Una segunda madre

Regina Case gives a heartfelt performance as the maid to a rich and rather snobby family – and as the mother to her long lost daughter. It is after the daughter reunites with the mother after a long ten year absence (not clearly explained) that the wheels of this film really start to churn to generate tension, but also immense warmth.

Even though the film does meander now and then – every scene with Regina Case as surrogate mother to her adopted household, especially the son, and the real mother of her daughter gives off an energy of feeling and vitality. It is beautiful to behold the radiation that emanates in all her scenes. And its' nice to walk out of a film with the milk of human kindness – a rarity these days.

"The Second Mother" (2015 release from Brazil; 112 min.; original title "Que Horas Ela Volta?" or "What Time Will She Be Back?") brings the story of Val, who has been working as a live-in maid for many years (later we learn it's about 15 years) at a well-off family in Sao Paolo. She's part of the family, yet of course knows the rules of the do's and don't's that come with being the maid. Then out of the blue appears Val's daughter Jessica, whom she hasn't seen in years. Jessica wants to study to take the entrance test at the FAU (Architecture and Urbanization School). As it happens, Fabinho, the son of the family, is as well. On top of that, Jessica has different ideas as to what rules she should or shouldn't abide by, being the daughter of the live-in maid. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments; this is the latest movie from noted Brazilian writer-director Anna Muylaert (a very Belgian name indeed). She has previously brought us "The Year My Parents Went On Vacation", among others. Here she looks at the class differences in Brazilian society, something that Brazilian cinema has a long history and track record in. There are a number of telling scenes in the movie, none more so (for me anyway) when Jessica tells the well-off family that she plans to take the notoriously difficult and selective FAU entrance exam. "This country is really changing" mutters the mother, in what could be a positive way, but really is a condescending tone. While the movie is billed as a drama, there are plenty of lighter moments in it as well, usually courtesy of Regina Case in the role of Val. The whole movie is on her shoulder, and she does is with a wink and a smile. As to the movie's US title, which departs significantly from the original title, you will see in the movie that there are several ways to interpret that. One minor negative is that the movie is a bit long for its own good. With some tighter editing, this could've been about 15 min. shorter without losing much. But in the end it's a minor quibble.

I saw this movie on what turned out to be the last day of its one week run at my local art-house theater here in Cincinnati. Not surprisingly, the early evening screening where I saw this at was not well attended. Maybe this will find a second life when it comes out on DVD. If you are in the mood for a top quality foreign movie that's short on 'action' but long on substance, you cannot go wrong with this, be it at the theater, on VOD or on DVD/Blu-ray. "The Second Mother" is HIGHLY RECOMMENDED!

It's not everyday that we get a film like this, not willing to really dive into the political, social issues that pervade everyday life, and the cultural barriers and differences that micro- aggressions really make. The acting in this is superb, especially from Regina Case. It's all very natural and in the vein of real life, to an almost unbearably disturbing extent. The screenplay and directing are superb. None of it is at all showy, but it all builds up to quietly powerful, and deeply emotional, moments and scenes. The characterization is rich and it all really sneaks up on you in terms of its effect. definitely recommended, although it's not for those wanting loud or showy extravaganza.

This movie does a exceptional analysis of the modern Brazilian society, showing the difference of classes and how this is deal inside the family houses. The viewers of the movie start seeing themselves in the role of the employers of the housemaids and realize that actually they already did a lot of situations that they consider absurd. This start causing a discomfort on the the spectator and make them think in the model of society that they live. With a strong direction but still feel free for improvisation, this movie is one of the best Brazilian in years. Since Central Station we do not see a movie that is so well related to Brazilian reality of segregation and difference of classes. Perfect performances (not only of the main roles, but all characters in the movie), beautiful photography and really well done soundtrack this movie put again Brazil on the track of countries who can show their reality in their own way.

Organic film, the kind where everything fits and grows with the viewer so the lights come on, It is a work to be revered. Ana Muylaert builds a narrative that speaks of class relationship, the role of women in society as a mother, daughter, professional, also speaks of social segregation and changes in the Brasil in these two decades of democracy. It is a simple film, but not for everyone - does not have the appeal of globofilmes comedies, twists, striking scenes - it's all very subtle and sensitive.

Spent most of the time in an upper middle class mansion, the rooms it is also almost characters. From the kitchen to the guest room, the director gives meaning to the spaces, to the pool, to objects, to food. Veteran Regina Case plays Val, maid sleeping in the closet maid, knowing their place in the world, while the daughter, played by newcomer Camila Mardia, recently coming from the northeast to take entrance exams for architecture, it is a pioneering, a sentient , a citizen.

Award at the Berlin Film Festival and Sundance, What Time, surprisingly, is making blockbuster in European countries and pointed out by specialist as probable nominated for the Oscar. It's a cracker too, in my view, to reach the general public. I hope you get it. It is on my list of best films of the year and will be on the list of many influential critics around the world.