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Varios cineastas reflexionan sobre cómo influyó en su trabajo el libro de François Truffaut de 1966 "El cine según Hitchcock".Varios cineastas reflexionan sobre cómo influyó en su trabajo el libro de François Truffaut de 1966 "El cine según Hitchcock".Varios cineastas reflexionan sobre cómo influyó en su trabajo el libro de François Truffaut de 1966 "El cine según Hitchcock".
- Premios
- 1 premio ganado y 1 nominación en total
Bob Balaban
- Narrator
- (voz)
Jean-Claude Brialy
- Self
- (material de archivo)
- (sin créditos)
Claude Chabrol
- Self
- (material de archivo)
- (sin créditos)
Jean-Luc Godard
- Self
- (material de archivo)
- (sin créditos)
Alfred Hitchcock
- Self
- (material de archivo)
- (sin créditos)
Vera Miles
- Self
- (material de archivo)
- (sin créditos)
Anny Ondra
- Self
- (material de archivo)
- (sin créditos)
Alma Reville
- Self
- (material de archivo)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
‘Snow White’ Stars Test Their Wits
Argumento
¿Sabías que…?
- TriviaBoth Sir Alfred Hitchcock and François Truffaut could actually speak quite adequately in the language of the other, as can be heard in off camera moments. However neither felt confident enough, so they used Helen Scott, a bilingual Truffaut collaborator, to provide simultaneous translation.
- Citas
Alfred Hitchcock: Silent pictures are the pure motion picture form. There's no need to abandon the technique of the pure motion picture, the way it was abandoned when sound came in.
- ConexionesFeatures El inquilino (1927)
Opinión destacada
Not the usual kind of biographical stuff about the celebrity's childhood and how he "rose to prominence" before he "fell from grace." In other words it's not an episode of "Biography." The object of attention is the book, "Cinema According to Hitchcock" by an admirer and fellow director Francois Truffaut, published in 1966.
The film is roughly (but only roughly) chronological and the biographical material is limited but covers both Hitchcock and his interviewer. What makes it more interesting than it might be is that Truffaut was about half Hitchcock's age. They came from different traditions -- Hitch from the silents, when everything needed to be spelled out visually, and Truffaut from the French "New Wave" cinema of the early 1960s, when the rules were thrown out the window.
Despite their different styles, they never clash. Truffaut is too good natured for that, and Hitch too distantly polite in his British way. Only once, in the book, not in the film, is there any sign of friction, when Truffaut suggests a different way Hitch might have handled a scene and he replies, "It seems you want me to write for an art house audience." Lots of excerpts from Hitch's movies and several from Truffaut's as well. A good deal of attention is paid to cinematic techniques -- the position of the camera, the lighting, the pattern of the images themselves. Some of the talking heads, and Hitchcock himself, come up with implications that to me seem questionable. I can't manage to convince myself that, while waiting for Kim Novack to emerge fully transformed from the bathroom, Jimmy Stewart is "getting an erection." In fact, I can't imagine Jimmy Stewart getting an erection at all.
I suspect the program might disappoint some viewers who don't want to listen to the interlocutors making polite jokes. (Twice, Hitch is about to tell an anecdote and asks for the recorder to be turned off.) Nothing in the movie is critical of either Truffaut or Hitchock, who became an alcoholic during his last years.
There are photos from the interview and excerpts from the recording, as well as a description of the surprising friendship that developed between the two. I thought it was all fascinating.
The film is roughly (but only roughly) chronological and the biographical material is limited but covers both Hitchcock and his interviewer. What makes it more interesting than it might be is that Truffaut was about half Hitchcock's age. They came from different traditions -- Hitch from the silents, when everything needed to be spelled out visually, and Truffaut from the French "New Wave" cinema of the early 1960s, when the rules were thrown out the window.
Despite their different styles, they never clash. Truffaut is too good natured for that, and Hitch too distantly polite in his British way. Only once, in the book, not in the film, is there any sign of friction, when Truffaut suggests a different way Hitch might have handled a scene and he replies, "It seems you want me to write for an art house audience." Lots of excerpts from Hitch's movies and several from Truffaut's as well. A good deal of attention is paid to cinematic techniques -- the position of the camera, the lighting, the pattern of the images themselves. Some of the talking heads, and Hitchcock himself, come up with implications that to me seem questionable. I can't manage to convince myself that, while waiting for Kim Novack to emerge fully transformed from the bathroom, Jimmy Stewart is "getting an erection." In fact, I can't imagine Jimmy Stewart getting an erection at all.
I suspect the program might disappoint some viewers who don't want to listen to the interlocutors making polite jokes. (Twice, Hitch is about to tell an anecdote and asks for the recorder to be turned off.) Nothing in the movie is critical of either Truffaut or Hitchock, who became an alcoholic during his last years.
There are photos from the interview and excerpts from the recording, as well as a description of the surprising friendship that developed between the two. I thought it was all fascinating.
- rmax304823
- 8 ago 2016
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- How long is Hitchcock/Truffaut?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 260,430
- Fin de semana de estreno en EE. UU. y Canadá
- USD 28,178
- 6 dic 2015
- Total a nivel mundial
- USD 386,471
- Tiempo de ejecución1 hora 19 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was Hitchcock/Truffaut (2015) officially released in Canada in English?
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