Everybody's Live with John Mulaney

This show is truly unique. Mulaney is able to create an interpersonal dynamic with 5 people that can go any direction. It's organized chaos. The random pre-planned bits sprinkled throughout along with the prerecorded spots give the show a Monty python feel. I've also enjoyed the roster of musical guests. To match the eclectic vibe of the show, the musical acts come from different eras and genres and the performances are solid and well choreographed. Another cool element is the inclusion of callers as the show is broadcast live on Netflix. These calls are an absolute wild card, with people in various states of sobriety voicing their experiences relative to the show's subject for the episode. As a fan of exploratory musical acts like Phish, this show hits home for me.

I absolutely love the vibe of this show, and the previous 'Everybody's In L. A'. It doesn't seem like they missed a step, being off for so long while coming back with a great set of guests to speak on the subject of lending / borrowing money. Mulaney shows that he has a very quick comedic mind in the way he handles the callers to the show. I think my favorite thing about this show continues to be the chemistry between John Mulaney and Richard Kind who is absolutely hilarious on this show. I've never been able to figure out how much of his personality is real but it doesn't matter because he's so oddly charismatic.

I hope this show has many more seasons because I really can't get enough.

This is a retitling of "Everybody's In LA".. unfortunately the title wasn't the issue with the show.

The issue is the format + Mulaney. He's not funny, not personable, not quick witted.. clearly unsuitable as a talk show host. Every single episode makes it clear how MUCH better at "comedy" Richard Kind is in comparison. Honestly, Richard Kind hosting and Mulaney as the sidekick, would be better.

Mulaney is flat, relatively unentertaining, and comes across as so, so "thirsty".

Sure, some of the guests may be interesting, but due to how "deadpan" and boring Mulaney is.. the guests are not really utilized. I mean, in the first episode of this show Michael Keaton is basically a couch warmer.

Any entertainment value is like watching NASCAR.. merely waiting for a wreck... or something unexpected. The call-in aspect is horrific.

Netflix is burning money with this series. They'd be wise to just cut their losses and kill it..

--------- Pass ---------

Another massive Mulaney fan here. He is a top-tier, brilliant stand-up comedian, perfectly suited for SNL-both as a writer and performer. He's also a decent voice actor and an excellent talk show guest. I have a few theories (more like psychological observations) on why he excels in these areas but struggles as a talk show host or with his own sketch comedy show. However, what matters most is his mental well-being, which I believe is closely tied to the feedback he receives. There's nothing wrong with experimenting, trying new things, and striving to be great at all of them-but I never want to see him return to his old lifestyle out of desperation or a sense of failure, especially when he's already one of the best at what he does best.

As John said, "Jazz talk show." Very loose and freewheeling. I'm loving it. Loved the earlier six show run last year.

If it was nightly, wouldn't be as alluring, but one night a week. Sure. Tune in and hang for the ride.

People like me who find the endless array of celeb interviews very formulaic and ho hum-ish, may very well like this talk show with a twist. Kinda quirky but not as juvenile as Reggie Watts' brand of quirk or Fallon's wagging puppy dog drivel. Keep on mixing it up, Mulling Man.

I'm sure you'll find you line and length, as they say in cricket and your demographic will find yew.