Boogeyman: Tu miedo es real

The Boogeyman is a horror movie inspired by a Stephen King short story. The film revolves around Sadie Harper (played by Sophie Thatcher) and her younger sister Sawyer, who are struggling to cope with the loss of their mother. Their father, a therapist, attempts to assist them in dealing with their grief, but their household becomes a site of mysterious occurrences.

Directed by Rob Savage, known for his work on "Host" and "Dashcam," the movie is completely unoriginal. The plot feels predictable and derivative, borrowing elements from other horror films. The story progresses slowly, resulting in very few genuine scares.

The themes of grief and trauma are present in the film but are not explored in depth. The movie's overall tone aims for darkness and sombreness but fails to establish a pervasive sense of dread or suspense. Sophie Thatcher's performance as Sadie is commendable, delivering a solid portrayal of her character. However, the remaining cast members are forgettable, and their characters remain underdeveloped throughout the film.

The director, Rob Savage, demonstrates some competence with a few visually striking scenes. Nevertheless, the movie lacks a distinct visual style to set it apart. The score is forgettable, failing to leave a lasting impression, while the cinematography is serviceable but unremarkable.

The production design and special effects in The Boogeyman are decent but cannot salvage the movie's overall poor quality. The editing suffers from sloppiness, resulting in disjointed and poorly paced scenes. The dialogue lacks inspiration, with characters frequently delivering exposition and relying on clichéd lines.

The Boogeyman is an easily forgettable horror movie that struggles to deliver genuine scares or explore emotional depth. Its derivative and predictable nature, underdeveloped characters and slow-paced plot contribute to its lacklustre impact. The film fails to establish a distinct visual style despite a few visually striking moments. Unless you are a diehard horror genre fan, it is best to avoid this one.

Although there are many films with similar subject matter, many people will ignore this story as unoriginal and start naming a whole battery of films that would not be better. However, it is forgotten that this story is based on a short story by horror master Stephen King and dates back to 1973. Of course you cannot tinker with the story in such a way that it becomes a completely different film, but because the story is already a lot older than people think, it's best not to think that the movie just isn't good because there are many other movies that look like it, because The Boogeyman just turned out to be a more than fine horror movie. At the helm is director Rob Savage, who has impressed in recent years with The Host and Dashcam in the found footage horror segment. The director can handle the darkness well and knows how to build up the tension by showing the minimal.

The film immediately opens with a nasty scene, in which a young sleeping child is killed by something. This controversial opening immediately arouses interest in the how and what and especially why. After this, the story moves to the Harper family, with the father and two daughters coming to terms with their mother's recent death. Father Will is a therapist who one day gets a stranger into his room with a disturbing story about the death of his children and ends up committing suicide in their home. The youngest daughter Sawyer is afraid of the dark and is sure that there is a monster in her closet, but of course no one believes her. It is thrown on the loss of her mother and the suicide of the strange man that awakens an ultimately strong fantasy in the child. The story is strong and well put together up to that point and the tension is built up perfectly. You can leave that to a writer like Stephen King for the monster in the closet idea and the childish fears that come with it, of course, but in this one the director shows himself to be a skilled person to translate this oppressively and well to the screen.

The second act of the film moves more towards the visual and we actually get to see the shadow monster. The psychological effect is a bit off from the film, but the tension remains well present. This is also done smartly by often working with the color red, something that will eventually get on your nerves a bit (and that is meant in a positive way). Eventually the puzzle pieces come together and you get an idea of what the victims of the shadow monster have to do. The result is an explosive ending, which is actually a bit predictable. Perhaps that is the one point that many critics might have been right about. But this does not detract from the fun for the rest and in the end if you watch the film carefully, a great horror film has been delivered. Nowhere is the film boring, nowhere does the film take too long, the tension is built up well and there is no superfluous gore present, in fact. On the gore level, the film is very tame and then it is of course always nice if you manage to keep a film like this exciting, so The Boogeyman does exactly what it should do.

The Boogeyman has become a great horror film based on a short story by Stephen King. The film is exciting and the makers respond well to the childish fears of a monster in the closet or under your bed. No unnecessary filth or an extremely bloody whole, no, The Boogeyman plays more with the viewer's imagination. Towards the end, all brakes are finally released and perhaps that is the part where the director should or should have been a little more subdued, but okay. In the end, it doesn't really make the movie worse at all. The cast does a great job for the rest and the film is simply excellent for an evening of horror entertainment. The stories that the film would not be original is nonsense, but well, it's just what you expect from it and in addition, the story of The Boogeyman is older than many acclaimed horror films that deal with the same subject. What you can do best is just watch the movie and don't think too much about other movies.

Full disclosure: I haven't read the story on which "The Boogeyman" is based, so I can only assess it on its own merits. It was okay, as I expected. Like many horror movies of recent years, grief plays a major part of the plot. Of course, most of the horror comes from jump scares.

As for the cast, they do a fine enough job, considering what they have to have work. The title character does turn out to be freaky in some scenes.

All in all, this is a movie that you'll probably enjoy enough. I wouldn't say that there were any scenes that stuck me with solid memory, but you do have to admire the intense scenes.

So, it's nothing great, but if you're willing to spend the day with some friends and watch something scary, this should be fun.

I felt this was a mediocre movie. Some of the jump scares in the first half were pretty well done, but when the Boogeyman started to make a real appearance, the wheels came off for me.

I think the acting was pretty good but there was nothing original or special in this movie. I feel that it's difficult to make a truly scary movie that sticks with you long after you've left the theater; I was hoping The Boogeyman would stick to my bones a bit, but it did not.

If you're looking to kill some time with some jump scares, this is an okay flick. If you're looking for something truly frightening and engaging, I don't believe this is it.

Truly, this movie was screwed over with its title. I know it's an adaptation, but "The Boogeyman" makes it sounds like a bottom-of-the-bargain-bin DVD movie. But while far from original, this is a thoroughly well-crafted, at times thoughtful horror film.

By far, this is one of the most frightening PG-13 movies I've seen. Director Rob Savage has a lot of talent, and he wields the camera with style and with care. Excellent sound design and mixing, as well as a smart subdued musical score, build anticipation for each scare and don't let up the tension once something has been revealed.

The monster is horrifying in its design, but Savage wisely doesn't show it to us very often, and never really shows it to us in detail. Dark, oppressive atmosphere pervades the screen and it leaves a lot of distressing things to the imagination.

While this isn't the first film to hold grief or trauma as a metaphor for its monster, it's done quite well here. The family dynamics in this script are restrained and well-realised, with satisfying thematic payoff at the end.

I have only one major issue with the film, and that's that the characters seem to easily brush off when they see horrifying things. They didn't sell the paranoia at all. And at a couple points Sadie finds potential proof of the monster's existence but never does anything with it. Perhaps there was some material left on the cutting room floor that fills in these gaps, but we may never know.

Still, this is a supernatural scare-fest that's several cuts above average and I would truly recommend it for anyone who enjoys a decent story with their spooks.