Subham

The Movie is fun to watch, if you are a fan of horror comedy genre, then you need to try this definately. It grabs your attention and hooks you up for the entire movie, you don't get bored, everyone did a well job if we talk about acting, the story is unique (I haven't seen any types of movie like this so it was unique for me atleast) The story is simple, every lady of the village sits at exactly 9PM to watch a serial and in the meantime nobody can prevent them from watching that serial, three husbands were so worried and went to seek the mystery behind of it, No extraordinary twists, just grab your snacks and enjoy.. A Must Watch if you want to watch some unique films or you are just a fan of this kind of genre.

This is truly one of the BEST comedies in recent years. The movie is well written and directed. The plot is very good and doesn't seem unrealistic even in any single frame. It successfully makes the audience laugh out loud throughout the whole movie, and even the emotions work out very well. All the main leads made the movie look naturally fantastic, and everyone gave their best. It's a must-watch for all ages and is recommended to be seen with family. Samantha's Cameo also creates fun and brings the main storyline. I've watched the movie without any expectations and just for comedy but realised that this movie provides every possible aspect a movie can. Simply loved itttt!!!!!

Subham had a good idea, but it wasn't done well. The first half was okay, but the second half was too long and the ending didn't feel right. The movie looked good, but Samantha's part was forgettable.

Overall, it was average.

Story plot :: The film shows how the dead ancestor's attachment to an Indian Telugu Serial causes them to possess the wives of the entire town to watch the serial and how the 3 friends, who run the only cable TV in town, solve it by taking the creative approach of making their own ending of the serial.

The film shows how the dead ancestor's attachment to an Indian Telugu Serial causes them to possess the wives of the entire town to watch the serial and how the 3 friends, who run the only cable TV in town, solve it by taking the creative approach of making their own ending of the serial.

Subham feels like a light movie till the main plot comes. The story focuses on a common daily life situation, i.e watching daily soap on TV by housewives.

The concept is fresh but the storyline feels like little bit weaker. All the actors, especially actresses have done their role fabulously.

Another point to watch this movie is that the movie is produced by Samantha under Tralala Moving Pictures Production, who has also done a special role in this movie.

Also their is a special appearance of few actors, which are straight out from another movie. Only Cinephiles can find them.

Overall its a good watch for a fresh story.

This domestic comedy presents a familiar yet endearing premise that resonates with contemporary household dynamics. Director Praveen Kandregula crafts a lighthearted exploration of modern marriage through the lens of television obsession, delivering moments of genuine humor alongside predictable narrative beats. The film's greatest strength lies in its authentic portrayal of middle-class domestic life, with cinematography that captures the claustrophobic intimacy of cramped living spaces and the hypnotic glow of television screens. The visual storytelling effectively contrasts the mundane reality of household routines with the melodramatic world of soap operas, creating a meta-commentary on entertainment consumption that feels both timely and universal. The ensemble cast of husbands delivers committed performances, with each actor bringing distinct personality traits to what could have been generic archetypal roles. Their chemistry feels natural and lived-in, suggesting real friendships beneath the comedic situations. The wives, while given less screen time, manage to convey the addictive pull of serialized drama without falling into caricature. Vasanth Maringanti's screenplay strikes a reasonable balance between observational humor and situational comedy, though it occasionally relies on well-worn tropes about gender dynamics and domestic responsibilities. The pacing maintains steady momentum throughout most of the runtime, with several genuinely funny sequences that emerge from character-driven situations rather than forced gags. While the film succeeds in creating an entertaining watch with relatable themes, it doesn't quite transcend its conventional framework to offer deeper insights into modern relationships or media consumption. The resolution feels somewhat predictable, and certain character arcs could have benefited from more nuanced development. Nevertheless, it serves as a competent crowd-pleaser that understands its target audience and delivers the expected entertainment value without overstaying its welcome.