Sarusuberi: Miss Hokusai

As others have noted, some of the musical choices can be a bit off-kilter, but perhaps they are meant to demonstrate that bustling Tokugawa-era Edo was every bit as exciting as modern-day Tokyo. The animation is gorgeous, and the fact that "Miss Hokusai" does not follow traditional biopic conventions only strengthens it. It also passes the Bechdel test with flying colors, without being historically inaccurate. With all the interest around Hokusai and woodblock prints in the West, it's unfortunate that this film was not publicized more.

Day to day life of a historical figure in Japan. The family was creating great paintings so the animators took special care to create scenes of rare beauty. Not much adventures but lots of thoughts and details make the film very alive. The film leaves our subjects a bit early and the epilogue is brushed over quickly it seems. But we witnessed a passage of time.

Miss Hokusai is a "slice of life" animation, it portrays the characters' at their daily lives in briskly light mood. It may set in one of the most romanticized eras, yet it's mostly a few short stories about artists, especially the heroine Oei, woven together. This is a tribute to Japanese classic painting ukiyo-e, the tumultuous time told in different light and appreciation of the artists themselves.

Oei is the daughter of talented painter Hokusai, who has a knack for painting herself. She can be crude at times, but she gives of warm subtle kindness, especially with her drawings. There's no great dilemma or adventure, although it presents a few strange mysteries. The animation is more of a method to appreciate the art as it changes constantly when the characters do narrative or monologue.

It uses classic touches on the tales, which can seem supernatural yet bizarrely fitting for that particular era. The setting is made with great care, details like the street corner or dimmed room with faint light of candles provide fine atmosphere for these characters to play in. Occasionally, they would talk in vague words, it's not a drama where people yell at each other frequently, there's a restrained on their mannerisms.

Miss Hokusai is a nice homage to early art works, celebrated by modern Japanese animation, it's quaint, unimposing and warmly colorful.

The art, as well as the way the making of art is portrayed in the film is great; however, there is no real story arc or character development to speak of. Perhaps not much is known about the daughter of Hokusai, but even so, historical fiction is fiction for a reason. Though the film is narrated by the daughter, it is not about her at all, which is misleading (title, trailer all suggest the film will be about her). Her character does not develop much, though there is ample room for it to develop. Just when she may go beyond her immature, mean self, beyond her father's shadow, the film ends with a few narrated summary lines conveying what happens in the next 30 years without actually showing it. The film seems to focus on the period in which the blind daughter of the famous painter (the narrator's sister) is young, falls sick, and dies. It is not clear how and why Hokusai is separated from his wife, why his eldest daughter draws and paints with him (though she resents him plenty)... None of the romantic interests develop during the film, yet the summary in the end tells us she married once! It is hard to imagine her marrying, so this would be a great story, but it is not the subject of the film. At one point, we learn that she has a passion for fire, but have no idea how, if at all, this affects her paintings, her art...

All in all, the art is great, especially the parts where painting and drawing itself is discussed. But the story is severely lacking and aimless.

We meet O-Ei, grown daughter of the famous Japanese painter Hokusai. She has a younger sister, O-Nao, who is blind. (O-Ei's name was actually Katsushka Ōi, but it also appears as "O-Ei".) Hokusai is depicted as a gruff, single-minded man, living in his studio, apart from his wife and children. The blind young sister is invented - as is most of the rest of the story. But she plays a very important part.

There are great moments here. One incredibly beautiful moment occurs near the end of the film. And of course, there's a delightful scene involving his most famous print, "The Great Wave off Kanagawa".

The animation is beautifully done, in typical Japanese fashion. Not as beautifully as Miyazaki, but still, good.

The story covers a lot of ground, including the Japanese form of erotic art (shunga). Part of that thread involves an important plot element.

The musical score is very Western and modern, which could be a little off-putting. As the credits went by, I saw one of the song titles given in Spanish!.

It's a movie that keeps you involved, and doesn't let you nod off.

PS: Keep your eyes on the little dog that shows up at the beginning.