Una adaptación del musical de 1957 que explora el amor prohibido y la rivalidad entre los Jets y los Sharks, dos bandas callejeras de adolescentes de diferentes orígenes étnicos.Una adaptación del musical de 1957 que explora el amor prohibido y la rivalidad entre los Jets y los Sharks, dos bandas callejeras de adolescentes de diferentes orígenes étnicos.Una adaptación del musical de 1957 que explora el amor prohibido y la rivalidad entre los Jets y los Sharks, dos bandas callejeras de adolescentes de diferentes orígenes étnicos.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 73 premios ganados y 307 nominaciones en total
Josh Rivera
- Chino
- (as Josh Andrés Rivera)
David Aviles Morales
- Aníbal
- (as David Avilés Morales)
Ricardo Zayas
- Chago
- (as Ricardo A. Zayas)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's not a remake. This has absolutely nothing to do with the 1961 film. They are completely separate adaptations of the stage musical. This is not rocket science. New versions of West Side Story are made every year around the world. The 1961 film has literally zero ownership over this story and characters.
It's as simple as this.. anyone crying about this film being "woke" - has not seen it. The extremely short passages of Spanish dialogue are deliberately written to not need subtitles. The performances make the context of the speech obvious - and everything is repeated in English anyway. Anybodys is presented exactly the same as the 1961 film - no reference to "non-binary" is ever made. Ergo the people moaning about the casting have (again) not even seen the film. Nothing about the main plot is changed, but the backstory is developed with great success. Chino especially is a huge improvement from earlier adaptions. Tony's more genuine past is a big asset to the film as well. Rita Moreno's new role is wonderful.
It's an incredible ensemble performance. The dancing is amazing, and the singing is breath-taking. And there's no miming here - many of the songs were even recorded live on set! The work behind the camera is equally impressive. Stunning cinematography and direction. Tony & Maria didn't have perfect chemistry, but the rest of the performance more than makes up for that.
Why are people acting invested in how much money this film makes, as if that has anything to do with it's quality. For a reality check I will remind you Steven Spielberg is literally the richest film director is the history of cinema. The guy is a multi-billionaire. Some people make a success of their lives while internet trolls waste away. Make better choices. And I realise I'm shouting into the void here - this page has clearly been completely lost to those trolls. Or should just say "troll" - on the first page alone I count 6 users that are all literally the same person. That's the extent of my patience, but no doubt this bizarre person has dozens more fake accounts if I could be bothered to check. Why someone would waste their life trolling a film website 24/7 is beyond me - but whatever, it's a free country.
It's as simple as this.. anyone crying about this film being "woke" - has not seen it. The extremely short passages of Spanish dialogue are deliberately written to not need subtitles. The performances make the context of the speech obvious - and everything is repeated in English anyway. Anybodys is presented exactly the same as the 1961 film - no reference to "non-binary" is ever made. Ergo the people moaning about the casting have (again) not even seen the film. Nothing about the main plot is changed, but the backstory is developed with great success. Chino especially is a huge improvement from earlier adaptions. Tony's more genuine past is a big asset to the film as well. Rita Moreno's new role is wonderful.
It's an incredible ensemble performance. The dancing is amazing, and the singing is breath-taking. And there's no miming here - many of the songs were even recorded live on set! The work behind the camera is equally impressive. Stunning cinematography and direction. Tony & Maria didn't have perfect chemistry, but the rest of the performance more than makes up for that.
Why are people acting invested in how much money this film makes, as if that has anything to do with it's quality. For a reality check I will remind you Steven Spielberg is literally the richest film director is the history of cinema. The guy is a multi-billionaire. Some people make a success of their lives while internet trolls waste away. Make better choices. And I realise I'm shouting into the void here - this page has clearly been completely lost to those trolls. Or should just say "troll" - on the first page alone I count 6 users that are all literally the same person. That's the extent of my patience, but no doubt this bizarre person has dozens more fake accounts if I could be bothered to check. Why someone would waste their life trolling a film website 24/7 is beyond me - but whatever, it's a free country.
I absolutely loved the movie - I had a lot of high expectations. I grew up rewatching the borrowed DVD of the 1961 version from the library. I have the 2009 Broadway version memorized by heart. But this adaptation?? It did everything so, so much justice. The acting, the singing, the dancing. There was a tension that you should feel throughout. And so many Performances with a capital P - ESP Ariana, Mike and David. The shots were absolutely BEAUTIFUL. The orchestra - EXQUISITE. This version of WSS actually broke me.
I want to watch it again. I look forward to owning this version on DVD.
I want to watch it again. I look forward to owning this version on DVD.
I'm not a huge fan of remakes, but this was a welcomed and really well executed exception.
The amazingly talented and vibrant cast brought new life and vigor to the story while still paying homage to the original.
Musical fan or not, this is a wonderfully represented piece of historical New York and Puerto Rican art and culture.
I highly recommend this film.
The amazingly talented and vibrant cast brought new life and vigor to the story while still paying homage to the original.
Musical fan or not, this is a wonderfully represented piece of historical New York and Puerto Rican art and culture.
I highly recommend this film.
Steven Spielberg remade the 10-time winner of the 1961 Academy Award and the musical known as "West Side Story."
The film was definitely a remake, as it represents the conditions that were created in the 1960s, especially the social conditions and behavioral problems that existed in that decade. People waiting for a modern update will be really disappointed.
I must say right away that this is definitely my favorite piece of musical cinema. Based on Shakespeare's "Romeo and Juliet".
I really liked it, I advise everyone to watch it!!!
I must say right away that this is definitely my favorite piece of musical cinema. Based on Shakespeare's "Romeo and Juliet".
I really liked it, I advise everyone to watch it!!!
I saw both the stage version live and the 1961 movie in the past, and even though I always loved the music and dance numbers, I was never really sold or engaged by the storytelling. I would go as far as saying that the story almost bored me on both the movie and stage musical.
This adaptation from Spielberg however manages to turn the characters into real people, the situations get higher stakes, the emotion is palpable. The quality of the songs and musical numbers are impressive, but they always were, you can't do West Side Story without it. But those numbers are greatly enhanced by a really dynamic direction from Spielberg. A direction, that stays masterful throughout and that is really working with the score of the movie.
The acting is so much more real that the 61 movie, Ariana DeBose is simply incredible at both singing and dancing, but her acting chops are really shining here. She carried the movie for me, even though to be fair, all the cast did a great job.
The focus on giving an emotional story and emotional performances from the actors was the way to go, and it is what makes this adaptation a great one. I cried so much (mostly thanks to DeBose and Moreno's performances) throughout the second part of the movie, while I had never shed one tear on the stage musical nor the 61 movie that never managed to move me.
Overall this new adaptation is clearly a love letter to the source material, not trying to reinvent what was already working, but enhancing what wasn't to make it a movie that can move people from our generations.
This adaptation from Spielberg however manages to turn the characters into real people, the situations get higher stakes, the emotion is palpable. The quality of the songs and musical numbers are impressive, but they always were, you can't do West Side Story without it. But those numbers are greatly enhanced by a really dynamic direction from Spielberg. A direction, that stays masterful throughout and that is really working with the score of the movie.
The acting is so much more real that the 61 movie, Ariana DeBose is simply incredible at both singing and dancing, but her acting chops are really shining here. She carried the movie for me, even though to be fair, all the cast did a great job.
The focus on giving an emotional story and emotional performances from the actors was the way to go, and it is what makes this adaptation a great one. I cried so much (mostly thanks to DeBose and Moreno's performances) throughout the second part of the movie, while I had never shed one tear on the stage musical nor the 61 movie that never managed to move me.
Overall this new adaptation is clearly a love letter to the source material, not trying to reinvent what was already working, but enhancing what wasn't to make it a movie that can move people from our generations.
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno breaks down 6 of her most iconic roles, discusses the struggles she's faced in Hollywood, and shares what it felt like to return to West Side Story 60 years later. She also dives into her revealing documentary Rita Moreno: Just a Girl Who Decided to Go for It.
¿Sabías que…?
- TriviaThe songs "One Hand, One Heart" and "A Boy Like That/I Have a Love" were performed live on set by Ansel Elgort and Rachel Zegler & Ariana DeBose and Zegler respectively. Sections of "Maria" were also sung live on set by Elgort, as per his request. All other songs were filmed to the more traditional playback technique. "Somewhere" was also sung live on set by Rita Moreno.
- ErroresThe 9th (Columbus) Ave elevated train tracks in the Upper West Side were removed after their closure in 1940.
- Créditos curiososThe end credits feature a dedication to Steven Spielberg's father Arnold Spielberg with a simple "For Dad".
- ConexionesAlternate-language version of Amor sin barreras (1961)
- Bandas sonorasPrologue
Music by Leonard Bernstein
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- How long is West Side Story?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- West Side Story
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 100,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 38,530,322
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,574,618
- 12 dic 2021
- Total a nivel mundial
- USD 76,016,171
- Tiempo de ejecución2 horas 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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