Catherine Cawood es la sargento al mando en la comisaría de Yorkshire cuando el nervioso contable Kevin Weatherill llega para denunciar un crimen.Catherine Cawood es la sargento al mando en la comisaría de Yorkshire cuando el nervioso contable Kevin Weatherill llega para denunciar un crimen.Catherine Cawood es la sargento al mando en la comisaría de Yorkshire cuando el nervioso contable Kevin Weatherill llega para denunciar un crimen.
- Ganó 6premios BAFTA
- 36 premios ganados y 35 nominaciones en total
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Resumen
Reviewers say 'Happy Valley' delves into grief, loss, and redemption, highlighting the blurred lines between good and evil. The series examines trauma's impact on characters, showcasing their complexities. Sarah Lancashire's resilient police sergeant, Catherine Cawood, and James Norton's sinister criminal, Tommy Lee Royce, create intense tension. Supporting characters enrich the narrative. The show's gritty realism and authentic portrayal of human nature receive frequent praise, though some find the dark tone challenging.
Opiniones destacadas
10albatosh
Happy Valley......not for most of the residents! The BBC tend to (every now and then) come up with a block busting drama series. This one had (and has) me gripped to my seat from the start. Clever interaction between all the cast and 'Superb' acting on the part of every actor/actress including Corrie's Sarah Lancashire and Benidorm's Steve Pemberton. Great Yorkshire setting, the atmosphere oozes out of every brick & stone. Edge of the seat stuff, every episode ending in a cliff hanger.. Please let there be more BBC, you do have an awful habit of killing of great drama series just when everyone is hooked (e.g. Garrow's Law). Bring on season two please (writer) Sally Wainwright
10rven3
I thought 'Scott & Bailey" to be extraordinary - and it is - but "Happy Valley" is gut wrenching, heart stopping, uncomfortable, and totally, totally brilliant. Firstly, nothing of quality can be created without a very good script, and Sally Wainwright's script is her best yet, and rivals her Scott & Bailey scripts. The dialogue crackles with its own rhythm, and sharp observations of modern life, while the emerging story is all at once shocking as it is at times ordinary.
Happy Valley is the name the police use to describe this neck of the woods, around Hebden Bridge in West Yorkshire. Drugs, unemployment, and the resultant crime are part of everyday life. Within this mix, we meet Catherine Cawood, a policewoman (formerly a detective) played by Sarah Lancashire. At the risk of throwing too many superlatives into this review, I believe Ms Lancashire should win a BAFTA in 2015 for her portrayal of a dedicated, often jaded, but loyal and determined copper. I *believed* her character, through her heroics, as well as her anti-heroism. Her ambivalence towards her young grandson is uncomfortable to watch, but completely understandable. It would be too easy to say that Sarah Lancashire *is* the show, but that would be unfair to some of the other fine performers, such as James Norton, George Costigan, Siobhan Finneran, and a stellar performance from Steve Pemberton, whose character, Kevin, sets off the whole mess of events which kept me breathless for the 6 episodes.
The environment - around Hebden Bridge and Halifax, in West Yorkshire - is beautiful, and the buildings appear to have grown directly out of the landscape, and while this may be an ancient environment, the problems which occupy the police all belong in the modern world. I am really hoping there will be a Series 2.
Happy Valley is the name the police use to describe this neck of the woods, around Hebden Bridge in West Yorkshire. Drugs, unemployment, and the resultant crime are part of everyday life. Within this mix, we meet Catherine Cawood, a policewoman (formerly a detective) played by Sarah Lancashire. At the risk of throwing too many superlatives into this review, I believe Ms Lancashire should win a BAFTA in 2015 for her portrayal of a dedicated, often jaded, but loyal and determined copper. I *believed* her character, through her heroics, as well as her anti-heroism. Her ambivalence towards her young grandson is uncomfortable to watch, but completely understandable. It would be too easy to say that Sarah Lancashire *is* the show, but that would be unfair to some of the other fine performers, such as James Norton, George Costigan, Siobhan Finneran, and a stellar performance from Steve Pemberton, whose character, Kevin, sets off the whole mess of events which kept me breathless for the 6 episodes.
The environment - around Hebden Bridge and Halifax, in West Yorkshire - is beautiful, and the buildings appear to have grown directly out of the landscape, and while this may be an ancient environment, the problems which occupy the police all belong in the modern world. I am really hoping there will be a Series 2.
The most intense, well written, well acted crime series I've ever seen on television. For six weeks I've been hooked on a story that uses a police drama as a framework for the human emotions that are at the core of this fantastic series. Steve Pemberton (The League of Gentlemen, Inside No 9) as the self-interested accountant out of his depth when a kidnapping plot goes horribly wrong was brilliant and James Norton was easily one of the best psychopaths I've ever seen in a television drama. There was real depth to his character and I expect he was hated by viewers as much as Joffre in Game of Thrones nonsense police officer. But it was Sarah Lancashire's show all the way as the tough, no-nonsense, but damaged police officer. At first I thought this was going to go the way of the film Fargo, with it's kidnapping-gone-wrong scenario, but by the start of the second episode it was clear that it was going to take a different path. Be warned though, it's dark and unsettling with moments of sudden shocking violence, especially at the end of the fourth episode, where I was left shaking at the sheer intensity of it all. Better than anything American crime dramas have had to offer us over the past year, it was brilliant. Absolutely bloody brilliant!
I've been thoroughly enjoying this dark gritty drama. All the leads are excellent, but Sarah Lancashire as the main police officer with a tragic family history, is outstanding. It started well then just got better and better with each episode and twist of the plot (and screw) having me on the edge of my seat. I've just watched what must be the penultimate episode and it has left me physically shaking - it was that convincing and shocking. It's hard to credit the complaint of mumbling by one reviewer. I can't recall even one line of script I didn't follow and it's usually something that bugs me. I'm so glad I've watched this series, it's got to be one of (if not the) best TV dramas of 2014.
I love how the British do crime shows! So raw and realistic.
The main actress is amazing, she does such a good job at being equally scary and sweet.
It's got some good twists and shock moments. Definitely worth watching.
¿Sabías que…?
- TriviaThe show was written specifically for Sarah Lancashire, who had previously had a starring role in Sally Wainwright's Last Tango in Halifax (2012). Wainwright was so impressed by Lancashire's performance, she devised Happy Valley (2014) as a solo vehicle for Lancashire.
- ErroresCatherine and Clare are sisters, but they have different accents. Catherine has a fairly generic West Yorkshire accent, but Clare's is a much more unusual Sheffield accent, indicating that she must have been brought up in a different area. The difference is most obvious in the vowel sounds. Catherine pronounces the word 'know' as 'gnaw', in a standard Yorkshire way. Clare pronounces it as 'nerr', with a much flatter Sheffield vowel.
- ConexionesFeatured in The Wright Stuff: Episode #19.99 (2014)
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