Advocate Anjali Awasthi

I seriously don't understand how they cast this actress. Her acting is so overdramatic, it feels like she's trying to shout every single emotion. The dialogue delivery is poor, forced and loud to the point it gets irritating. Every scene she's in becomes unbearable. Overacting max, and her shouting doesn't mean powerful acting. It's just annoying. Her presence on screen honestly kills the mood. Unfortunately, the actor's tendency to over-dramatize even simple scenes disrupted the narrative's tone. Emotional authenticity was compromised by loud, performative expressions that lacked sincerity. Replacing the actress playing Anjali could genuinely improve the show's quality and ratings.

I have not seen a more filthy show in my entire life than this TV show. The cameraman is more filthy than the show, who does not even know to keep the camera steady and shows the entire show in such a way as if he is having an itch and he cannot even do his work properly. I swear I get so angry after seeing the camera positioning of the show that I cannot tell you but I am helpless and have to watch it sitting with my family. I just want to say that either change the cameraman or teach him not to move the camera so much and keep it simple and steady and I request the makers of the show to please show a good story and use logic.

The cinematography in Advocate Anjali Awasthi is genuinely hard to watch. The constant camera movements, unnecessary zoom-ins, and shaky angles are disorienting and make it difficult to stay focused on the story. Instead of building tension, it ends up causing a headache. A more stable and grounded visual approach would have suited the courtroom setting much better.

I genuinely struggled to watch this - the constant, erratic camera movement was dizzying. It felt less like cinematography and more like a chaotic experiment. Whether the cameraman was overly enthusiastic or following some misguided directorial vision, the result was simply unpleasant.

Instead of focusing on a compelling story, the production leaned heavily on melodramatic sound effects, a barrage of jarring camera angles, excessive zooms, and relentless wobbling. It was all style and no substance.

We're in 2024, not 2004. It's time Indian television and film started drawing inspiration from international dramas that value narrative depth and visual coherence, rather than churning out this exhausting, overwrought content.