Leyenda: La profesión de la violencia

(Flash Review)

Based on a true story, the twin Kray Brothers (BOTH played by excellently played by Tom Hardy) are hard as nails gangsters who start buying up prime London clubs and casinos by intimidation and force. Their influence stretches into holding some politicians and police under their thumb as their power increases. How far can their lawless activity last? The film is narrated by Reggie's girlfriend as she hopelessly attempts to keep him away from gangster activity. The other brother Ron is mentally unstable and adds a plethora of additional challenges to everyone's world. There are some brutal violent moments (especially a raw and gruesome stabbing), the acting is great and the production and cinematography are stellar.

Legend is a gripping movie, there's no doubt about it. Seeing Tom Hardy on screen, whether he's playing Reggie, Ronald, or both, is absolutely captivating. He owns the roles, and despite their identical looks you feel that they're completely different people because of how well Hardy portrays them. Reggie is sophisticated, methodical, affable; Ronnie is impulsive, unpredictable, paranoid. As a vehicle for Tom Hardy's acting chops, Legend is a home run. Unfortunately, that is where the positives of the movie end.

The movie is tonally confused from scene to scene. It can be romantic one minute, ultra-violent the next, then reserved and introspective the minute after that. It's clunky writing; every time the movie begins to gain momentum it trips on itself one way or another. Also, you really don't care about any character other than the twins. I mean, thankfully they're in just about every scene, but they're always surrounded by faceless goons, or with a generic love interest, or no-name cops - not fully fleshed out characters. This is in no way a fault of the actors though. Christopher Eccleston is wasted yet again as a villain after Thor: The Dark World. Here he's in an antihero role as the cop assigned to the Kray's case, but his lines lack any form of personality. He does what he can but he really has nothing to work with. Chazz Palminteri makes an appearance for about 5 minutes total as his usual gangster self, but in the end you're left scratching your head. So many characters, so much potential, but the only thing holding the movie together is Tom Hardy.

So as you can infer, Legend is worth a watch if you're a Tom Hardy fan. He's scarily good in these roles, and two Tom Hardys are better than one. For that reason alone I can't give this movie a lower score. However, if you're looking for substance in a gangster biopic, you'll have to look elsewhere.

The original film about the subject "The Krays" (1990) had Billie Whitelaw as their mother and, somehow, she dominated my memory of the film. Here the twins have a mother but she is, on the film, a distant character and that's what I missed here. I missed their interaction. She clearly had a massive influence in their characters but in Legend, those pieces of the puzzle are unfortunately missing. But, Tom Hardy compensates for any flaws. He is extraordinary, twice. The twins are total individuals, totally two people. What they carry in common is a sort of sexual danger, one explicitly the other implicitly but both as powerful. They dare us to get close. Amazing performance(s)

Tom Hardy is a strange fish as an actor. Famous for being almost incomprehensible in "The Dark Night Rises" and almost equally incomprehensible in his co-starring role in "The Revenant", it's sometimes really difficult to get a sense of his true abilities. Here in "Legend" he gets to show what he's made of…. Twice! Hardy plays both roles in the story of Reggie and Ronnie Kray, the infamous gangsters who ruled across large parts of London in the 1960's.

The film tells the story of the rise of the duo, focusing in particular on the wooing by Reggie of Frances (Emily Browning), the local girl who fell in love with and then married the hoodlum. Reggie and Ronnie – whilst both undisputed 'bad uns' – were as different as chalk and cheese. Reggie was all for semi-legitimizing the business, running deals through his socialite-heavy clubs, and gaining higher-level cover by inveigling his way into control of political contacts such as Lord Boothby (a delightfully oily John Sessions).

In contrast, Ronnie was an out-and-out psychopath with a malfunctioning 'off' button and no button at all marked 'self-control'. An open homosexual – something far more shocking in the '60s than it is today – Ronnie was a medicated loose cannon that even Reggie had trouble controlling. Gathering a posse of 'boys' around him (including Kingsman's Taron Egerton) Ronnie blazes a trail of bloody violence against rival gangs with little regard to the consequences.

On the side of the law was Nipper Read ("Dr Who" re-booter Christopher Ecclestone) as the dogged detective trying to find something – anything – to pin on the brothers.

Hardy manages to convey each brothers' idiosyncrasies so well that you quickly forget that this is the same actor playing both roles. It is only in some of the more interactive scenes (such as a fight between the two of them) that the illusion fails apart somewhat and where acting twins would have made for more convincing footage (unfortunately Jedward were unavailable!).

What makes Hardy's performance as Reggie particularly memorable is that for much of the film - and against your better judgment - you end up rooting for Reggie and wishing him to 'succeed'. (This is more by way of comparison against Ronnie's truly abhorrent behavior than against any absolute measure of 'good').

Browning is also compelling as the love-lost Frances, getting deeper and deeper into a world she has no control over and having to act to extremes of both love and fear. Also worthy of mention is the portrayal by David Thewlis (Lupin from the Potter films) of the Kray's financial adviser Leslie Payne: a man who knows he has the financial respect of the twins (at least Reggie) but is always sailing a dangerous course between kowtowing to them and criticizing their actions.

Written and directed by Brian Helgeland ("Payback"), this is an intelligent British thriller, reflecting a visceral view of the criminal underworld of London in the '60's. Overall, its an enjoyable watch that perhaps - Hardy aside - doesn't quite live up to its potential. A note however for the sensitive viewer: this is a very (very) violent film in places, and a couple of the scenes in particular are hard to watch.

(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)

The story of the Kray twins is a fascinating one, full of violence and deceit. In Legend, that story isn't really taken to its full potential, thanks to an unfortunately clunky structure despite brilliant performances, good humour and violence.

Let's start with the best part of this film, that is Tom Hardy's performances as Ronnie and Reggie Kray. The amazing special effects make the dual show possible, but within minutes of the start here, you completely forget that these two characters are played by the same man.

Hardy completely disappears into both men, with an unnerving but humorous turn as the psychotic Ronnie, and a more understated but powerful performance as Reggie, and that really deserves some praise.

What's more is that this film does make use of the very violent nature of the history very well. As bloody as it is foul-mouthed, this isn't a pleasant film to watch, but the level of violence does leave an impression with regards to the Krays' crimes, making it seem all the more real, and all the more frightening.

The big issue I have with this film, however, is that it's not an exhilarating watch. Historically interesting it may be, but at over two hours long, it's not something that will consistently entice you throughout.

There are side plots that aren't picked up on enough, some characters don't get the development they really deserve based on the size of their role, and the plot takes a really long time to get going.

The disappointing thing is that Legend isn't a bad film in any way, nor is it boring, but it gives you a sense of growing importance and tension towards a hopefully climactic end, but it never comes as you want it to.