Cunk on Life
- Especial de TV
- 2024
- 1h 11min
Agrega una trama en tu idiomaPhilomena Cunk delves into life's profound questions, examining subjects from the big bang to AI, meeting academics and creatives, all with her trademark misguided observations.Philomena Cunk delves into life's profound questions, examining subjects from the big bang to AI, meeting academics and creatives, all with her trademark misguided observations.Philomena Cunk delves into life's profound questions, examining subjects from the big bang to AI, meeting academics and creatives, all with her trademark misguided observations.
- Dirección
- Guionistas
- Elenco
Douglas Hedley
- Self - Prof. of Philosophy of Religion, University of Cambridge
- (as Professor Douglas Hedley)
Alison Wright
- Self - Prof. of Italian Art, University College London
- (as Professor Alison Wright)
Celia Deane-Drummond
- Self - Senior Research Fellow, Theology, University of Oxford
- (as Dr. Celia Deane-Drummond)
Paul Nurse
- Self - Nobel Prize Laureate, Physiology or Medicine
- (as Sir Paul Nurse)
Jim Al-Khalili
- Self - Prof. of Quantum Physics, University of Surrey
- (as Professor Jim Al-Khalili CBE)
Joyce Harper
- Self - Prof. of Reproductive Science, University College London
- (as Professor Joyce Harper)
Prokar Dasgupta
- Self - Prof. of Surgery, Kings College London
- (as Professor Prokar Dasgupta OBE)
Anil Seth
- Self - Prof. of Neuroscience, University of Sussex
- (as Professor Anil Seth)
Joanna Woodall
- Self - Prof. Emerita, The Courtauld Institute of Art
- (as Professor Joanna Woodall)
Stephen Case
- Self - Prof. of Criminology, Loughborough University
- (as Professor Stephen Case)
Ruth Chang
- Self - Philosophy, University of Oxford
- (as Professor Ruth Chang)
Richard Thomson
- Self - Prof. of History of Art, University of Edinburgh
- (as Professor Richard Thomson)
Brian Cox
- Self - Prof. of Particle Physics, University of Manchester
- (as Professor Brian Cox CBE)
Opiniones destacadas
Ok can we talk about how amazing the professor from the Munch scene (Richard Thomson from University of Edinburgh) is though, he managed to keep the conversation going and almost communicated with Cunk successfully while holding respectful boundaries. You can tell he has such passion about art that he's more shocked even a bit hurt than offended by her opinions. Enjoyed this special because I'm a fan of the series, a bit overdone otherwise with the trying to be trendy parts and self-reference but still pretty funny, right now I want more of this series but also don't want more of this series. Required characters limit finally met so I can post!
The latest entry in Charlie Brooker's Cunk On... universe, Cunk on Life is certainly not Diane Morgan's funniest outing as the fantastically oblivious documentarian Philomena Cunk, but she retains all the brainless charm we would want. As usual, she offers up her own understanding of the subjects in-between a series of interviews where we yet again must ask just how "in on it" the interviewees were.
This time around, she explores life itself and the many different explanations for how life exists, not to mention the greatest of all questions: why.
It doesn't take too long before she starts interviewing those who believe that the greatest riddle of all time isn't actually a riddle at all (and yet will project arrogance onto those who simply try to explain that NOBODY truly knows the answer and/or ask that people would PROVE these things before taking them as definitively factual), namely the religious. The first exchange with "spiritual author" and parapsychology scholar Rupert Sheldrake perfectly distills what I'm referring to: "Is there a God?" "Yes." "Oh, that was quick."
Later, Cunk tries to wrap her head around science, death, the philosophies that concern death, and the role that science seems to have assumed following the proverbial death of God, but more and more of the jokes end up rather lame. Cunk on Life is not as consistently or constantly hilarious as 2023's Cunk on Earth, and some of the less successful gags are in the form of skits, an element that Cunk on Earth did not use. It's also markedly more juvenile than before. The best parts are still the narrations and interviews, which make perfect use of the bewildering stupidity of this character.
When people say she's Borat-ing, they don't just mean the simple fact that she's doing a docu-comedy where a character interacts with real people who do not know that it is a character. Just as Borat speaks with people who are racist enough to believe that a caricature like Borat could be a real person (validating them to a point where they reveal even uglier things about themselves), Cunk often seems to come across scholars who are sufficiently full of themselves to believe that Cunk/Diane Morgan really is just that dumb (not discerning that they're the ones being taken for a ride).
This time around, she explores life itself and the many different explanations for how life exists, not to mention the greatest of all questions: why.
It doesn't take too long before she starts interviewing those who believe that the greatest riddle of all time isn't actually a riddle at all (and yet will project arrogance onto those who simply try to explain that NOBODY truly knows the answer and/or ask that people would PROVE these things before taking them as definitively factual), namely the religious. The first exchange with "spiritual author" and parapsychology scholar Rupert Sheldrake perfectly distills what I'm referring to: "Is there a God?" "Yes." "Oh, that was quick."
Later, Cunk tries to wrap her head around science, death, the philosophies that concern death, and the role that science seems to have assumed following the proverbial death of God, but more and more of the jokes end up rather lame. Cunk on Life is not as consistently or constantly hilarious as 2023's Cunk on Earth, and some of the less successful gags are in the form of skits, an element that Cunk on Earth did not use. It's also markedly more juvenile than before. The best parts are still the narrations and interviews, which make perfect use of the bewildering stupidity of this character.
When people say she's Borat-ing, they don't just mean the simple fact that she's doing a docu-comedy where a character interacts with real people who do not know that it is a character. Just as Borat speaks with people who are racist enough to believe that a caricature like Borat could be a real person (validating them to a point where they reveal even uglier things about themselves), Cunk often seems to come across scholars who are sufficiently full of themselves to believe that Cunk/Diane Morgan really is just that dumb (not discerning that they're the ones being taken for a ride).
I am in such conflict here. I love the concept of the Cunk series -the mockumentary style. But the jokes are mostly toilet and genital humour that a 14 year old boy would be proud of.
What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.
Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.
What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.
Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.
I'll start by saying that it is my style of humour but blow after blow leaves you limp and no longer interested.
It could have been a funny half hour show - that would be enough.
I enjoyed it at first, seemed witty and cheeky and funny but then it just starts to repeat and it's just painful.
This is my first Cunk to be fair so I didn't know what I was getting into.
I suspect that a lot of the 9-10 star reviews are by mega fans or maybe some involved in the production. But I get why some people would love it.
Like I said I did, it's funny, until it isn't Like Dad jokes, funny, 2nd one funny... but then pleases stop.
It could have been a funny half hour show - that would be enough.
I enjoyed it at first, seemed witty and cheeky and funny but then it just starts to repeat and it's just painful.
This is my first Cunk to be fair so I didn't know what I was getting into.
I suspect that a lot of the 9-10 star reviews are by mega fans or maybe some involved in the production. But I get why some people would love it.
Like I said I did, it's funny, until it isn't Like Dad jokes, funny, 2nd one funny... but then pleases stop.
I noticed that some reviewers didn't like the jokes, but I laughed from beginning to end.
The reason this works for me is that she is dead serious when she asks the questions and the interviewees answer the questions without laughing.
I love all of her stuff. It's a shame that this got lower marks because I want her to keep on making these series.
I also find it exceedingly annoying that we have to type so many characters to leave a review.
I have nothing left to add to my review. Just came here to say that I found it hilarious and worth the watch despite some of the lower reviews. I'm not a someone who laughs at just anything. The bar is higher with me. So give it a try.
The reason this works for me is that she is dead serious when she asks the questions and the interviewees answer the questions without laughing.
I love all of her stuff. It's a shame that this got lower marks because I want her to keep on making these series.
I also find it exceedingly annoying that we have to type so many characters to leave a review.
I have nothing left to add to my review. Just came here to say that I found it hilarious and worth the watch despite some of the lower reviews. I'm not a someone who laughs at just anything. The bar is higher with me. So give it a try.
¿Sabías que…?
- TriviaPresented in a style parodying programs by historians such as popular Professor Suzannah Lipscomb & Professor Kate Williams.
- ConexionesFeatures Fuga en el siglo 23 (1976)
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- Tiempo de ejecución1 hora 11 minutos
- Color
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By what name was Cunk on Life (2024) officially released in Canada in English?
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