Another Period

I'm really enjoying this. It's dark champagne. It doesn't deserve comparison, but this is Julia Davis Lite, which works. It's reminiscent of Hunderby (a comedic satire of Jane Austen). Having a little of this with American nuance is exactly where I want to see things headed in Broadcast Comedy. If you like dark and irreverent British comedy, watch this.

Another Period is filled with fantastic guest stars to play against a very talented ensemble cast. It has consistent and funny writing, which I think will hold up to time. That's not easy with comedy. It's daring, satirical and driven by two very talented and funny women, whose comedy style is right up my alley. They are unforgiving, smart and fearless. I love that.

Most comedy simply doesn't make me laugh. But there hasn't been an episode yet that didn't get a deep chuckle out of me. Not just a smile a nod but one of those deeply satisfying laughs that can change your day.

The fact that Another Period has done this for me over and over again makes it a classic for me. Not since Strangers with Candy have I had such a fun time with a comedy.

Not for the square this show is extremely sexual, at times homophobic, definitely not politically correct and even racist. But that's part of it's charm. It leaves you wondering how far they will push the envelope this time.

I'm thrilled that it's been renewed. I'd give it an 8.5 if we could give half points.

"Another Period" takes place in Newport in the early 1900s, centering around the obscenely rich Bellacourt family, in particular the sisters Lillian and Beatrice who desperately want to become famous - it is basically a reality TV show set in a time in which being famous was much more difficult. Shot in mockumentary style, the series makes fun of both contemporary reality TV stars as well as the realities of early 20th century and the way these are usually portrayed in dramas.

While the show centers around Beatrice and Lillian, there is an ensemble cast consisting of both the self-centered Bellacourts and their subjugated servants, who have, in large parts, painfully internalized their subservient status. The characters are all funny in their own way, and the actors do a great job. Standing out for me are Paget Brewster as the morphine-addled mother Dodo and Michael Ian Black as the butler Mr. Peepers who are just so hilarious.

The characters are mostly terrible - which makes it so funny. It is just so much fun seeing those terrible people being stupid and tripping over their own feet. The humour is generally pitch-black and often reveals the terrible social conditions of women, the poor, and colored people of the time. The jokes deal with subject matters like rape, misogyny, racism, abuse. If you're a fan of black humour you will find this series hilarious, if not the show is probably not for you.

I've watched a few episodes so far and it's hilarious. It's the same sort of over-the-top, don't-take-it-too-serious sort of humour as The Office was. I mean, it's Victorian era setting with Snoop Dogg intro music.

The characters and dialogue are really funny, and just how they make such fun out of what those times must have been like - even though when looking at it, there's a stark reality that reminds you, some of what you're seeing WAS really how it was.

It's a show about gossiping girls and the comings and goings of their home. I'm a guy and usually HATE those stupid reality housewife and kardashians and all that. But I find the script so funny and the girls so dumb, that I love it. Actually, I like it more than my girlfriend so far, which is weird.

Oh well.

This very silly show imagines Downton Abbey with the classy upper classes replaced by blithering idiots.

The show is funniest in the way these rich people treat their servants, which is as considerably less than human, as when a servant is whimsically renamed "Chair" by one of her employers.

The wealthy are idle and clueless, and episodes often center around a sibling rivalry that the dumber of the two rarely seems aware of.

The show loves to push the bounds of decency, with characters being horribly racist and crude humor that often cheerfully crosses over the line, as in an episode that mocks rape (which one of the reviewers here is very angry about).

It gets away with this because it knows what it's doing. Underneath the silly, broad comedy, is a fairly sharp satire of class privilege. That combination of cheap jokes and smart comedy is, for me, irresistible.