CALIFICACIÓN DE IMDb
7.1/10
15 k
TU CALIFICACIÓN
Presa de Kajaki 2006. Una compañía de jóvenes soldados británicos se topa con un enemigo inesperado y aterrador. Un lecho de río seco, plagado de minas antipersona. Una mina que podría costa... Leer todoPresa de Kajaki 2006. Una compañía de jóvenes soldados británicos se topa con un enemigo inesperado y aterrador. Un lecho de río seco, plagado de minas antipersona. Una mina que podría costarles la pierna - o la vida.Presa de Kajaki 2006. Una compañía de jóvenes soldados británicos se topa con un enemigo inesperado y aterrador. Un lecho de río seco, plagado de minas antipersona. Una mina que podría costarles la pierna - o la vida.
- Nominada a1 premio BAFTA
- 4 premios ganados y 7 nominaciones en total
Hazem Alagha
- Bomb Head
- (as Hazem Al-agha)
Opiniones destacadas
Having served this film is often too painful to watch (the reason for my giving it a 9/10). It expresses the suffering and comradeship of warfare.
This isn't just a film it's an education for a society disassociated from war. For those critics war isn't glorious or romantic. It's dirty and boring, and yes, people screw up. If you're stuck in a minefield without all the Gucci kit it's a bayonet and you're belt buckle, and it's hot and tiring and you make mistakes. Soldiers (at least the Toms) don't speak received English (so maybe you might have to pay more attention to what is being said)and yes they swear, live with it!
There are plenty of wonderful war films where the (usually American) protagonists win the day with either a fashionable injury or glorious death; this isn't one of them. There is however humour and pathos in war and this expressed in loads. If everyone knew what war was really like nobody would want anything to do with one.
This isn't just a film it's an education for a society disassociated from war. For those critics war isn't glorious or romantic. It's dirty and boring, and yes, people screw up. If you're stuck in a minefield without all the Gucci kit it's a bayonet and you're belt buckle, and it's hot and tiring and you make mistakes. Soldiers (at least the Toms) don't speak received English (so maybe you might have to pay more attention to what is being said)and yes they swear, live with it!
There are plenty of wonderful war films where the (usually American) protagonists win the day with either a fashionable injury or glorious death; this isn't one of them. There is however humour and pathos in war and this expressed in loads. If everyone knew what war was really like nobody would want anything to do with one.
The other reviews are all correct, Kajaki is honest, illuminating, and brilliantly delivered. I only point out for the sake of other people deciding whether to watch this, it really is harrowing. If you don't have a specific interest in the realities of war, you might find yourself wishing you hadn't started it.
Does this story need to be told? Absolutely Do I wish I'd watched a comedy instead? Yes
Does this story need to be told? Absolutely Do I wish I'd watched a comedy instead? Yes
I've never seen a movie capture what it is to be a soldier better. British, American or whatever. Watch this - it's history not a film.
There have been many films made about Afghanistan/Iraq over the last few years and they are all afforded a degree of Hollywood Licencing. The Hurt Locker being an excellent example, almost good but ruined by pandering to a less intelligent audience.
If I was asked to describe what being a soldier is I could only ever point to this film. There is nothing there that is overdone or underdone.
It just is what it is meant to be.
There have been many films made about Afghanistan/Iraq over the last few years and they are all afforded a degree of Hollywood Licencing. The Hurt Locker being an excellent example, almost good but ruined by pandering to a less intelligent audience.
If I was asked to describe what being a soldier is I could only ever point to this film. There is nothing there that is overdone or underdone.
It just is what it is meant to be.
This movie once it gets going, it really gets crazy! I will say the first 30 or so minutes were VERY slow, and I was on the verge of being bored...but I'm very glad I stuck it out, because once it gets moving ...it never lets up.
The carnage is very realistic, and the reaction of the men feels very authentic as well.
It's very intense, and it shows the bravery of these men.
We all owe our respect to these men, far too often we forget that we didn't go into Iraq alone, right or wrong (reason for going) England, and a few others stuck by us and went to fight in a war that wasn't their war. We owe them our thanks.
This film is unlike any other as there is almost no, actually I don't think there is any firefights, but it's action packed in a way that isn't a popcorn flick.
The carnage is very realistic, and the reaction of the men feels very authentic as well.
It's very intense, and it shows the bravery of these men.
We all owe our respect to these men, far too often we forget that we didn't go into Iraq alone, right or wrong (reason for going) England, and a few others stuck by us and went to fight in a war that wasn't their war. We owe them our thanks.
This film is unlike any other as there is almost no, actually I don't think there is any firefights, but it's action packed in a way that isn't a popcorn flick.
I was privileged to attend one of four UK regional charity premieres on Tuesday 25 November ahead of the UK general release at VUE Cinemas on Friday 28 November. Each premiere was located in or near the home town of one the soldiers portrayed in the film such that family and friends could attend, and where possible, the actual people portrayed on- screen too. Bristol is the home town of Stu Hale who was portrayed on- screen by Benjamin O'Mahony. Stu was present at the screening and answered questions with the cast and crew at the Q&A afterwards. A portion of all the ticket sales across the UK goes directly to charities supporting returning servicemen and servicewomen. This all speaks to the very special nature of this film. In his introduction before the screening, director Paul Katis described it as a modern war film. It is indeed, and it takes an honourably neutral view of the conflict. At its heart this is the true story of a group of extremely brave men facing a difficult situation.
The action takes place back in September 2006 in Afghanistan where a British army unit is responsible for the security at a key dam, which when fully commissioned, will provide hydroelectric power. Unbeknownst to them, the area is also home to a minefield left-over from the Soviet invasion in 1979/80. On a routine security patrol some of the unit find themselves trapped in the minefield when one of them is seriously injured after stepping upon a mine. Over the course of the film we get to learn more about the characters and see many examples of extraordinary bravery, all of which actually happened.
This is powerful storytelling and writer Tom Williams has crafted a screenplay which reflects the truth and helps the audience understand the complexities of the situation. It walks the difficult line between intense and life-threatening action vs. the humour which people can use as a coping mechanism in such situations. Director Paul Katis holds nothing back and the full horrors of war are on display here, including some graphic injuries. This is all done in a non-gratuitous way and is part of the brutal and uncomfortable honesty of the events.
I, along with the rest of the audience, sat on the edge of my seat and there are several moments of shocking surprise throughout this tense thriller. This is a film worth going to see in cinemas with an audience and at my screening several spontaneous rounds of applause broke out at key moments in the end credits. Highly recommended.
The action takes place back in September 2006 in Afghanistan where a British army unit is responsible for the security at a key dam, which when fully commissioned, will provide hydroelectric power. Unbeknownst to them, the area is also home to a minefield left-over from the Soviet invasion in 1979/80. On a routine security patrol some of the unit find themselves trapped in the minefield when one of them is seriously injured after stepping upon a mine. Over the course of the film we get to learn more about the characters and see many examples of extraordinary bravery, all of which actually happened.
This is powerful storytelling and writer Tom Williams has crafted a screenplay which reflects the truth and helps the audience understand the complexities of the situation. It walks the difficult line between intense and life-threatening action vs. the humour which people can use as a coping mechanism in such situations. Director Paul Katis holds nothing back and the full horrors of war are on display here, including some graphic injuries. This is all done in a non-gratuitous way and is part of the brutal and uncomfortable honesty of the events.
I, along with the rest of the audience, sat on the edge of my seat and there are several moments of shocking surprise throughout this tense thriller. This is a film worth going to see in cinemas with an audience and at my screening several spontaneous rounds of applause broke out at key moments in the end credits. Highly recommended.
¿Sabías que…?
- TriviaAt the film's first test screening, director Paul Katis was initially depressed as the audience traipsed out without saying a word. He thought that they didn't like the film, when in fact they were traumatized by what they had just seen.
- ErroresWhen the initial patrol approach the minefield, an SA80 rifle is seen with both the SUSAT sight fitted and the Iron Sights Fore Sight also fitted. This is incorrect, if the rifle has a SUSAT sight, the Iron Sight Fore Sight is always removed.
- CitasTodas las entradas contienen spoilers
- Créditos curiososAfter the song is heard in the credits, the soundtrack changes to a recording of radio communications of an action in Afghanistan.
- ConexionesFeatured in The EE British Academy Film Awards (2015)
- Bandas sonorasAll Of My Life
Written and Performed by Phoebe Katis
Arranged by Anthony Leung and Phoebe Katis
Recorded at The Crypt Studios
Produced by Anthony Leung and Ricky Barber
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Kilo Two Bravo
- Locaciones de filmación
- Jordan(Kajaki Dam)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 7,891
- Total a nivel mundial
- USD 34,017
- Tiempo de ejecución1 hora 48 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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