Una adaptación del musical de 1957 que explora el amor prohibido y la rivalidad entre los Jets y los Sharks, dos bandas callejeras de adolescentes de diferentes orígenes étnicos.Una adaptación del musical de 1957 que explora el amor prohibido y la rivalidad entre los Jets y los Sharks, dos bandas callejeras de adolescentes de diferentes orígenes étnicos.Una adaptación del musical de 1957 que explora el amor prohibido y la rivalidad entre los Jets y los Sharks, dos bandas callejeras de adolescentes de diferentes orígenes étnicos.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 72 premios ganados y 298 nominaciones en total
Josh Rivera
- Chino
- (as Josh Andrés Rivera)
David Aviles Morales
- Aníbal
- (as David Avilés Morales)
Ricardo Zayas
- Chago
- (as Ricardo A. Zayas)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was hesitant to go after hearing some negative reviews and stories of disapppointing box office after release.
But he music treatmeant of Bernstein's score, the choreography, the cast, were reallyjust excellent. Tony and Maria have more chemistry and talent than the originals (movie version), and I was blown away by the "I Want to Be in America" street scene. Not woke, not lame. See it.
But he music treatmeant of Bernstein's score, the choreography, the cast, were reallyjust excellent. Tony and Maria have more chemistry and talent than the originals (movie version), and I was blown away by the "I Want to Be in America" street scene. Not woke, not lame. See it.
It's not a remake. This has absolutely nothing to do with the 1961 film. They are completely separate adaptations of the stage musical. This is not rocket science. New versions of West Side Story are made every year around the world. The 1961 film has literally zero ownership over this story and characters.
It's as simple as this.. anyone crying about this film being "woke" - has not seen it. The extremely short passages of Spanish dialogue are deliberately written to not need subtitles. The performances make the context of the speech obvious - and everything is repeated in English anyway. Anybodys is presented exactly the same as the 1961 film - no reference to "non-binary" is ever made. Ergo the people moaning about the casting have (again) not even seen the film. Nothing about the main plot is changed, but the backstory is developed with great success. Chino especially is a huge improvement from earlier adaptions. Tony's more genuine past is a big asset to the film as well. Rita Moreno's new role is wonderful.
It's an incredible ensemble performance. The dancing is amazing, and the singing is breath-taking. And there's no miming here - many of the songs were even recorded live on set! The work behind the camera is equally impressive. Stunning cinematography and direction. Tony & Maria didn't have perfect chemistry, but the rest of the performance more than makes up for that.
Why are people acting invested in how much money this film makes, as if that has anything to do with it's quality. For a reality check I will remind you Steven Spielberg is literally the richest film director is the history of cinema. The guy is a multi-billionaire. Some people make a success of their lives while internet trolls waste away. Make better choices. And I realise I'm shouting into the void here - this page has clearly been completely lost to those trolls. Or should just say "troll" - on the first page alone I count 6 users that are all literally the same person. That's the extent of my patience, but no doubt this bizarre person has dozens more fake accounts if I could be bothered to check. Why someone would waste their life trolling a film website 24/7 is beyond me - but whatever, it's a free country.
It's as simple as this.. anyone crying about this film being "woke" - has not seen it. The extremely short passages of Spanish dialogue are deliberately written to not need subtitles. The performances make the context of the speech obvious - and everything is repeated in English anyway. Anybodys is presented exactly the same as the 1961 film - no reference to "non-binary" is ever made. Ergo the people moaning about the casting have (again) not even seen the film. Nothing about the main plot is changed, but the backstory is developed with great success. Chino especially is a huge improvement from earlier adaptions. Tony's more genuine past is a big asset to the film as well. Rita Moreno's new role is wonderful.
It's an incredible ensemble performance. The dancing is amazing, and the singing is breath-taking. And there's no miming here - many of the songs were even recorded live on set! The work behind the camera is equally impressive. Stunning cinematography and direction. Tony & Maria didn't have perfect chemistry, but the rest of the performance more than makes up for that.
Why are people acting invested in how much money this film makes, as if that has anything to do with it's quality. For a reality check I will remind you Steven Spielberg is literally the richest film director is the history of cinema. The guy is a multi-billionaire. Some people make a success of their lives while internet trolls waste away. Make better choices. And I realise I'm shouting into the void here - this page has clearly been completely lost to those trolls. Or should just say "troll" - on the first page alone I count 6 users that are all literally the same person. That's the extent of my patience, but no doubt this bizarre person has dozens more fake accounts if I could be bothered to check. Why someone would waste their life trolling a film website 24/7 is beyond me - but whatever, it's a free country.
I absolutely loved the movie - I had a lot of high expectations. I grew up rewatching the borrowed DVD of the 1961 version from the library. I have the 2009 Broadway version memorized by heart. But this adaptation?? It did everything so, so much justice. The acting, the singing, the dancing. There was a tension that you should feel throughout. And so many Performances with a capital P - ESP Ariana, Mike and David. The shots were absolutely BEAUTIFUL. The orchestra - EXQUISITE. This version of WSS actually broke me.
I want to watch it again. I look forward to owning this version on DVD.
I want to watch it again. I look forward to owning this version on DVD.
Living up to the highly praised 1961 movie musical of the same name, you'd think it would be hard for a reimagining to capture the same type of amazement that the original West Side Story movie had. But the 2021 version of this film is just as amazing as the original! Having director Steven Spielberg doing what he does best, you know you're in for a treat!
This one had a very talented cast as well from Ansel Elgort, Rachel Zegler, Mike Faist to name a few, and of course Rita Moreno herself! This version wasn't afraid to explore the inner workings of these characters. Which made for a very captivating experience.
Although it's not without it faults, the pacing felt a little strange in a few places. But it wasn't super noticeable as the story continued.
A benefit that this version has over the now 60-year-old original, there's more cultural awareness for the Puerto Rican characters that don't feel caricatures of what Hollywood believes all Puerto Ricans should appear. The use of Spanish dialogue allowed for a more authentic view into the lives of those characters when they weren't surrounded by members of the Jet's gang. Since this movie has been made well after the days of the strict guidelines of the Hays production code that took over Hollywood films from the 1930's to the late 60's, it allowed for this version to take more creative freedom and allow swearing, address racial issues, portray harsher violence, and display an emotionally darker tone that the 1961 version was unable to explore.
If you're "on the fence" about seeing this in theatres and waiting until it comes out on home video or streaming services, I suggested you should see it in theatres. This will give the most spectacular experience possible!
This one had a very talented cast as well from Ansel Elgort, Rachel Zegler, Mike Faist to name a few, and of course Rita Moreno herself! This version wasn't afraid to explore the inner workings of these characters. Which made for a very captivating experience.
Although it's not without it faults, the pacing felt a little strange in a few places. But it wasn't super noticeable as the story continued.
A benefit that this version has over the now 60-year-old original, there's more cultural awareness for the Puerto Rican characters that don't feel caricatures of what Hollywood believes all Puerto Ricans should appear. The use of Spanish dialogue allowed for a more authentic view into the lives of those characters when they weren't surrounded by members of the Jet's gang. Since this movie has been made well after the days of the strict guidelines of the Hays production code that took over Hollywood films from the 1930's to the late 60's, it allowed for this version to take more creative freedom and allow swearing, address racial issues, portray harsher violence, and display an emotionally darker tone that the 1961 version was unable to explore.
If you're "on the fence" about seeing this in theatres and waiting until it comes out on home video or streaming services, I suggested you should see it in theatres. This will give the most spectacular experience possible!
Spielberg does it again! Another outstanding production under his direction. The cast was great, the singing was great but one major thing that stood out to me was the choreography. It couldn't have been any better, and I can't imagine the amount of training and dance practice that each actor had to go through. Job well done by every member of the cast and crew!
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno breaks down 6 of her most iconic roles, discusses the struggles she's faced in Hollywood, and shares what it felt like to return to West Side Story 60 years later. She also dives into her revealing documentary Rita Moreno: Just a Girl Who Decided to Go for It.
¿Sabías que…?
- TriviaThe songs "One Hand, One Heart" and "A Boy Like That/I Have a Love" were performed live on set by Ansel Elgort and Rachel Zegler & Ariana DeBose and Zegler respectively. Sections of "Maria" were also sung live on set by Elgort, as per his request. All other songs were filmed to the more traditional playback technique. "Somewhere" was also sung live on set by Rita Moreno.
- ErroresThe 9th (Columbus) Ave elevated train tracks in the Upper West Side were removed after their closure in 1940.
- Créditos curiososThe end credits feature a dedication to Steven Spielberg's father Arnold Spielberg with a simple "For Dad".
- ConexionesAlternate-language version of Amor sin barreras (1961)
- Bandas sonorasPrologue
Music by Leonard Bernstein
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- How long is West Side Story?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- West Side Story
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 100,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 38,530,322
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,574,618
- 12 dic 2021
- Total a nivel mundial
- USD 76,016,171
- Tiempo de ejecución
- 2h 36min(156 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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