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IMDbPro

Lado oscuro del deseo

Título original: Knock Knock
  • 2015
  • B-15
  • 1h 39min
CALIFICACIÓN DE IMDb
4.9/10
112 k
TU CALIFICACIÓN
POPULARIDAD
225
1,113
Keanu Reeves, Ana de Armas, and Lorenza Izzo in Lado oscuro del deseo (2015)
When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.
Reproducir trailer2:23
21 videos
99+ fotos
Suspenso psicológicoCrimenThriller

Dos chicas jóvenes se presentan sin previo aviso en la casa de un hombre casado, dispuestas a seducirle y complicar su vida perfecta.Dos chicas jóvenes se presentan sin previo aviso en la casa de un hombre casado, dispuestas a seducirle y complicar su vida perfecta.Dos chicas jóvenes se presentan sin previo aviso en la casa de un hombre casado, dispuestas a seducirle y complicar su vida perfecta.

  • Dirección
    • Eli Roth
  • Guionistas
    • Eli Roth
    • Nicolás López
    • Guillermo Amoedo
  • Elenco
    • Keanu Reeves
    • Lorenza Izzo
    • Ana de Armas
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.9/10
    112 k
    TU CALIFICACIÓN
    POPULARIDAD
    225
    1,113
    • Dirección
      • Eli Roth
    • Guionistas
      • Eli Roth
      • Nicolás López
      • Guillermo Amoedo
    • Elenco
      • Keanu Reeves
      • Lorenza Izzo
      • Ana de Armas
    • 1.1KOpiniones de los usuarios
    • 227Opiniones de los críticos
    • 53Metascore
  • Ver la información de producción en IMDbPro
  • Videos21

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    Trailer 0:31
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    Fotos110

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    Elenco principal10

    Editar
    Keanu Reeves
    Keanu Reeves
    • Evan Webber
    Lorenza Izzo
    Lorenza Izzo
    • Genesis
    Ana de Armas
    Ana de Armas
    • Bel
    Aaron Burns
    • Louis
    Ignacia Allamand
    Ignacia Allamand
    • Karen
    Dan Baily
    • Jake
    Megan Baily
    • Lisa
    Colleen Camp
    Colleen Camp
    • Vivian
    Antonio Quercia
    • Uber Driver
    Otto
    • Monkey
    • Dirección
      • Eli Roth
    • Guionistas
      • Eli Roth
      • Nicolás López
      • Guillermo Amoedo
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1.1K

    4.9111.9K
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    Opiniones destacadas

    6macoliveira

    No one would turn down free pizza

    Evan is a great guy, with a lovely family (a puppy included), a beautiful house and a job that he loves. His wife and kids go on a weekend vacation without him and in the first night alone two girls knock on his door, pretending to be lost. He offers to help them by calling an Uber and drying their clothes (it was raining outside). After a little bit of awkwardness, they start to chat and of course the conversation becomes more and more sexual and tension starts to build in and Evan becomes more and more uncomfortable with them. When the Uber arrives the girls decide to take a shower and when Evan desperately tries to take them out of the bathroom they seduce him. They have a threesome and in the next morning the girls are not so funny anymore: their personalities are erratic and even a bit dangerous. After arguing, he takes them home and go back to his house to clean up the mess. But at night they come back wanting revenge because he betrayed his family by sleeping with them (!). About the movie: the acting was horrible, specially from the actors pretending to be Keanu's family. The wife and kids awful...and even Keanu seemed a little off as a loving parent. The two girls (Lorenza and Ana) were not so bad, the problem is that they had no back story and no point for being doing all of they did. I took that they were abuse victims, specially Ana's character, after that scene where she "rapes" Keanu because she starts calling him daddy and asking why did he did all that to her. They were mentally unstable that's for sure. The greatest scene is the one Keanu gives his great speech, justifying why he couldn't have said no to them, by saying that what they had offered him was like free pizza and nobody refuses free pizza (sometimes we must). The movie is over the top, it's nonsense, sometimes it's funny, the audience don't get their revenge (happens often in life), an innocent man dies and the motivation of the girls, to punish married man that don't respect their families gets lost in all of this. It's not that bad if you don't expect anything good from it. It's free pizza...
    4IonicBreezeMachine

    Eli Roth remakes a movie that wasn't even that good to begin with, and somehow makes it worse

    Set on Fathers' Day weekend, successful architect Evan Webber (Keanu Reeves) prepares for a weekend of work while his wife and kids enjoy a weekend at the beach. On his first night home during a rainstorm two young women Bel and Genesis (Ana de Armas and Lorenza Izzo) arrive at his doorstep asking for help. After he allows them in the two seduce Evan resulting in a threeway. After Evan's infidelity, the two reveal their true intentions wreaking havoc on Evan's home and life and subject Evan to increasingly intense psychological and physical tortures which may culminate in his death.

    Directed by Eli Roth Knock Knock is an uncredited remake of 1977s Death Game (though the original director and stars are executive producers). Knock Knock hits all the beats from the original while also updating the premise with references to contemporary society and technology. I honestly didn't like Death Game when I saw it because I found the plot repetitive and the characters annoying, but I did give it props for being a well made attempt by an inexperienced director and having a chilling performance from Sondra Locke. Knock Knock is certainly more polished of a product in terms of film making in comparison to its more grind house level predecessor, but while the package has been glossed up the content is considerably lesser this time around.

    The opening 40 minutes are easily the best part of Knock Knock as we establish Evan's sexual frustration and hectic family situation that build up to the seduction. It's honestly really well told and is much better here than it was in the original 1977 film where the wife and kids were basically non entities for much of the original film's runtime. The film is also well shot with great looking establishment shots of the house.

    Unfortunately beneath the coat of polish that's been applied many elements have been downgraded in terms of quality despite a supposedly more experienced director, Roth, helming the remake of a film that was made by an amateur. Keanu Reeves is a good actor, but only if given the right material. Reeves in Knock Knock does have a fun brief shining moments such as scene midway through the movie where he's trying to rebuke the advances of the seducers, but it feels like the role was written with someone like Nicolas Cage in mind and they just shoehorned Reeves into the role because they couldn't get him. Reeves still sporting his John Wick doo just doesn't sell it as a workaday family man and doesn't sell a role that he just doesn't fit into.

    Ana de Armas and Lorenza Izzo start off well enough as the seducers when they first arrive in the movie, but around the halfway point where they reveal their true intentions they become absolutely insufferable to listen to. Not only do they act like oversexed brats with middle school level vocabularies, they have this unearned sense of "holier than thou" moral superiority that makes them extra aggravating. While movies with killers with prideful moral superiority complexes can work, such as Kiefer Sutherland as The Voice in Phone Booth or Tobin Bell as The Jigsaw Killer in Saw, those movies at least had some level of self awareness that their killers were hypocritical scum doing ex post fact justifications of their actions. Knock Knock is more confused and feels like it muddled its intentions much like Nicolas Cage's Wicker Man remake where they replaced the Paganism/Christianity dynamic with a fundamentally confused masculinity/femininity dynamic. Roth tries to update the very 70s counterculture girls with updated equivalents for the digital age, but it comes off more as an excuse for Roth to amp up the annoyance of characters who were already pretty grating to begin with.

    Knock Knock is Roth at his worst. While it's not as bad as his worst movie, Hostel Part II, by virtue of at least being unintentionally fascinating in some confusing choices it's still an unnecessary remake of a very flawed movie that is not approved upon save for technical details. It's not completely without merit thanks to some decent cinematography and brief moments of good acting, but if you have a choice between this and the original, stick with the original, for all its flaws it at least had the excuse of an inexperienced director.
    megamelfina-995-947675

    Terrible, Unbelievable Garbage

    I pretty much never leave a review for a movie.

    I also pretty much never stop a movie or book before I finish it.

    This movie was so bad that both happened. It's complete trash. The characters are unbelievable, the situation is absurd, and the acting leaves a lot to be desired. It's incredibly slow and there's basically no story or reason to be invested.

    Avoid.
    4thelishron

    Is Keanu Reeves poor or something

    Why on God's green earth what an actor, A class actor, like Keanu Reeves take this role?

    Does he have financial difficulty we don't know about?

    I could understand if this was one of his first roles and he was desperate. This was just so bad. The only thing worse than the movie was the ending.

    The only decent thing about the movie was Keanu Reeves. Just terrible.

    I wanted the two girls in the movie to die a slow and horrible death.
    4neilcarlin

    Curiosity kept me watching

    Despite the warnings from negative reviews and low IMDb rating i watched it anyway... I've always liked Eli Roth mainly for his near show stealing appearance as 'The Bear Jew' in Tarantino's Inglorious Basterds and his movies, though never groundbreaking for me, offered playful b-movie fun. His efforts here seemed to diminish after the initial creation of suspense. Once we move to the second act the script loses any credibility and little is left for creation of further suspense. It's almost as if the idea was to get Keanu to behave somewhat like Nicholas Cage in OMG mode. That idea i couldn't shake and ironically it became what kept me entertained, imagining cage instead of reeves, which wasn't too hard as Keanu seemed to channel the spirit of the rage cage as if he were possessed by him. Don't let my mention of cage fool you, the acting in this movie is sub par, if Keanu isn't The Wicker Man he's the wooden man and the girls act like female villains in a made for TV batman movie. In summary; I found a few things Keanu said in a serious monologue quite laugh out loud funny and the use of a popular pixies track at the end credits reminded me of a student movie using cool music to be cool. All it did was remind me of it's already iconic use in one of my favorite movies. The movie was just bad enough to enjoy it's shitness or i'd have not sat through it. Avoid this if you get offended by crap movies but I'm almost recommending you to watch this for the points I mentioned for your own curiosity. The movie stuck in my mind enough for m to waste time writing this review, i wonder if that was Roth's intention for the audience or he actually took this movie seriously.

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    • Trivia
      Keanu Reeves said that it was very awkward making the sex scene in the film and seeing Lorenza Izzo naked in several scenes in it, since she was director Eli Roth's wife at the time.
    • Errores
      In the film's closing credits, when the list of music used in it is shown, the song by KISS is listed as "Detroit City Rock." Actually, it is titled "Detroit Rock City."
    • Citas

      Evan Webber: Death? Death? You're gonna kill me? You're gonna fucking kill me? Why? WHY? Because I fucked you? You fucked me! You fucked ME! You came to MY house! You came to ME! I got you a car, I brought you your clothes, you took a fuckin' BUBBLE BATH! You wanted it! You wanted it! You came on to me! What was I supposed to do? You sucked my cock, you both fucking sucked my cock! It was FREE PIZZA! Free fuckin' pizza! It just shows up at my fuckin' door! What am I supposed to do? "We're flight attendants. Come on, fuck us! No one will know. Come on, fuck us!" Oh, twosomes, threesomes. It doesn't matter! Starfish! Husbands! You don't give a fuck, you'll just fuck anything, you'll just fuck anything! Well, you lied to me, I tried to help you! I let you in, I was a good guy, I'm a good father! And you just fucking fucked me! What? Now, you're gonna kill me? You're gonna kill me? Why? Why? 'Cause you fucked me? What the fuck-FUCK-FUCK, this is fucking insane!

    • Conexiones
      Edited into Diminishing Returns: Keanuvember: John Wick (2021)
    • Bandas sonoras
      Winter Nights
      Composed by Jeronimo Hill

      Performed by Goyele

      Courtesy of IA Music

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    Preguntas Frecuentes19

    • How long is Knock Knock?Con tecnología de Alexa
    • What is the real life address of the house in the movie?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de septiembre de 2015 (México)
    • Países de origen
      • Chile
      • Israel
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official Instagram
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • El Lado Oscuro del Deseo
    • Locaciones de filmación
      • Chicureo, Region Metropolitana, Chile(House)
    • Productoras
      • Black Bear
      • Camp Grey
      • Dragonfly Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 2,500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 36,336
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 18,623
      • 11 oct 2015
    • Total a nivel mundial
      • USD 5,567,103
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 39min(99 min)
    • Color
      • Color
    • Relación de aspecto
      • 2.39 : 1

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