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6.2/10
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TU CALIFICACIÓN
Maggie quiere tener un bebé y criarlo ella sola, pero cuando se enamora de John, un hombre casado, las cosas se complican y los planes de Maggie saltan por los aires.Maggie quiere tener un bebé y criarlo ella sola, pero cuando se enamora de John, un hombre casado, las cosas se complican y los planes de Maggie saltan por los aires.Maggie quiere tener un bebé y criarlo ella sola, pero cuando se enamora de John, un hombre casado, las cosas se complican y los planes de Maggie saltan por los aires.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 9 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The eternal triangle and the romantic comedy have been soulmates forever but how many ways you can tell the same old love story? The era of female empowerment and emotional recycling is upon us, so it is refreshing to see Maggie's Plan (2016) take an old story formula and update it with offbeat humour centred on modern marriage. Contemporary lifestyle choices such as wanting a baby but not a man or handing a used lover back to a former owner are just some of the scenarios played out in this intelligent and delightful rom-rom.
The simple triangular plot pivots on independent-minded Maggie (Greta Gerwig), an over-controller who loves falling in love but cannot keep a relationship longer than six months. Wanting a baby without the strings, she arranges for a sperm donor just as she meets John (Ethan Hawke), an insecure academic who is emasculated by the stellar career of his imperious wife Georgette (Julianne Moore). John's need for constant mothering is no longer fulfilled by the dynamic Georgette, so Maggie and John inevitably pair up and one corner of the triangle disappears. Three years later, Maggie is over the needy John and his permanently incomplete 'great novel' so she hatches a plan to reunite John with Georgette. A clever script laced with tangled textual barbs like "ficto-critical anthropology" (Google it) and one-liners like "nobody unpacks commodity fetishism like you do" are rapid-fire and hilarious send-ups of the pretentious world of academe. It is at this level that the film shines brightest: not with belly laughs or madcap comedy, but through a whimsical lens focused on the world of intelligent people who think they control the ebbs and flows of the uncontrollable.
The acting performances are all top-shelf. Julianne Moore plays the understated dominatrix with a hilarious deadpan Danish accent, and Ethan Hawke is perfect as the hapless male out-powered by the females in his life. The standout performance is Greta Gerwig whose big doe-eyed innocence and naivety about the ways of the world make her scheming utterly forgivable. While the story has a predictable narrative arc, the dialogue is richly satirical, funny and totally female-centered. It is also an entertaining post-feminist comedy about sex and marriage which imagines a future where males are only needed for sperm and are then recycled amongst whoever will tolerate their innate weaknesses.
The simple triangular plot pivots on independent-minded Maggie (Greta Gerwig), an over-controller who loves falling in love but cannot keep a relationship longer than six months. Wanting a baby without the strings, she arranges for a sperm donor just as she meets John (Ethan Hawke), an insecure academic who is emasculated by the stellar career of his imperious wife Georgette (Julianne Moore). John's need for constant mothering is no longer fulfilled by the dynamic Georgette, so Maggie and John inevitably pair up and one corner of the triangle disappears. Three years later, Maggie is over the needy John and his permanently incomplete 'great novel' so she hatches a plan to reunite John with Georgette. A clever script laced with tangled textual barbs like "ficto-critical anthropology" (Google it) and one-liners like "nobody unpacks commodity fetishism like you do" are rapid-fire and hilarious send-ups of the pretentious world of academe. It is at this level that the film shines brightest: not with belly laughs or madcap comedy, but through a whimsical lens focused on the world of intelligent people who think they control the ebbs and flows of the uncontrollable.
The acting performances are all top-shelf. Julianne Moore plays the understated dominatrix with a hilarious deadpan Danish accent, and Ethan Hawke is perfect as the hapless male out-powered by the females in his life. The standout performance is Greta Gerwig whose big doe-eyed innocence and naivety about the ways of the world make her scheming utterly forgivable. While the story has a predictable narrative arc, the dialogue is richly satirical, funny and totally female-centered. It is also an entertaining post-feminist comedy about sex and marriage which imagines a future where males are only needed for sperm and are then recycled amongst whoever will tolerate their innate weaknesses.
Woody Allen by way of Noah Baumbach is as close as I can come to give you an idea of how amusing, smart, and awkward Rebecca Miller's Maggie's Plan is. But, then, the adjectives as well describe indie-fav Greta Gerwig playing Maggie, whose plan to send her husband back to his ex wife reveals the layers that make Maggie one of the most complex romantic heroines in film.
Having fallen in love with hot "ficto-critical anthropologist" John (Ethan Hawke) at The New School, where she works as a career counselor for grad students, Maggie in her quietly innocent but manipulative way has a child with him after his divorce and their marriage. One of the comedic elements is her previous plan to have an artificial insemination from hippy pickle entrepreneur Guy (Travis Fimmel). She has no need to produce the baby in a normal way, an eccentricity never explained but for me felt to be another facet of her quirky and honest personality.
Although you can see the goofy and formulaic elements, underneath is Maggie's genuine wish to have a normal love, a situation not really meant for her given her wacky judgment and clueless orientation. Throughout the wryly wacky plot are numerous elements of truth in modern culture: having a child purposely without father involved; career taking precedence over family (Julienne Moore as high-powered ex-wife academic); step kids as complicating elements; and so on.
Writer/director Miller is deft at playing the elements off each other to make it feel as if all of this confusion is just part of a larger plan. Maggie, as a self-confessed meddler, goes through a labor-intensive series of challenges that go beyond the clichés of the romantic comedy formula. Although the accumulation of challenges may seem too many, each one resonates with a human predicament common to us all.
It's romantic comedy with brains and heart. So human.
Having fallen in love with hot "ficto-critical anthropologist" John (Ethan Hawke) at The New School, where she works as a career counselor for grad students, Maggie in her quietly innocent but manipulative way has a child with him after his divorce and their marriage. One of the comedic elements is her previous plan to have an artificial insemination from hippy pickle entrepreneur Guy (Travis Fimmel). She has no need to produce the baby in a normal way, an eccentricity never explained but for me felt to be another facet of her quirky and honest personality.
Although you can see the goofy and formulaic elements, underneath is Maggie's genuine wish to have a normal love, a situation not really meant for her given her wacky judgment and clueless orientation. Throughout the wryly wacky plot are numerous elements of truth in modern culture: having a child purposely without father involved; career taking precedence over family (Julienne Moore as high-powered ex-wife academic); step kids as complicating elements; and so on.
Writer/director Miller is deft at playing the elements off each other to make it feel as if all of this confusion is just part of a larger plan. Maggie, as a self-confessed meddler, goes through a labor-intensive series of challenges that go beyond the clichés of the romantic comedy formula. Although the accumulation of challenges may seem too many, each one resonates with a human predicament common to us all.
It's romantic comedy with brains and heart. So human.
Greta Gerwig is one of the most interesting young stars in Hollywood. She consistently chooses interesting, under-the-radar projects that deal with human issues in a unique way. Maggie's Plan struggles to balance a grounded story that's centered upon one ridiculous romantic (or rather, unromantic) plan.
Goofy, eccentric, and mostly well-acted, Maggie's Plan is a good attempt at a Richard Linklater comedy-romance-drama plot. Really though, this film is a stranger version of Linklater's Before Trilogy. Only, it's much harder to relate to for a 22-year-old guy yet to be married or having any sort of mid-life crisis. The film deals with a half-dozen adult characters who have no clue what they truly want out of a relationship. Maggie, played by Gerwig, has an affair with John (Ethan Hawke) which ruins his marriage. In turn, the two get married, but struggle to bolster a relationship on their own. And so, thus gives us our main conflict, Maggie attempts to arrange John back up with his ex-wife to ease the pain of an actual divorce. Yes, it's that ridiculous.
I think this premise is better off as the basis of a straight comedy. At times, Maggie's Plan takes itself a little too seriously and forgets just how hard to believe its own ideas are. Should I be worried for the sanity of the main characters or should I take the ridiculousness for what it is and laugh about it? That's the constant argument I had throughout, and I don't know that the film even knows the answer.
The saving grace is that all of the actors are so dang charming and charismatic that it's hard to not like their work here. Gerwig has this angelic poise to her performance, and Ethan Hawke is Ethan Hawke. He's great in everything. Not to mention the levity brought by Bill Hader and Maya Rudolph in supporting roles, Maggie's Plan is one of the better ensemble cast assembled of this year. However, I found Julianne Moore's accent to be incredibly distracting. She's a world class actress, but I'm not sure this was her best work.
Maggie's Plan doesn't try to be the most charming nor the most poignant, but that's really the film's biggest issue. It has no real identity. When plot progression is made you don't know how to feel because there is no true basis or end goal in mind. So what could have been a goofily unpredictable rom-com-dram, turned out to be a disappointing and forgettable film for 2016.
+Gerwig is always charming
+Hader & Rudolph kill it
-Moore's accent
-Identity crisis
-Difficult to connect to
5.0/10
Goofy, eccentric, and mostly well-acted, Maggie's Plan is a good attempt at a Richard Linklater comedy-romance-drama plot. Really though, this film is a stranger version of Linklater's Before Trilogy. Only, it's much harder to relate to for a 22-year-old guy yet to be married or having any sort of mid-life crisis. The film deals with a half-dozen adult characters who have no clue what they truly want out of a relationship. Maggie, played by Gerwig, has an affair with John (Ethan Hawke) which ruins his marriage. In turn, the two get married, but struggle to bolster a relationship on their own. And so, thus gives us our main conflict, Maggie attempts to arrange John back up with his ex-wife to ease the pain of an actual divorce. Yes, it's that ridiculous.
I think this premise is better off as the basis of a straight comedy. At times, Maggie's Plan takes itself a little too seriously and forgets just how hard to believe its own ideas are. Should I be worried for the sanity of the main characters or should I take the ridiculousness for what it is and laugh about it? That's the constant argument I had throughout, and I don't know that the film even knows the answer.
The saving grace is that all of the actors are so dang charming and charismatic that it's hard to not like their work here. Gerwig has this angelic poise to her performance, and Ethan Hawke is Ethan Hawke. He's great in everything. Not to mention the levity brought by Bill Hader and Maya Rudolph in supporting roles, Maggie's Plan is one of the better ensemble cast assembled of this year. However, I found Julianne Moore's accent to be incredibly distracting. She's a world class actress, but I'm not sure this was her best work.
Maggie's Plan doesn't try to be the most charming nor the most poignant, but that's really the film's biggest issue. It has no real identity. When plot progression is made you don't know how to feel because there is no true basis or end goal in mind. So what could have been a goofily unpredictable rom-com-dram, turned out to be a disappointing and forgettable film for 2016.
+Gerwig is always charming
+Hader & Rudolph kill it
-Moore's accent
-Identity crisis
-Difficult to connect to
5.0/10
"Maggie's Plan" is a Drama - Romance movie in which we watch woman falling in love with a married man while she was trying to have a baby. She now has to deal with her new reality since everything will change in her life.
Since I did not have any expectations from this movie I was not disappointed by it but in the end I was thinking that I lost almost two hours from my life. The plot was simple but not interesting and it reminded me the "Before" trilogy in which Ethan Hawke also plays. The direction which was made by Rebecca Miller was not the best, it was just another average work. The interpretations of Ethan Hawke who played as John and Julianne Moore who played as Georgette were also average and without reaching their potential. To sum up, I have to say that "Maggie's Plan" is a below average drama movie and I do not recommend anyone to watch it.
Since I did not have any expectations from this movie I was not disappointed by it but in the end I was thinking that I lost almost two hours from my life. The plot was simple but not interesting and it reminded me the "Before" trilogy in which Ethan Hawke also plays. The direction which was made by Rebecca Miller was not the best, it was just another average work. The interpretations of Ethan Hawke who played as John and Julianne Moore who played as Georgette were also average and without reaching their potential. To sum up, I have to say that "Maggie's Plan" is a below average drama movie and I do not recommend anyone to watch it.
I think I got tricked into watching this movie by looking at the cast. There are undeniably good actors and actresses in this movie but that doesn't mean a certainty for success. On the contrary, it turned out to be a borefest. I couldn't wait for the end credits to appear. As for the comedy level I had two or three small grins, so nothing that will stay memorable for the rest of my life, like some other good comedies sometimes do. If you like endless debating about something dramatic like couples arguing about nothing then you might enjoy this. I can't believe I wasted my time with this one as it was clearly going to be really boring after only five minutes.
¿Sabías que…?
- TriviaThe language that Julianne Moore and her kids speak is Danish.
- Bandas sonorasMusical Communion
Written by Don Drummond & Arthur Stanley Reid
Performed by Baba Brooks
Courtesy of Push Music / Treasure Isle
Courtesy of Sanctuary Records Group Ltd., a BMG Company
All rights administered by BMG Rights Management (US) LLC
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Maggie's Plan
- Locaciones de filmación
- 45 Broadway, Brooklyn, Nueva York, Nueva York, Estados Unidos(Maggie's apartment)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,351,735
- Fin de semana de estreno en EE. UU. y Canadá
- USD 63,308
- 22 may 2016
- Total a nivel mundial
- USD 5,883,891
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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