Después de una epidemia neurológica global, aquellos que sobreviven buscan significado y conexión en un mundo sin memoria.Después de una epidemia neurológica global, aquellos que sobreviven buscan significado y conexión en un mundo sin memoria.Después de una epidemia neurológica global, aquellos que sobreviven buscan significado y conexión en un mundo sin memoria.
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- Premios
- 18 premios ganados y 10 nominaciones en total
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It is not a great movie, it will not be remembered throughout the ages as a classic of direction or acting or storytelling, but it's not bad either. It's a "what if?" scenario played close to the end and well interpreted.
On its surface, "Embers" is a very simple movie. We have a series of people who have lost their memory to varying degrees. Some can remember for a day, some only minutes. A few seem to be able to push the limits a little bit further. Good science fiction is taking reality as we know it, and pushing the edges out just a bit to what is not yet actual, but possible. And "Embers" succeeds in that endeavor.
Writer-director Claire Carre was fully aware of the importance of keeping the infection idea grounded in reality. "I did a ton of research, looking at different neurological case studies, and specially looking at the lives of people with amnesia The characters in the film suffer from symptoms similar to the type of brain damage you might get from viral encephalitis." Thus, what we see in "Embers" is entirely possible, as unlikely as it might be that amnesia would occur on a (presumably) global scale.
Whether intentional or not, the film evokes the idea of location as a character in its own right. The filmmakers went out of their way to find just the right settings: an abandoned church in Gary, Indiana and an underground bunker in Poland are two prominent examples. The bunker shown in the film is not a set, but was built as part of the Nazi line of defense during WWII. The spiral staircase scene is real: the stairs run ten stories deep with over twenty miles of underground tunnels to explore. The locations serve as characters because they tell as much of the story – perhaps more – than the humans, showing how much the world has fallen into decay.
Within the simple plot structure, we are left to find subtle messages on our own. At least two dichotomies are evident: Hope versus Chaos, and Freedom versus Safety. Freedom versus Safety is a bit more obvious, as the character of Miranda and her father have a discussion touching on these themes. After years of isolation, she longs to be free, to search for her mother or just to see new surroundings. Her father, perhaps wiser, tries to explain how she is the safest she could ever be: one step outside, and she risks falling victim just like everyone else. So which is the right way to live: alone and safe, or free and struggling?
The character of Chaos is in the form of a man, but could just as easily be a metaphor for chaos in general. The world, left to its own devices, will inevitably decay and turn to dust. He is part of that process, just working at an accelerated rate, killing and smashing as he plows through life like a hurricane. Countering him is Boy, who stands as a metaphor for hope. Just as Chaos wanders, so does Boy, and we get the impression that maybe, possibly, he has not been affected by the virus. Because he is mute we can never fully gauge his memory, but he seems to comprehend the passing of days better than anyone else. If there are more Boys (and Girls) in the world, it may not decay and chaos may not reign after all. This one character (Boy) inverts the whole narrative from a tragic, depressing tale into one of hope.
"Embers" is a complicated film disguised as a simple one. For anyone who wants to see a film about a glimmer of hope in a world at its lowest, this is the film for you. "Embers" premieres July 22 at the Fantasia International Film Festival.
We get an interest in these characters and their story but it doesn't actually have any interesting story to tell you about them. The whole movie is simply a waiting for the climax that never comes. As if they pieced together scenes to generate interest but then take it nowhere.
I love the concept, the acting, the production. But this is a script that needed a lot of work before being shot. As the story needs to be more than simply the effects of the disease. We are expecting more from these characters story lines. Stories about nothing tend to be nothing anyone wants to watch. The last thing a movie should do is leave the audience wanting in a bad way at the end. I give it a 7/10 which is more than most rated it. Because there is a fair bit of quality work here. It's not that the movie isn't interesting. It is. It just lets you down after such a good start.
¿Sabías que…?
- TriviaTo understand how the characters' memory loss would manifest, writer and director Claire Carré researched Henry Mollison, who had his hippocampus removed as part of an experimental brain surgery to treat his epilepsy and then couldn't form any new memories for the rest of his life. She also researched Clive Wearing, a UK musician and composer who developed retrograde and anterograde amnesia after contracting a virus. Wearing is unable to form any lasting new memories; his memory "resets" after approximately 30 seconds, and he often thinks he just woke up from a coma.
- Citas
[first lines]
Guy: Okay, here it goes. Things to remember. The air in the morning in June. The sound of ice cream trucks. Emma's sleeping face. The first time I held Jasper. Saturday morning cartoons when I was a kid. Running into the ocean. Driving around on Saturday nights with Frankie. My first car, the badger. My mother's garden and her hands. She had beautiful hands. The freckle on the back of Emma's knee. That's the kind of thing to remember, that freckle.
Guy: I will remember you. I will not forget you. Promise.
- Bandas sonorasRemember Tomorrow
(uncredited)
Written by Curt Wilson
Performed by Curt Wilson
Selecciones populares
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