La asesina

i'll start off by saying I like slow movies. I like movies that tell stories through cinematography, editing, sound design. I like to watch movie and feast in the details and bits that the movie carefully exposes. But this movie... I mean, I know there was a history in there, in the middle of the odd editing and weird characters and dialog. But did I care at all? Did I, at any point, looked for the meaning, the motivations? Well... I tried too. I started the movie with a piece of paper and a pen, taking notes, writing the names of characters, trying to make sense of this good- looking mess. But at 30 minutes, I just gave up. It's not the Mallick type of movie, where you don't know exactly what's going on, but you feel that it's okay, it's a subjective experience. The Assassin is like that pretentious friend that uses a colorful, bright, beautiful prose to talk about something you don't get it, and you don't want to get it. You admire its beauty, but... you just don't care. It's not a beauty that touches, it's a beauty that dares, but you just don't get anything. I don't like to say something is pretentious, but I wouldn't be able do find another word. The Assassin is neither style or substance. I don't see a reason to watch it again, or recommend it.

There is absolutely no denying that The Assassin is one of the most beautiful looking films ever made for every frame of it qualifies as a masterwork of breathtaking photography. But there is also no denying that it is an insufferably boring film for just being able to sit through this picture is no mere achievement in itself.

Set in 8th century China during the Tang Dynasty, The Assassin follows Nie Yinniang; an exceptionally skilled assassin who was raised by a nun from the age of ten and kills on her command. But when she fails to perform her duties on one occasion, she is tasked with a ruthless mission that requires her to kill the man she was once betrothed to.

Directed by Hou Hsiao-Hsien, The Assassin may give the impression of a martial arts movie but in actuality, it is more a period piece than anything else. Hou's direction is impressive when it comes to staging the shots, choosing the locations & capturing every image in an aesthetic, artistic & intimate manner but as far as story goes, this is cinema on a standstill.

The plot relies on minimal dialogues and is visually narrated. And although there is nothing wrong with that method, the immensely slow pace at which its events unfold is going to infuriate many. Nothing happens in the movie for the most part as camera simply pans from one end to another and whatever little action does exist, it's all very short-lived & scattered all over.

From the technical standpoint, The Assassin is virtually flawless. Throughout its runtime, the images retain its sharpness, clarity & piercing quality. Cinematography is truly a highlight for every moment is expertly staged, beautifully shot & the colour composition is wonderful. The camera may appear static but it's almost always in motion, the lighting is ideal, and I've got nothing but praise for this particular aspect.

Even the costumes, make-up & production design exhibit a meticulous amount of research that went into the period it tries to bring alive on the screen. Coming to the performances, the only one worth a mention is Shu Qi who plays the eponymous assassin in an incredibly calm, composed & balanced manner and manages to express her character's inner turmoil really well plus she's finely supported by the rest of the cast.

On an overall scale, The Assassin deserves full marks for its mind-blowing cinematography alone but the stillness of its plot, lack of action, tranquillising pace & lifeless characters turn it into an excruciating viewing experience. While I'm certain that there's an audience for this kind of storytelling, I'm equally sure that I'm not one of them. All in all, it is difficult to not fall in love with its imagery but its sleep-inducing narration that goes on for eternity ultimately destroys it for me.

P.S. On an unrelated note, this could actually cure my insomnia!

Birdman was a weird movie that was filled with stellar performances and nuanced scenes. It won at the Oscars because it was a film about film and theater makers, but few regular people actually got it at the level it was meant to. Even so, it was a great film on several levels.

I say this because The Assassin is kind of the same, but not giving a damn if you understand or not what is going on. The scenes are beautiful and I am sure filled with significance that grows the more Chinese you are or the more versed you are in the "art of the scene". For the regular viewer, though, is a very slow story related to Chinese characters that kind of dress the same, look the same and rarely say anything. When they do say something, they choose the minimal amount of words to convey nuanced meaning - which are then translated to English.

An adaptation of a Chinese story that has little to do with anything but the beginning of the film, this is more about the inner world of the girl assassin as portrayed by beautiful scenery and slow, calm, cricket noise filled sound. Or at least I think it is. I might be wrong.

Bottom line: great action scenes, all 4 or 5 of them. They all last for a few seconds each. Great dialogue, the 20 or so lines in all the movie. Fantastic nature shots and historically accurate decor, in the rest of the film. Not a film you will hate, but imagine you are watching people you can't distinguish one from another and that are prone to fight for a minute before they say anything... if they even do.

Honestly I wasn't sure how to feel about this film after seeing it.

It looks absolutely gorgeous. The cinematography and production design are really top notch. If I were to judge the merits of this film based purely on its visuals, then I think I'd give it something closer to a 9 or 10. The visuals also comprise some of the best parts of the story telling. Occasionally the film will present an image without context, only to later have the meaning of that image revealed by a character in whatever dialogue driven scene will directly follow that image. It's pretty neat and adds an nice component to the visual splendor beyond simply the surface level appeal.

This element of the visual element of the film though, does hint at what is probably this film's greatest weakness. In the same way that one can become really confused when viewing some of the key images without their meaning revealed until after their presentation, the story of the film as a whole is potentially incomprehensible. I don't think it's because it's necessarily too complicated either. It seems more like the director had no patience for conveying information to the audience. There are key pieces of exposition early on which are never referenced again and that you could easily miss if you aren't laser focused from minute one. This is a problem throughout the film and it's not even limited to expository dialogue. There is one scene in particular when two characters are having what I assume was a deadly showdown. Again, visually very nice. The problem though, was that I couldn't tell who one of the character's was, if they had been mentioned/featured in the film previously, or why the fight was even really happening to begin with.

It's honestly really frustrating, because this film seems to squander so much of the potential I see in the visual elements for reasons that I can't understand. The incomprehensible nature of the story is frankly needless, and I think it severely limits the amount of people who can truly enjoy it. I like a lot of it, and I might watch it again in the future. I think before I recommend it though, I should preface that recommendation by saying that you can't let your attention falter for even a moment, lest you lose track of the narrative completely.

I'm surprised by the bad reviews on IMDb. I think the problem is that a film titled "The Assassin" happens to attract a certain type of audience--people who are only interested in martial arts flicks, or who walk in expecting an action-packed adrenaline ride. You might be disappointed in this film, but I don't think this movie was meant for you.

A previous review mentioned the "depressed, stilted tones" of the actors.

I don't know what you were expecting ... an assassin during the Tang Dynasty to burst out into song about her inner anguish and emotional turmoil? I watched an interview with Hou Hsiao-hsien, the director who won the prestigious Best Director award at Cannes for this very film. He used a tennis analogy to explain it perfectly, so I'm just going to paraphrase below:

"If you watch the tennis greats like Federer or Nadal battling it out, there's not much expression on their faces. The speed that they're going at, the power in each exchange, there's no room for emotions."

The director, Hou, actually instructed Shu Qi (The Assassin) to tone down her expressions. The crew filmed the fight sequences again, and again, and again, until the actors were all bruised up and the fight flowed naturally, by instinct. By this point, there was really no need for dialogue or excessive expressions.

If you're an assassin fighting for your life, kill or be killed, are you really going to be thinking "let me get my blue steel pout ready for the camera"?

If you can get over the need for overly dramatic expositions and go into a film knowing the main character only has approximately nine spoken lines, and if you can enjoy a film for how starkly beautiful it is.... this might be the film for you.