W1A

This is a very well observed comedy. The setting for the programme is the BBC but it could be any big company. Ian Fletcher of 2012 fame joins the BBC as its head of values. Being the new boy in town he struggles with the entrenched working practices. Senior management float from meeting to meeting without making any decisions which they leave to their subordinates who were are too busy to attend.

The PR company who got it completely wrong in 2012 are invited back to keep us amused in W1A. It struck me after watching it that people under 30 have spent most of their lives with the internet and cable TV. Hence Perfect Curve's take on the BBC logo is probably closer to truth than fiction.

A few stories run through the programme and mostly serve to make Ian's life a nightmare. It would be interesting to watch this without the commentary and to see how events pan out without an introduction to every scene.

As to whether the publicly owned BBC should be making a programme satirising themselves: that is open to question. You have to imagine that Broadcasting House is not as badly appointed as portrayed. But, as noted above, anyone who has worked for a big company will raise a wry smile at some of the goings on.

I suppose the natural career change for "2012"'s Olympics supremo Ian Fletcher was to an executive position at another of the great talking-shops, the BBC itself. Thus "W1A" continues very much in the footprints of its predecessor, with Fletcher at the centre of the middle of things at the Beeb, quickly becoming the spokesperson and whipping boy for a number of topical-at-the-time scandals at the corporation, involving regional discrimination and pay levels. Now with the Quango-esque title "Head Of Values" he's soon involved with a similar group of headless deadbeats talking lots but saying little in another amusing spoof comedy.

The problem for me was the too-similar format to "2012" right down to each episode starting with him turning up to work and attending morning meetings although this time there was much less emphasis on his private life. The supporting cast includes the excruciatingly on-point media guru Siobhan "Sure, great" from the show before and a bunch of colleagues not markedly different again to those before. Therein lies the problem, with the show somewhat lacking in freshness with not only the characters but some of the plot devices seeming a bit second hand. I also think more could have been done to make use of the real-life BBC talent available apart from the amusing spat between Clare Balding and Carol Vorderman to see who gets to partner Alan Titchmarsh in a new reality show "The Tastiest Village in Britain".

There are amusing moments for sure particularly when Siobhan attempts to rebrand the BBC for the Apps market and Bonneville leads a good cast who play their quirky characters to the hilt. Nice to see Olivia Colman in a cameo role too. All told though, the law of diminishing returns appears to be in action here although somehow it wouldn't surprise me to see Ian Fletcher in future park his fold-down bike at the biggest talking-shop of all the House of Commons in an as yet unwritten sequel to his latest misadventures.

"You're aware that you're at the centre of something genuinely important, and the exciting thing is to think that part of the job is establishing where that centre is, and what it's in the middle of." It's hard to parody something that's already a parody of itself, so W1A (BBC2) – the BBC's bizarre and surreal mickey take of its own corridors of power – must be viewed in context.

Because the sad truth is that the real-world BBC is far more bizarre and surreal than this fairly tame spoof, and the only real mickey take in the equation is the way the real Beeb behaves while claiming to serve its hard-working license payers.

BBC2′s continuity announcer accidentally introduced W1A by calling it a "new drama." A Freudian slip, no doubt, by a BBC staffer on the brink of insanity.

Noel Edmonds went on Newsnight this week and announced that he wants to buy the BBC. Remind me, was that in the spoof version of the corporation or in the real-world BBC? It's almost impossible to tell.

I've worked for the BBC many times, in many different roles, so I suppose I should have found W1A hilarious. However, it was so close to the truth that all the programme actually succeeded in doing was to remind me of the anger, frustration and helplessness I felt while working there.

Most of the meetings really are a ridiculous waste of time. Many of the managers genuinely are pointless, poorly informed, time-servers who are only interested in protecting their own interests. Verbal communications skills are virtually non-existent in many Social Media-obsessed staff, and the curse of hopping from hot desk to hot desk means it's impossible to hold a meaningful conversation or concentrate on anything at all in your own space.

W1A is written by the same team who brought us the brilliant Twenty Twelve. David Tennant's back as the deadpan and slightly puzzled narrator, and Ian Fletcher (Hugh Bonneville) moves from Head of Deliverance at the Olympics to becoming Head of Values at the BBC. Jessica Hynes also returns as Siobhan Sharp, the air-headed PR guru.

There are many new faces as well, notably Jason Watkins as the slimy and grinning Head of Strategic Governance, and Hugh Skinner as Will – the intellectually challenged intern who seems to struggle with even the most basic of tasks. Will's epic mental battle in delivering two cups of coffee to their recipients was one of the highlights of the first episode. I suspect his character will rise swiftly through the ranks and will probably end up as Director General if the show runs long enough.

Just as David Brent was far too painful to watch if you worked in an office, W1A may be a little too much for many BBC staff to endure. Alan Yentob and Salman Rushdie arm-wrestling in a meeting room? Remind me, was that in W1A, or did I see it on this week's Newsnight?

I found this very funny and very true. I worked at BBC Future Media (and other parts of the BBC) and recognise a number of these senior managers. The caricatures are not far removed from reality. On the creative side, you might think the show was cruel. Not really, they used to have weekly "creative sessions" in my kitchen area. There's nothing like the sight of desperate 40-somethings trying to come up with something young and hip to make you wish you were far, far away from the commissioning process and the necessary obliges noblesses! The meeting rooms, "Strictly Come Dancing" and "Top Gear" and so on, and Syncopatispace is beyond parody. This show is almost exactly like working there.

A hilarious skewering of both the BBC and the mindset of corporate lackeys everywhere. Absolutely crammed with great characters, many of whom, in the British manner, have their distinctive and increasingly wonderful catch-phrases. It seems impossible that this got made by the same organization that is portrayed in the show, but it is very pleasing that it was. It's just a shame that the number of episodes per season is small even by UK standards.