Burn Country

A little confusing trying to see this movie as two titles were used. the movie opening title is Burn Country, but some theaters referred to it as the Fixer. Must have been an old title

Under either title , it is a wild and fascinating film, about Osman who is a fixer. Back in Afghanistan he was a journalist who specialized in being Foreign journalist connection to the people, but he was exiled and with the help of a friend, ended up in a small town in Northern California that doesn't meet his expectations of America, but he tries to make the best of it by doing his best in a crappy job at the local newspaper as a police blogger (basically making police reports sound interesting to the public).

He's a foreign man on American soil, but in a place and culture that not a lot of American's see on the daily.

Burn Country starts out with a simple narrative of Osman trying to make good by doing what he does best, journalism, and he decides to take the only job he can get as a journalist and take it far too seriously.

Melissa Leo, an amazing Thespian who changes her look like she was Daniel Day Lewis to do the part, plays Osman's sponsor in the states, a police sheriff who is the mother of a fellow journalist still over in Afghanistan. She has a very motherly relationship, somewhat trading in one son for another.

James Franco was actually very impressive. I've seen him do small movies like this in which he just does a cameo to sell movie tickets I guess, but he does have a critical role in this beyond that. Nothing fancy, he's not doing anything that you have not seen him do in a Seth Rogen film, but you see this method really works as a supporting actor for Dominic Rains' leading man.

A very good leading man too. Very likable and charismatic. He gets you into the character's story, which is good cause it's basically just watching this guy adjust to a culture not his own.

And Burn Country picked the best setting. It was different enough to me that I was a bit of a fish out of water trying to understand how these people live.

Burn Country starts out as a very clear narrative and then gets a little sir real as Osman experiences the culture clash. Very good.

Imagine you, a journalist, were kicked out of your country to seek asylum seeker in a land that you know nothing about. What you do know has been told to you by an American journalist that you became friendly with from your time as war correspondent in your own country, Afghanistan. Now, you are staying with your journalist friend's mother, who happens to be a sheriff in Burn County, everything is new, you speak English, but you aren't aware of customs or mores in you new country, folks you meet are friendly but strange, but you go on a ride along with the sheriff, while she breaks up a family disturbance between husband and his wife, you watch, then pull the husband back when he goes for the wife while she is screaming at him. The fight ends, you go back to your new home. Next day you are out and the husband happens upon you, picks you up, you become new friends. Still, as a newcomer, you know nobody, really, not even the mother of your friend. Many of these instances you happen to be privy to, makes no sense to you, it's not anything you have run into in your own country, but that's totally understandable. This movie is a portrait of what newcomers might see when they come to parts of America. Often what seems to be the usual behavior, and/or business as usual, seems totally bizarre to others. I believe that they told the story beautifully, from the POV of the newcomer and the often confusing manner that some folks in America live.

This film tells the story of an Afghan journalist, who is granted political asylum in the United States of America. He settles in a small town, living with the local policewoman. As he begins his new life and start to forge connections with others, he finds himself unknowingly in much danger.

The film has nice cinematography and lighting, but unfortunately that is about it. The story is rather poorly told, as things are not clearly explained. The relationship between Osman and the policewoman is quite confusing, as I clearly heard Osman calling the policewoman "mum" on two occasions. It is also hard to understand why Osman acted so irresponsibly, walking into danger when it is very apparent that some people are not to be messed with. Osman's persistent belief of Lindsay needing him is beyond me either, as Lindsay made no such statement, and there is no evidence to make Osman believe in that. The final scenes that happen in a weird commune is very confusing, and makes little sense. I do not understand the story at all.

I loved the idea of a movie highlighting the weirdness of far Northern, Coastal California. I also loved the notion the fact that our lead escaped one crazy version of human nature (Afghanistan), only to find another crazy version in California of all places.

Not that much happens. But the lead guy was mesmerizingly good in his portrayal of an awkward, deeply sensitive, almost dorky newcomer to a country and town that he doesn't understand at all.

He's so earnest in wanting to fit in and be hip. But he's in way over his head. Small rural communities have long histories, and in the case of this place, exceedingly weird ones. He hasn't been there long enough to understand the complexity. Yet you really feel for his dilemma. He wants to get a life and a profession, and do something meaningful. He's itching for it.

Melissa Leo is great as the mother of an old friend of our lead. She's an unemotional deputy sheriff, but also a mother and woman. She comes off very natural.

The opening is extremely weird, yet quite effective, because a bizarre stage play leads our main character to view it as "very free and very American." by virtue of its' weirdness.

James Franco is overexposed. I couldn't buy him as the weird town slacker, because I just kept thinking, "Oh that's just James Franco." He was probably miscast anyways.

Nevertheless, I liked it for its originality, and I don't regret watching. But beware for some violence. I could have done without it.

Difficult if you've seen Borat (2006) not to draw obvious comparisons, despite "Burn Country" being a human drama, profound yet also somewhat entertaining.

The character, Osman, (played by Dominic Rains) has arrived fresh from Afghanistan into small-town California, a romantic terrain of rolling mists, deserted beaches, Sequoia trees and American homesteads inhabited, it seems exclusively by white rednecks and new-age hippies.

The refugee-Afghan interpreter, journalist and "fixer" intent on using journalism in his new life sports a mustache and stubble, together with more than a touch of that endearing, unpredictable, quirky nature that got Sacha Baron-Cohen's "Borat" in such trouble with his critics. The obvious nature of Osman's recent violent war- torn past, however that led him to seek asylum on the US is reflected in events that unfold during the not-so-innocent Afghan journalist's familiarization with American backwoods life – inhabited by a community whose tribal "answers" to the problems of their often violent way of living sometimes rivals even Osman's birthplace, continents away, supposedly proving that we are, under the skin not so different from one another.

Osman, at one point purports his reason for coming to America being not the danger, but because he: "got the idea stuck in his head that life started somewhere else……. like you had to get out to have a chance of really living.."

Since the justification for the journalist's asylum in America is never in doubt (with him unable to return home), the depiction of small- town America here ought make Americans feel rightly proud for welcoming a stranger so unconditionally into their close-knit tribe. Burn Country does, in a sense accentuate the need for community over city, notwithstanding its incredibly "fuzzy" attitude towards the dispensing law and order - the positive message from this movie being the power of Human Nature to eventually triumph over personal differences and other adversities.