Dohee-ya

A GIRL AT MY DOOR is a slice of filmed misery lit that comes to us courtesy of South Korea. It's a typically controversial little film from that country, featuring some stand-out performances from the lead characters and a whole lot of bad stuff going on. As is usual for this country's film-making, there's a professional slickness to the production, a real feeling of quality to it, that makes it watchable despite the grimness of the subject matter.

The film reminded me a little of BREATHLESS except this time around it's a little girl who's getting regularly beaten by her father. Incidentally, the girl is played by the cute kid from THE MAN FROM NOWHERE, looking remarkably grown up. The film chronicles her relationship with flawed cop Doona Bae, who must be playing the most damaged and miserable character of her lengthy career. What follows is dark but humanised, with some nice and touching moments in the mix. The ending has some very controversial and unappetising moments that appear to have alienated some reviewers on this site, but it does end in a strong way. A GIRL AT MY DOOR isn't an easy watch, but then nobody said it was going to be.

The movie is about the policewoman who is dislocated to the small S.Korean town/village after her personal problems (that caused scandal in her professional life) in Seoul.

The town, she settles in, is small; Everybody knows everyone. From the first look, the place looks peaceful with friendly, provincial locals. As she spends some time there, she spots disturbing issues that locals have not problem with. The town is so corrupt and blindsided that even the local police fails to act against it. One of such issues is with the underage girl who is under constant physical and mental abuse from the member of her own family.

So the new cop faces a challenge: do something against the crime, or not? What if doing the right means harming her image and personal life? The story further focuses on her decisions mixed with her personal struggles and problems with past relationships.

The story has plot twists and despite the slow sleep and somewhat mellow vibe, never bore you.

I gave the movie 7/10 and would call it a decent movie unlike my fellow countryman whose review I read about this movie :)

This is a movie about a female police chief who comes across a young girl with an abusive home life. She does what she can to help this girl. For the most part, with the exception of a few dramatic scenes and situations, that is the movie.

The movie wasn't bad it was just really slow in my opinion. I would have liked the young girl's backstory to have had a bit more depth, a relationship could have been better understood but aside from that the story was ok. It was well acted and well shot.

It isn't a bad drama and I thought it ended well. Not a bad watch.

How does this movie have only 20 reviews? This is one of the best, most realistic, movies I have ever seen. If you are into I SAW THE DEVIL and SWEET WHIP, you will ADORE this movie.

This movie is a rollercoaster of emotions. This is why we love movies from Asia! I would call this the Asian MARTYRS in its way. If you think about it, this movie tries to be realistic as possible, while MARTYRS does experiment with gore and horror trying to make it more shocking.

Every actor does an amazing job. The story is extremely strong, and even tho the movie is a slow one, it still is a full-blown masterpiece. This is what DISTURBING movies are man. You don't need GORE or EXPLOITATION for it to be shocking. The best Disturbing movies are the ones that hit the nail without any gore, or forceful shock material, like this beautiful gem.

I was about to cry a river out of myself at that ending man and then thanked God the ending was a happy one. If the little girl did the deed, id probably have cried good 5+ minutes like when I watched Grave of the Fireflies and Triangle.

This is one of those movies that you MUST watch, and it's a shame and pity that it's not more known.

This film lost its way when it addressed and highlighted the police chief's sexual orientation. Completely unnecessary when the focus of the plot, from the beginning, was a dysfunctional family, domestic violence, abuse, physical aggression inside and outside the home, neglect and abandonment of a child.

What was the writer's purpose in taking the attention away from what really mattered in the story, to focus on the intimate life of the only person who noticed, welcomed, cared and saved the girl?

I gave this film a low score precisely for that reason. It should have been a great story, if the writer hadn't made such a stupid mistake, which simply ruined the production.