Inconcebible

56 year old Gina and 54 year old Nick as new parents. Really? Are you kidding? This is getting silly. I understand the need to draw in eyeballs with known talent but come on. Gina's mother in law character is Faye Dunaway who's only 11 years older. There's only so much soft focus and cake makeup you slather on to cover that. And Nick? Shoe polish in your hair is not a good look. I get it, you owe like a zillion dollars and you have to work like a dog but why not look for parts for a guy your age.

With one exception every actor completely phones it in. Completely unimaginative directing, poor editing and very predictable. Not worth 100 minutes of your life.

The most inconceivable thing about this film is somebody having such an incredibly flat stomach and being so mobile right after having a C-section. In all seriousness, this absurdity is something that needs to be addressed in the film industry but there we go...

Otherwise, the story is interesting enough, relatively slow-paced (running time needn't have been so long - not that it was long, but it was too long for what this film is). There were unnecessary sub-plots.

Acting was OK, Nicky Whelan is used to doing over-the-top dramatic plots from her time on Neighbours, so did perfectly well here. Why have an A-lister like NC involved? Why not, I suppose.

All in all, it was pretty meh. Another user likened it to a Lifetime movie and they hit the nail on the head. Lifetime movies are an occasional guilty pleasure of mine, so I finished the film more or less satiated. Just don't see Nick Cage's name and think you're getting a blockbuster.

This straight to DVD Nicolas Cage affair is certainly less "Actiony" than what we have grown accustomed to over the past few years. Rejoining Gina Gershon he delves into thriller territory and though the story has been done before they do a decent enough job.

What threw me was the initial swerve, the movie opens one way and quickly u-turns. When the twist came I'll be truthful I didn't expect it.

Also starring former WWE "Wrestler" (And I use that term very loosely) Eva Marie who I immediately mistook for a Kardashian. Credit where credit is due she put in a decent enough performance but being a wrestling fan I see her and I just see a train wreck.

Harmless enough feature which all comes together well in the end even if it does feel somewhat recycled.

The Good:

One Eva Marie scene that every WWE fan will appreciate

Gina Gershon

The Bad:

Eva Marie

Things I learnt from this movie:

Eva Marie is a better actress than a wrestler

Gina Gershon has access to the fountain of youth

Katie (Nicky Whelan) is a mother whom has recently escaped from an abusive relationship. Katie ends up befriending wealthy couple Angela (Gina Gershon) and Brian (Nicolas Cage) and stays in their guest house whilst serving as their nanny. Initially all is well, but the couple start to get suspicious of Katie when they start to learn that she's hiding a dark secret...

The set-up isn't a bad one and in some ways this film reminded me of 'The Hand That Rocks The Cradle', but despite an intriguing set-up the film doesn't contain much in the way of audience involvement. There is some mystery with Katie's character, but the film reveals too much too soon which ultimately kills much of the suspense. The main story also lacks credibility and requires a leap of faith to be able to accept what you're seeing is even remotely believable; a couple allowing a stranger to be their nanny without carrying out any kind of background checks first???

The tempo picks up slightly towards the end, but by this point I'd already lost interest in the story (mainly down to the drawn-out first half of the picture where next to nothing actually happens). I also wasn't impressed by Jonathan Baker's direction which was far too leisurely and I also wasn't impressed by the art-house pretentious feel that the film had as a whole.

The acting isn't too bad though with Whelan and Gershon both being the standout's here. Nic Cage is the big named actor here, but the filmmakers waste him here by just having him hanging round in the background (he's never sufficiently developed and isn't given the chance to make any kind of impression on the picture). The cynic in me thinks that he may have only been cast in the film as a gimmick to make the film appeal to a wider audience.

FINAL VERDICT; skip this one and watch The Hand That Rocks The Cradle instead.