Una mujer divorciada se enreda en una investigación de personas desaparecidas que le puede traer repercusiones a lo largo de su vida.Una mujer divorciada se enreda en una investigación de personas desaparecidas que le puede traer repercusiones a lo largo de su vida.Una mujer divorciada se enreda en una investigación de personas desaparecidas que le puede traer repercusiones a lo largo de su vida.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 4 premios ganados y 13 nominaciones en total
Edgar Ramírez
- Dr. Kamal Abdic
- (as Édgar Ramírez)
Cleta Elaine Ellington
- Oyster Bar Woman
- (as Cleta E. Ellington)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
From the start to the ending i could not take my eyes away from the movie. I was in some sort of trance. I could feel the pain that the caracteres felt. I was blown away how the movie was construted.
I almost turned this movie off at 30 minutes. That's my cutoff time for bad ones. For some reason, I left it playing and kinda watched it. It was a very slow burn. The first 30 minutes were a snoozer. But then just after my cutoff time, the plot started moving forward. If you are going to watch this, plan on being bored for 30 minutes but the rest of the movie more than makes up for it. And you really have to watch it. There are so many entanglements that you won't know who is doing what to whom and why without really paying attention.
It is worth it. Don't want to give anything away but it has a real ending (unlike lots of modern movies) and it will satisfy you with the way it all comes out. You CANNOT predict the ending. You cannot see it from 30 minutes away. Just wait for it. It will justify your time spent (1 hour, 51 minutes).
It is worth it. Don't want to give anything away but it has a real ending (unlike lots of modern movies) and it will satisfy you with the way it all comes out. You CANNOT predict the ending. You cannot see it from 30 minutes away. Just wait for it. It will justify your time spent (1 hour, 51 minutes).
I read some of the reviews here, and came with very low expectations to this movie, and WOW, what a pleasant surprise! Blunt gives here the show of her life, way above the level of acting in "edge of tomorrow". The story itself takes time to build but it all adds to the atmosphere, and finally you get a fair amounts of twists and turns. Bennett and Ferguson also acting very well, which all adds (to my opinion) to a great film. And to all the men that say it's a "men hating" film, I say that you really have a low self-confidence to come up with such a statement... I would risk to say it's one of my 2016 best films, and I will be surprised if Blunt will not be an Oscar nominee for this film.
To say the least, "The Girl On The Train" is a very dark movie. Unsettling. Confusing. Even baffling. There's an uneasy feel to this from the start. Something's off. Something's not right. Is this even reality, or is it a fantasy taking place inside the mind of a very disturbed woman? The disturbed woman in this case is Rachel (Emily Blunt.) She's an alcoholic and rides the same train every day, past the house where she used to live with her ex-husband. She sees their neighbours, and wonders about them and about their relationship. The female neighbour is the nanny to her ex-husband, his new wife and their baby. The movie mixes the story of all three (Rachel, Anna - the new wife, and Megan - the nanny) together. What drives it forward is that Megan has gone missing, and the question is what happened to her and who was responsible.
For a while I found this an unpleasant movie to watch. To be honest, I had to turn it off at about the half hour mark. It wasn't hitting home with me. But there was something about it that drew me back; I needed to see how this was going to turn out. In the end I was glad that I did. It overcomes the bleakness of the first half hour and although it still seems to walk the line uneasily between fantasy and reality, the mystery involved gets more and more engrossing, and the plot twist (you knew something had to be coming) happens with about a half hour to go - and it was, to me at least, completely unexpected. Not all is as it seems to be. The inter-twining of the stories of Rachel, Anna and Megan leads up to a sobering finish.
In the end I was surprised to discover that I was actually quite awakened from the slumber-inducing first half hour or so and really wanted to see how this was going to end. Emily Blunt's portrayal of Rachel was strong. The supporting cast was all right - I didn't think there were any outstanding performances aside from Blunt's, but it was Blunt's movie, and she pulled it off. It has to overcome that slow and bewildering first half hour, and it won't appeal to those who want a straightforward plot or who are put off by a movie with overtly dark tones. But by the time this was over I could honestly say that I was glad I watched it. (6/10)
For a while I found this an unpleasant movie to watch. To be honest, I had to turn it off at about the half hour mark. It wasn't hitting home with me. But there was something about it that drew me back; I needed to see how this was going to turn out. In the end I was glad that I did. It overcomes the bleakness of the first half hour and although it still seems to walk the line uneasily between fantasy and reality, the mystery involved gets more and more engrossing, and the plot twist (you knew something had to be coming) happens with about a half hour to go - and it was, to me at least, completely unexpected. Not all is as it seems to be. The inter-twining of the stories of Rachel, Anna and Megan leads up to a sobering finish.
In the end I was surprised to discover that I was actually quite awakened from the slumber-inducing first half hour or so and really wanted to see how this was going to end. Emily Blunt's portrayal of Rachel was strong. The supporting cast was all right - I didn't think there were any outstanding performances aside from Blunt's, but it was Blunt's movie, and she pulled it off. It has to overcome that slow and bewildering first half hour, and it won't appeal to those who want a straightforward plot or who are put off by a movie with overtly dark tones. But by the time this was over I could honestly say that I was glad I watched it. (6/10)
I have been on IMDb for a number of years and always rate the movies i watch. I have not written many reviews,however i think i needed to write this one. This film is brilliant. I haven't read the book but the story was excellent and having read reviews i am disappointed with the negative reviews of this masterclass in story and film making. Do not be put off folks, this was a real thriller mystery and deserves a big 9.the acting was superb,and having been in a drunken state myself for a time they couldn't have put it more realistic. Enjoy its really good, please check my review scores before taking my opinion,i don't like crap as you will see.
¿Sabías que…?
- TriviaEmily Blunt would wear bloodshot contact lenses for the scenes in which she's heavily inebriated. She also wore prosthetics on her cheeks to make them look slightly plumper.
- ErroresWhen Rachel and the woman she is chatting to in the bar say "F**k you, Anna Boyd" into Rachel's smartphone camera they say it at the same time, but when Rachel plays it back later their voices are not in harmony.
- ConexionesFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Girl on the Train
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 75,395,035
- Fin de semana de estreno en EE. UU. y Canadá
- USD 24,536,265
- 9 oct 2016
- Total a nivel mundial
- USD 173,185,859
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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