Agrega una trama en tu idiomaMumbai-the city of dreams. Three strangers, one wild ride. Scams, an ATM robbery, and a gangster with taste. Chaos turns into comedy as Amar, Akbar and Anthony take on the city. Unfiltered f... Leer todoMumbai-the city of dreams. Three strangers, one wild ride. Scams, an ATM robbery, and a gangster with taste. Chaos turns into comedy as Amar, Akbar and Anthony take on the city. Unfiltered fun, unstoppable laughter-its all here.Mumbai-the city of dreams. Three strangers, one wild ride. Scams, an ATM robbery, and a gangster with taste. Chaos turns into comedy as Amar, Akbar and Anthony take on the city. Unfiltered fun, unstoppable laughter-its all here.
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Hilarious movie must watch. All the actors have performwd really well and the movie tries to explain the plot really well. Best entertainer must watch stressbuster ffrom your daily schedule.it is best family eintertenment movie When I walked into the theatre to watch All Is Well, I honestly wasn't expecting much. Marathi cinema has seen its share of formula films lately, and the poster hinted at another buddy comedy with slapstick tropes. But something about this film kept me seated - not for its technical brilliance or plot originality, but for its heart, its oddly endearing imperfections, and the simplicity it refuses to outgrow.
The film follows three misfit characters - Amar, Akbar, and Anthony - and yes, the names are as on-the-nose as they sound. They come to Mumbai, each with different aspirations, and find themselves sucked into a crime plot that's far bigger than their humble intentions. It's chaotic, absurd, and at times, wildly unbelievable. But that's also its charm. It doesn't try to pretend it's something it's not. It's a story about small people caught in a big city mess, and in that mess, there's humor, there's fear, there's loyalty, and above all - there's friendship.
The comedy doesn't always land, and the scenes sometimes feel stitched together without a smooth flow. But amidst all the noise, there are moments that genuinely made me smile. Not because the dialogues were clever or the timing perfect, but because the characters felt real. Flawed, frustrated, sometimes downright foolish - but real. There's an innocence in how they go about solving their problems, often digging deeper holes in the process. And yet, we root for them.
I found myself reflecting on how often life is exactly like that. You walk into a city thinking you'll conquer it, and within hours, you're running behind auto-rickshaws, losing your wallet, and possibly being chased by people you don't even know. Mumbai becomes a character in the story - ruthless, indifferent, fast - and yet, somehow forgiving to those who don't give up. That spirit is subtly captured in the background, even if the film doesn't highlight it deliberately.
There's also a quiet commentary in the chaos - about migration, about desperation, about the hustle that the city demands. But it never gets too heavy or preachy. The tone remains light, almost foolishly so at times. It's a film that doesn't pretend to be deep, and maybe that's why it leaves a mark. It's like a street play - loud, energetic, not always polished, but sincere.
And that sincerity matters. Because when the credits rolled, I wasn't thinking about plot holes or camera angles. I was thinking about the three guys and how their bond had evolved through every ridiculous situation. I thought about how, in spite of everything, they still had each other. And in a world constantly telling us to be self-reliant and ruthless, a little reminder of human connection isn't so bad.
All Is Well might not be a cinematic marvel, but it's a film that tries. And sometimes, trying - especially with heart - is enough to make you feel something.
The film follows three misfit characters - Amar, Akbar, and Anthony - and yes, the names are as on-the-nose as they sound. They come to Mumbai, each with different aspirations, and find themselves sucked into a crime plot that's far bigger than their humble intentions. It's chaotic, absurd, and at times, wildly unbelievable. But that's also its charm. It doesn't try to pretend it's something it's not. It's a story about small people caught in a big city mess, and in that mess, there's humor, there's fear, there's loyalty, and above all - there's friendship.
The comedy doesn't always land, and the scenes sometimes feel stitched together without a smooth flow. But amidst all the noise, there are moments that genuinely made me smile. Not because the dialogues were clever or the timing perfect, but because the characters felt real. Flawed, frustrated, sometimes downright foolish - but real. There's an innocence in how they go about solving their problems, often digging deeper holes in the process. And yet, we root for them.
I found myself reflecting on how often life is exactly like that. You walk into a city thinking you'll conquer it, and within hours, you're running behind auto-rickshaws, losing your wallet, and possibly being chased by people you don't even know. Mumbai becomes a character in the story - ruthless, indifferent, fast - and yet, somehow forgiving to those who don't give up. That spirit is subtly captured in the background, even if the film doesn't highlight it deliberately.
There's also a quiet commentary in the chaos - about migration, about desperation, about the hustle that the city demands. But it never gets too heavy or preachy. The tone remains light, almost foolishly so at times. It's a film that doesn't pretend to be deep, and maybe that's why it leaves a mark. It's like a street play - loud, energetic, not always polished, but sincere.
And that sincerity matters. Because when the credits rolled, I wasn't thinking about plot holes or camera angles. I was thinking about the three guys and how their bond had evolved through every ridiculous situation. I thought about how, in spite of everything, they still had each other. And in a world constantly telling us to be self-reliant and ruthless, a little reminder of human connection isn't so bad.
All Is Well might not be a cinematic marvel, but it's a film that tries. And sometimes, trying - especially with heart - is enough to make you feel something.
10Kv-406
Watching All Is Well felt like slipping into the backseat of someone else's messy road trip, the kind where directions go wrong, tempers flare, and yet somehow, the journey stays with you long after it's over. From the opening scenes, there's a certain old-school flavor - not necessarily in terms of setting or visuals, but in the spirit of storytelling. It doesn't aim for grandeur or finesse; it reaches instead for familiarity, for chaos wrapped in humor, and for characters who remind you of someone you probably already know.
The film follows Amar, Akbar, and Anthony - and yes, the names are a hat-tip to the classic, but the trio here are firmly rooted in today's world. What starts off as three parallel stories of boys chasing love, money, and dreams, quickly spirals into a shared survival saga involving crime, mistaken identities, and situations so bizarre, you'd think someone made them up during a late-night drinking session. But isn't that exactly how life feels sometimes? Absurd and out of control, yet strangely aligned?
What struck me most wasn't the plot - which moves like a zigzagging scooter in Mumbai traffic - but the underlying sense of togetherness the film builds without ever spelling it out. There's an unspoken chemistry between the characters that carries the film more than the script does. They fight, they panic, they fail repeatedly, and yet, they keep showing up for each other. It's clumsy but warm. That kind of loyalty, especially in a place as unforgiving as Mumbai, hits a soft spot.
I wouldn't call this film "tight" in terms of pacing or structure. It meanders. It laughs at its own jokes. At times, it even looks unsure of what it wants to say next. But strangely, that messiness feels earned. Not every film needs to be a masterpiece - some just need to be authentic, and All Is Well fits snugly into that bracket.
Mumbai is more than just a backdrop here. It breathes through the film - in its crowded lanes, in the chaos of its people, in the way opportunities and dangers hide behind the same street corner. It's a city that tests you, and these three guys? They're failing the test at every turn. But you can't help but cheer for them. Maybe because we've all been there - trying to hold our own in a world that doesn't stop to look back.
By the end, I wasn't thinking about cinematic merits or narrative arcs. I was thinking about how easy it is to lose yourself in a city, and how rare it is to find people who won't let that happen. All Is Well doesn't offer you perfection. It offers you people who stumble, fall, and still manage to make you laugh - sometimes at themselves, sometimes at the world. And maybe, just maybe, that's enough to make it worth the watch.
The film follows Amar, Akbar, and Anthony - and yes, the names are a hat-tip to the classic, but the trio here are firmly rooted in today's world. What starts off as three parallel stories of boys chasing love, money, and dreams, quickly spirals into a shared survival saga involving crime, mistaken identities, and situations so bizarre, you'd think someone made them up during a late-night drinking session. But isn't that exactly how life feels sometimes? Absurd and out of control, yet strangely aligned?
What struck me most wasn't the plot - which moves like a zigzagging scooter in Mumbai traffic - but the underlying sense of togetherness the film builds without ever spelling it out. There's an unspoken chemistry between the characters that carries the film more than the script does. They fight, they panic, they fail repeatedly, and yet, they keep showing up for each other. It's clumsy but warm. That kind of loyalty, especially in a place as unforgiving as Mumbai, hits a soft spot.
I wouldn't call this film "tight" in terms of pacing or structure. It meanders. It laughs at its own jokes. At times, it even looks unsure of what it wants to say next. But strangely, that messiness feels earned. Not every film needs to be a masterpiece - some just need to be authentic, and All Is Well fits snugly into that bracket.
Mumbai is more than just a backdrop here. It breathes through the film - in its crowded lanes, in the chaos of its people, in the way opportunities and dangers hide behind the same street corner. It's a city that tests you, and these three guys? They're failing the test at every turn. But you can't help but cheer for them. Maybe because we've all been there - trying to hold our own in a world that doesn't stop to look back.
By the end, I wasn't thinking about cinematic merits or narrative arcs. I was thinking about how easy it is to lose yourself in a city, and how rare it is to find people who won't let that happen. All Is Well doesn't offer you perfection. It offers you people who stumble, fall, and still manage to make you laugh - sometimes at themselves, sometimes at the world. And maybe, just maybe, that's enough to make it worth the watch.
Nice family comedy movie. All must go and watch good acting from all three actors and and famous actor sayaji shinde really nice acting. Full time pass from children s to all family ...so please go watch. Even direction by yogesh jadhav and wittren by priyadarshan jadhav ... And three carectors called amar akbar and antony coming in new Marathi era ... Please go watch. And give chance all new actresses and actor and a mimicry boy rohit haldikar ... Is really good in mimicry... And so please go watch .... And it's new film production please go support by watching movie so so every new comer can get chance in film line so please support the movie ...after watching moving I was really very happy with watching good comedy.
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Taquilla
- Presupuesto
- INR 10,000,000 (estimado)
- Tiempo de ejecución2 horas 8 minutos
- Color
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By what name was All Is Well (2025) officially released in Canada in English?
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