Blunt Force Trauma

If you are into dark introspection, this film is for you. I found it sufficiently entertaining to watch to the end, but that may have been a random mood swing. The attempts to critique American gun violence fell mostly flat, but the flick's central "game" bears a lot of resemblance to the insanity of urban gang-banging, which might have provided the missing action. The interaction between John and Colt was interesting enough, but not quite compelling. Luckily, each gunfight had a different "start signal," or I might have given up-that was the films lone achievement in creativity.

Pistol duel in wild west is always enigmatically and brutally interesting, "Blunt Force Trauma" transitions that rugged charm to the modern era with Kevlar and Colt. This is one simple theme used in pretty exciting way, also delivered by adequately dependable leads, yet the pacing isn't as rapid as the flying bullets.

John (Ryan Kwanten) is a participant in underground pistol duel, he rises up in ranks fast in order to challenge the legendary Zorringer (Mickey Rourke). Along the way he meets up with Colt (Freida Pinto), a woman trying to avenge his brother against a man allegedly cheated in the duel. The set-up is good, the unique game-like quality gives an roguish appeal to the character and South American setting.

Ryan Kwanten is a capable lead, he looks psychically impressive and certainly brings the rowdy cowboy persona. Freida Pinto as his counterpart is a good match, they have a nice chemistry and quite believable as two person taking a hazardous trip together. The romance angle works out fine as well, not undermining the serious tone or become too cheesy. The rest of the cast, sadly, are not given too much screen time, including Mickey Rourke, and it makes the scale seems too small.

Dialogues can be rough around the edges, it tries to be poetically engaging but only succeeds half of the time. Some of the lines are too awkwardly put together, not to mention the momentum halts in the midway point. Its gunslinging parts are intriguing, mostly because it's simple and effective in grabbing people's attention. This could've been done more stylish by introducing outlandish characters, but the movie feels a bit restrained to capitalize on its premise.

The act of two persons in duel is primal and basic, a nifty way to engage viewers and the leads cater to such effort, however the pace is unable to reach the full velocity.

Ultimately unfulfilling, long winded movie that fails to satisfy on any level. The two leads are effective, but the plot(such as it is) is plodding. Things deteoriate even further by the time mickey rourke turns up shortly before the end.

Rourkes botched surgery is so ghastly it detracts from what little impact the weak ending might have had.

Not recommended.

The concept was wonderful.

A strange combination of Hard Times and Quick and the Dead, with a touch of Mad Max ... hard to mess up.

But mess up they did.

There are two schools of film criticism. The "auteur" school insists that, before taking pen to paper, you understand everything about the director and writer, to better appreciate what was intended.

The second school does not care what was intended, just what shows up on screen.

Using the yardstick from the second school, I see a film that almost goes out of its way to detract from its own power, to minimize its own kick, to alienate the audience at every opportunity.

The dialog is wretched. The direction so bad as to be perverse and peevish. Ironically Ryan Kwantan and the stunning Freida Pinto are well cast, and in the proper circumstances could have delivered the goods. But like sacrificial pawns in a chess game, their efforts are hampered at every turn.

The sound director in particular should be ashamed. The director chose for unknown reasons to have the characters speak softly all the time, possibly to generate "realism." All this generates is a headache, especially since the soundman allowed every possible noise to block out what the characters were actually saying.

This reviewer almost never looks at a film and wonders aloud how much better it would have been if the Hollywood machine had gotten hold of it...? This one is the exception to the rule.

No spoilers. Just an old reference.

When I was younger, there was a thing called a "shaggy dog story".

This movie has A LOT going for it. It has good character development, for example.

Good basic plot.

Good (although each mostly simple) complications to the plot.

Some elements of the action were never adequately explained.

But in the long run: too many things were not explained in the context. Many things seemed to happen with no rational motivation behind them.

They all did lead to the end... but not in any logical manner.

So, then comes the climax...

"Shaggy dog story".