Una narrativa propulsora que narra la lucha por la justicia racial en Estados Unidos, desde la elección de Obama hasta Black Lives Matter, que destaca a las personas heroicas que provocaron ... Leer todoUna narrativa propulsora que narra la lucha por la justicia racial en Estados Unidos, desde la elección de Obama hasta Black Lives Matter, que destaca a las personas heroicas que provocaron el cambio.Una narrativa propulsora que narra la lucha por la justicia racial en Estados Unidos, desde la elección de Obama hasta Black Lives Matter, que destaca a las personas heroicas que provocaron el cambio.
- Nominado a 1 premio Óscar
- 11 premios ganados y 5 nominaciones en total
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Opiniones destacadas
This series (along with the sequel, "Eyes on the Prize II") is a classic documentary that, in many ways, pointed to the techniques later adapted by Ken Burns in his documentaries. Given the availability of film and first-person accounts, as well as photos, this is a far more moving and affecting film. Beginnings are difficult, and one might quibble with how the first part brings the viewer "up to speed" on African American history before the 1950's, the immediate attention to the story of Emmitt Till makes up for much of that missing narrative, by showing in graphic detail the status of African Americans in the United States, particularly the deep South. The rest of the series fills in a great amount of detail in the ensuing decade up to 1965 and the Voter-Rights act of that year.
Three things to point out in detail that made this a strong film. First, the framing of the narrative before Brown v. Board to emphasize that the Brown case did not come about in isolation, but as part of a broader strategy of the NAACP (if you are further interested in this, you should look at "The Road to Brown") led by Charles Houston and Thurgood Marshall. Second, the film did not solely rely on newsreel footage and interviews, but effectively used still photos to convey drama and set pacing. On that last issue, the third point (which may have been for cost and copyright reasons for all I know) was the minimal use of music in the film. Some of the most powerful moments in the film come from a long (4-5 seconds) shot of a dramatic photo with only silence.
Why only 9 stars and not 10? I would like to have seen a bit more in the lead up to the 1950's, and some emphasis on larger context of the Cold War and such -- particularly a bit more on radical African Americans who were targeted by the state for prosecution before the forties, as well as more on the legacies of W.E.B. Dubois and Booker T. Washington as backdrop for later debates within the movement. These are really historical concerns, and overall, the film is worth seeing. I hope that soon the copyright issues will be sorted out so that this can be released on DVD, as many video copies available now are showing their age after many viewings!
Three things to point out in detail that made this a strong film. First, the framing of the narrative before Brown v. Board to emphasize that the Brown case did not come about in isolation, but as part of a broader strategy of the NAACP (if you are further interested in this, you should look at "The Road to Brown") led by Charles Houston and Thurgood Marshall. Second, the film did not solely rely on newsreel footage and interviews, but effectively used still photos to convey drama and set pacing. On that last issue, the third point (which may have been for cost and copyright reasons for all I know) was the minimal use of music in the film. Some of the most powerful moments in the film come from a long (4-5 seconds) shot of a dramatic photo with only silence.
Why only 9 stars and not 10? I would like to have seen a bit more in the lead up to the 1950's, and some emphasis on larger context of the Cold War and such -- particularly a bit more on radical African Americans who were targeted by the state for prosecution before the forties, as well as more on the legacies of W.E.B. Dubois and Booker T. Washington as backdrop for later debates within the movement. These are really historical concerns, and overall, the film is worth seeing. I hope that soon the copyright issues will be sorted out so that this can be released on DVD, as many video copies available now are showing their age after many viewings!
Solid documentary that shows you can't know where you're going without knowing where you're from. For those out there feeling lost and not knowing how things can get better from here.... This documentary shares a roadmap with meaningful solutions. Beautiful stories here. Episode 1 shows the trials and tribulations of residents in the south Bronx in the 1970s, and how a group of people coming together, organizing, and putting in the hard work can truly make a difference and save a neighborhood. When the private sector shuts you out and the city government tries to make you disappear, the only way to fight back is together. Hasta la victoria siempre!
I have seen parts of the series in no fewer than 3 academic classes of varrying topics during my time at Pepperdine University. This outstanding series is professional to the core, attracting the biggest names of the day to give interviews (from both Civil Rights fighters to pro-segregationists) and give an honest look at the moment in the 1950's and 1960's. Powerfully moving, it brings me to tears each time I watch certain scenes. As comprehensive as any documentary I've seen, Eyes on the Prize gives the low down on the movement, its highs and lows, and provides a very real perspective on why the events played out as they did. A winner in every sense, I give the PBS produced Eyes on the Prize a 10/10 without a second thought.
Kudos for the series.
Kudos for the series.
In a world where black children search for pride on street corners, and find their idols in drugged out athletes, absent fathers, idiots and zombies, in these television hours lie little glimpses of hope, shining examples of the people who fought and died for love of the future. I make it a point to watch this program at least once a year and show it to anyone who seems to have even a passing interest in tomorrow. Malcolm X, Martin Luther King, Fannie Lou Hamer, The black Panther Party, busing in Boston, political mobilization in Chicago, the fight for freedom has never been given such a detailed depiction. This film is an encyclopedia of black pride and should not only be seen, but should be seen as often as is necessary to restore freedom and democracy to this country.
This is the most comprehensive, detailed, and informative series of any covering the Civil Rights struggles from the early stages through the 1980's. This is a must see for any person looking to get information and insight on what the struggle for equality was like for black people in America. They compile actual footage from historical events, along with interviews with some of the people who were actually there. This series will make you go through a range of emotions as you actually feel of part of the history that you are viewing. Julian Bond, (who participated in many of these events) does a masterful job a narrating the entire series. This is one series that you must have in your collection.
¿Sabías que…?
- TriviaThe series was unavailable from 1995 to 2006 owing to copyright issues. Licenses for "Happy Birthday", news footage, various photographs, songs, and lyrics used in the film expired in 1995, and the film company Blackside could not afford to renew these licenses. A grant from the Ford Foundation enabled them to renew the licenses. The series was rebroadcast and released to DVD in October 2006.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Eyes on the Prize III: We Who Believe in Freedom Cannot Rest
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h(60 min)
- Color
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