GJLS: Ibuku Ibu-Ibu

In a cinematic landscape where many local films still follow familiar structures-whether it's rom-com formulas, horror tropes, or predictable drama arcs-GJLS: Ibuku Ibu-Ibu comes in like a wrecking ball made of pure chaos and comedy. This film is, in the simplest terms, wild. But that's exactly what makes it so entertaining, refreshing, and worthy of attention.

Created by the absurdist comedy trio GJLS (short for "Gilang, Julian, and Sema"), this movie is not just a sketch stitched into feature length-it's a full-blown commitment to a world where logic, structure, and "rules" don't apply the way you'd expect. Instead of playing it safe, the filmmakers dive headfirst into bizarre humor, meta-commentary, and deliberately broken storytelling. The result? A laugh-out-loud, head-scratching, genre-bending experience you won't forget anytime soon.

A Plot That's... Kind of a Plot Trying to explain the plot of Ibuku Ibu-Ibu is almost missing the point. There is a story-something involving a son searching for his mother and ending up entangled with a group of chaotic "ibu-ibu" (mothers) in increasingly ridiculous situations-but the narrative is intentionally loose. The film constantly makes fun of itself, pokes holes in its own storytelling, and plays with audience expectations.

And honestly? That's part of the charm.

This film doesn't try to be coherent in the traditional sense. Instead, it invites the audience into its own ridiculous universe where anything can happen-from sudden musical numbers to out-of-nowhere plot twists that are clearly improvised or purposefully nonsensical. It's not about what happens, but how funny and unexpected it is when it does.

Comedy That Breaks Every Rule At its core, Ibuku Ibu-Ibu is a comedy film that leans into absurdism and satire. It draws heavily from GJLS's roots in internet humor-YouTube sketches, podcast banter, and that raw, unpolished style that feels both chaotic and intimate. If you're familiar with the trio's work, this feels like the natural evolution: longer, louder, and even more unfiltered.

What sets this film apart is its willingness to break the fourth wall, mock its own budget limitations, and even criticize Indonesian filmmaking clichés within the film itself. It's almost as if GJLS is saying, "We know how movies are supposed to be made. But what if we just... didn't?"

And it works. Not every joke lands, and some moments might feel too drawn out or messy, but the sheer commitment to the bit, the raw energy, and the unrelenting pace of the comedy keep the film alive and hilarious.

A New Experience in Indonesian Cinema Ibuku Ibu-Ibu feels revolutionary in its recklessness. It doesn't care about awards or critics or pleasing everyone-it cares about being fun. It breaks kaidah (rules) of filmmaking not for the sake of rebellion, but to open space for something new: freedom in storytelling.

We don't often see Indonesian films that are brave enough to go full absurd, full meta, full anti-structure. That's what makes this film so exciting. It feels like a breath of fresh air-especially for audiences who are tired of formulaic content and looking for something bold, unpredictable, and genuinely funny.

It's also a sign that internet-native creators like GJLS have the power to shake up the traditional film industry. They know what makes their audience laugh, and they're not afraid to take risks that more "mainstream" productions wouldn't dare.

Final Thoughts GJLS: Ibuku Ibu-Ibu is not a film for everyone-and that's okay. If you're someone who likes clean, logical narratives and polished, traditional filmmaking, this might not be your cup of tea. But if you're open to a comedy experience that's chaotic, self-aware, and unafraid to be completely ridiculous, this film delivers.

It's not just funny-it's an experience. And in an era of safe, formulaic content, that makes it something special.

Prepare yourselves for a cinematic experience unlike anything you've ever witnessed, because "Gjls Ibuku Ibu Ibu" isn't just a movie - it's a genre-bending, reality-warping spectacle that redefines what's possible on screen. From its opening frames, it's clear this film operates on a completely different wavelength, plunging viewers into a world so absurd, so hilariously chaotic, and yet so oddly relatable that you can't help but be utterly captivated.

What makes "Gjls Ibuku Ibu Ibu" truly stand out is its audacious originality. In an industry often criticized for its reliance on reboots, sequels, and familiar tropes, this film arrives like a breath of fresh, albeit incredibly strange, air. The concept itself is a stroke of mad genius, something so fundamentally unique that it genuinely feels as if no one has ever dared to explore this territory before. It's a testament to the filmmakers' courage and vision that they committed so fully to such an unconventional premise, executing it with an unwavering dedication to its inherent absurdity.

The "seru" (exciting/thrilling) aspect of this film isn't derived from car chases or explosions, but from the sheer, unadulterated joy of watching its bizarre narrative unfold. Every scene is packed with unexpected twists and turns, each character a vibrant caricature of everyday life, amplified to hyperbolic proportions. The humor is intelligent and layered, often stemming from the juxtaposition of mundane situations with truly outlandish reactions. You'll find yourself laughing out loud at the sheer audacity of it all, constantly asking "Did that just happen?" The pacing is relentless, never allowing a dull moment, pushing the boundaries of comedic timing and narrative structure.

Critics say it's "shallow", "sexist", full of "body-shaming"? Maybe they missed the part where Rispo's outrageous behavior is not glorified, but thrown in your face so hard it demands reflection. This isn't moral decline-it's a brutal satire of how numb and ridiculous society has become. But sure, go off.

What's even funnier is watching people who clearly don't enjoy absurdist comedy voluntarily sit through 90 minutes of pure chaos... just to write a thesis-length review on how offended they are. At some point, it's not criticism-it's masochism with a keyboard.

No, it doesn't care about your structure.

No, it doesn't want to be "clever".

Yes, it's messy.

Yes, it's supposed to be.

Because chaos, when done right, is honest. And Ibuku Ibu-Ibu is hilariously honest.

GJLS: Ibuku Ibu Ibu is not just a random, silly comedy as some might assume. Every scene carries a clever layer of social commentary-subtle, yet striking. To me, the three GJLS characters reflect the way our society often works: we speak before we think, and sometimes that absurdity is what makes it so relatable and hilarious.

I really love the story. Not because I look down on complex storytelling-many of you are great at analyzing films deeply-but I believe life can be simple: just laugh and be happy. The problem is, some so-called "film enthusiasts" take everything too seriously.

For me, this is the best GJLS film so far. It's funny, original, and delivers their signature style in a way that truly reminds me of Stephen Chow's legendary comedies-silly on the surface, but deeply clever underneath.

This is far from a random comedy. It's GJLS at their most iconic-and it deserves more appreciation.

**Absurdity is the core comedic theme of this movie-hence the title.** While it aims to be funny, much of the humor feels forced and falls flat.

**One unusual choice is including bloopers within the main film itself.** This might amuse the cast's close friends, crew, or fans of their stand-up group, but for first-time viewers, it simply doesn't work. Some scenes even try to *force* laughter by showing the actors cracking up during bloopers-it's almost like hiring someone to tickle the audience.

**The film attempts to channel the spirit of WARKOP DKI** with raunchy humor and adult jokes, but these moments often come off as awkward and cringeworthy rather than genuinely funny.

**In short, fans of the cast's stand-up work might enjoy this movie.** Everyone else? Probably not.