ganados y 24 nominaciones en total
Ryohei Suzuki
- Dr. Yasuyuki Inoue
- (as Ryôhei Suzuki)
Ôshirô Maeda
- Fûta Ozaki
- (as Ohshiroh Maeda)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10vexyl
This movie is 128 minutes long and at the end i was hoping it could go on for two more hours. For me it is the essence of what cinema should be. Great story real characters and real life ! Just a few days before i was watching SW7 and thought it was an OK movie but while watching "our little sister" i was realizing how much better cinema can be and how bad most Hollywood blockbusters really are. I know its like comparing a Michelin star cook to Mc Donald's but when you tasted both you realize one is art and one is fast food. One you eat because you're hungry (bored) and one because it tastes great. This movie is art because it touches you in a special way ... not you ego but your humanity.
Compared to Hirokazu Koreeda previous movie "like father like son" the story is very loose sometime you even think there is none. You also get tricked by the expectations other movies force you to have by repeating the same motives over and over again. I'm not sure if this is intentional or the movie is just so different.
Like most Japanese or Asian movies there is some stuff that could be a little bit to slapstick and melodramatic for western viewers but that's a very small price to pay.
If you don't count anime "our little sister" makes it in my top 5 Asian movies of all time. I highly recommend it.
Compared to Hirokazu Koreeda previous movie "like father like son" the story is very loose sometime you even think there is none. You also get tricked by the expectations other movies force you to have by repeating the same motives over and over again. I'm not sure if this is intentional or the movie is just so different.
Like most Japanese or Asian movies there is some stuff that could be a little bit to slapstick and melodramatic for western viewers but that's a very small price to pay.
If you don't count anime "our little sister" makes it in my top 5 Asian movies of all time. I highly recommend it.
This is by no means a simple watch, but it's a hugely pleasant one. Our Little Sister is a perfect example of how a slow, calm and natural film can pull you in so much deeper than something big and loud, with fantastic performances, beautiful directing, brilliant dialogue and an emotionally impressive, but never melodramatic story.
The most striking thing about this film is the directing. It's all very understated, but the director is so brilliant at giving you staggeringly beautiful vistas of the countryside landscape of Japan. It never takes over what's happening in the story, but the way that the natural world is presented in this film is so special, and makes it an absolute joy to watch.
The performances are great too. Again, with a very quiet and understated story, the actors all do a fantastic job at providing interesting drama and engaging character development, which makes the slow pacing of this film feel almost invisible, as you're able to be pulled in so effectively by the very human, realistic performances, which was so impressive to see.
And that ability to create a realistic drama continues in the film's dialogue. The performances are all fantastic, but without the brilliantly-written dialogue, that feels so natural and real, this film may not have been as brilliantly engrossing as it is. Luckily, however, every line is so well-crafted, and fits so well with whatever's going on on screen, that you become totally immersed in this film as if you're right there taking part in these conversations.
This is effectively a 'slice of life' drama, where we're not getting an over-the-top, cinematic melodrama, but one that just peers into some people's lives, and makes a compelling story out of it.
That's true for a lot of the film, and I definitely enjoyed following the brilliant plot here, but if there is one complaint that I do have with Our Little Sister, it lies within the way the story is told. Understated films are fantastic, and shouldn't be overlooked, but in this film, I felt as if it was just a little too quiet in its opening stage to get you fully up to speed with what's going on.
Don't get me wrong, the calm nature of the film is beautiful for the most part, but for the first twenty minutes or so, I did feel a little lost with the characters' various backgrounds and relationships due to little early exposition, which made for an occasionally frustrating watch at the beginning.
Overall, however, Our Little Sister is a wonderful film, and it uses understated drama in a brilliantly realistic and immersive way, helped further by great performances and fantastic directing.
The most striking thing about this film is the directing. It's all very understated, but the director is so brilliant at giving you staggeringly beautiful vistas of the countryside landscape of Japan. It never takes over what's happening in the story, but the way that the natural world is presented in this film is so special, and makes it an absolute joy to watch.
The performances are great too. Again, with a very quiet and understated story, the actors all do a fantastic job at providing interesting drama and engaging character development, which makes the slow pacing of this film feel almost invisible, as you're able to be pulled in so effectively by the very human, realistic performances, which was so impressive to see.
And that ability to create a realistic drama continues in the film's dialogue. The performances are all fantastic, but without the brilliantly-written dialogue, that feels so natural and real, this film may not have been as brilliantly engrossing as it is. Luckily, however, every line is so well-crafted, and fits so well with whatever's going on on screen, that you become totally immersed in this film as if you're right there taking part in these conversations.
This is effectively a 'slice of life' drama, where we're not getting an over-the-top, cinematic melodrama, but one that just peers into some people's lives, and makes a compelling story out of it.
That's true for a lot of the film, and I definitely enjoyed following the brilliant plot here, but if there is one complaint that I do have with Our Little Sister, it lies within the way the story is told. Understated films are fantastic, and shouldn't be overlooked, but in this film, I felt as if it was just a little too quiet in its opening stage to get you fully up to speed with what's going on.
Don't get me wrong, the calm nature of the film is beautiful for the most part, but for the first twenty minutes or so, I did feel a little lost with the characters' various backgrounds and relationships due to little early exposition, which made for an occasionally frustrating watch at the beginning.
Overall, however, Our Little Sister is a wonderful film, and it uses understated drama in a brilliantly realistic and immersive way, helped further by great performances and fantastic directing.
The adaptation of a graphic novel to film may seem more easily attainable than other media, it can still suffer from the same problems. Hirokazu Koreeda, with his attention to details, did a marvellous job with this film. I noticed many cabiria- movements throughout the film, I suppose mimicking the movement of the reader's eyes.
Koreeda was also a good fit for the subject of the story, his last film Like Father, Like Son also handled relations between reunited family members. This time the most defining aspect is the role of the female in Japan, still a very paternalistic country, yet as the film shows they have no difficulty living on their own. Every film is an image of its time and Our Little Sister shows that times have changed, this case for the better.
The cinematography was very beautiful, to the point were I would recommend trying to watch Our Little Sister on the big screen. The long-shots of natural views are breath-taking. Furthermore, the script and the film feel very precise, no doubt the outcome of Hirokazu Koreeda writing the screenplay, directing and editing the film.
Koreeda was also a good fit for the subject of the story, his last film Like Father, Like Son also handled relations between reunited family members. This time the most defining aspect is the role of the female in Japan, still a very paternalistic country, yet as the film shows they have no difficulty living on their own. Every film is an image of its time and Our Little Sister shows that times have changed, this case for the better.
The cinematography was very beautiful, to the point were I would recommend trying to watch Our Little Sister on the big screen. The long-shots of natural views are breath-taking. Furthermore, the script and the film feel very precise, no doubt the outcome of Hirokazu Koreeda writing the screenplay, directing and editing the film.
The source material (manga) is masterfully adapted into a 2 hour film.
Excellent cast, direction, cinematography, everything in it (Kamakura is such a beautiful place)! I fell in love with all the characters (I specially liked Midoriko Kimura's role of the Cafe owner)..
Everything in this movie feels so real, and lively. But also filled with emotions. And the theme and general feeling (what you take with you once done) is quite heavy, even if it is something simple we can all understand. I love the kind of stories that put a smile on my face, even if I felt my heart being tugged a bit. You can see the love that was put in it by everyone involved.
Would easily recommend to anyone.. specially to those that sometimes just stop to realize they are alive.
Everything in this movie feels so real, and lively. But also filled with emotions. And the theme and general feeling (what you take with you once done) is quite heavy, even if it is something simple we can all understand. I love the kind of stories that put a smile on my face, even if I felt my heart being tugged a bit. You can see the love that was put in it by everyone involved.
Would easily recommend to anyone.. specially to those that sometimes just stop to realize they are alive.
The story about sisters lived in Kamakura. It starts that the father of three sisters dies. Then, they know the father has youngest sister, Suzu, whose mother is different from theirs. Suzu needs a place she can be, so she moves to a house that three sisters live. Four sisters have each trouble such as love and work. Also, they think about other sisters very much. Some people don't like this movie or they are bored because the logical development of this movie isn't clear and the story advances slowly. However, I was sympathized about the feeling of each sister and I was moved to tears by their love. I have a sister and two brothers, so I did more than others. In addition, the atmosphere of Kamakura is good and fits with this slowly movie. You wants to go to Kamakura if you watch this movie.
¿Sabías que…?
- TriviaBefore they shot the movie, four actresses spent a day at the house together to get familiarized with the layout of the house and get comfortable with each other. They cleaned the house, weeded the garden, cooked meals and ate together. They also fixed the shoji screen, which Koreeda liked it so much that he incorporated the scene in the movie.
- ErroresWhen the four sisters are having their lunch with Chika's boyfriend at their house, in the interior shot looking outward, all the noodles on the main plate have been eaten.
In the next scene, an exterior scene looking inward to the house, Sachi reaches down and takes the plate away but Chika reaches up and takes several noodles off the plate with her chopsticks.
- Citas
Sachi Kôda: I want you to stay forever.
Suzu Asano: I want to stay forever.
- ConexionesReferenced in Il était une fois...: Une affaire de famille (2021)
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- How long is Our Little Sister?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Our Little Sister
- Locaciones de filmación
- Kamakura, Kanagawa, Japón(town where the three sisters live)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 467,555
- Fin de semana de estreno en EE. UU. y Canadá
- USD 25,118
- 10 jul 2016
- Total a nivel mundial
- USD 15,946,109
- Tiempo de ejecución2 horas 7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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