10,000 Saints

10,000 Saints is a decent little film that has its moments but is also a little underwhelming at times. The film follows Jude (Asa Butterfield) and Eliza (Hailee Steinfeld), who are step-siblings. Jude was adopted by Eliza's father, Les. After a one-night stand, Eliza finds herself pregnant. Jude and Eliza turn to the lead singer (Emile Hirsch) of a punk-rock band for help. I won't spoil anything else about the film as I feel that there were a few good surprises I didn't see coming. With that said, I will say that this film is a bit of a mixed bag. What worked well was how it illustrates how complicated family relationships can be, especially when the family is a mix of different families. Also, I thought Hailee Steinfeld's performance was terrific. She conveys a wide range of emotions with really adds to Eliza's depth as a character. Also, Eliza is different from a lot of the other characters Hailee has played in the past, and it really shows just how talented she is as an actor. Plus, it was interesting to see her as a teen mom.

With that said, there are also a few cons. For one, the main character was a little dry. I would've liked to see him show more emotion and to have his character have a little clearer character arc. Also, there are a lot of storylines that never really go anywhere or are just underdeveloped. For example, there is Jude being adopted, and him never looking for his parents, despite Les letting him know they are somewhere in New York. The film is a slew of other stories, which really makes it seem that this movie had more ideas than it had time. Lastly, the film is supposedly set in late-1980s New York, but I didn't know that until after I watched it and read the other reviews. All in all, it was a good film. It just could have used a few tune-ups.

I wound up liking this a lot more than I thought I would. For the first 20 minutes or so I felt it dragged but then picked up. Overall I thought the acting was excellent, especially Ethan Hawke who played his somewhat complex character splendidly. What I really liked was that most of the characters stepped outside of stereotypical bounds. Hawke's character was a stoner, but in some ways level-headed and responsible. Johnny, the punk singer and tattoo artist, was trying to stay straight and walk the spiritual path and succeeded reasonably well. I read other comments which complained that "nothing happened" in the film. This is not an action film; it's a relationship movie, and given that, I believe it worked well. Plus, the characters all showed some degree of evolution. The scenery, with 1980's East Village was done really well too, very realistic, Twin Towers and all.

Greetings again from the darkness. Sex, Drugs, and Rock 'n Roll – not just a bumper sticker, but also frequent and fun movie topics. Throw in 1980's New York City, some excruciatingly dysfunctional parenting, and the coming-of-age struggles of three youngsters, and you have the latest from co-writers and co-directors Shari Springer Berman and Robert Pulcini (the real life couple behind American Splendor, 2003).

Based on the novel from Eleanor Henderson, it's a nostalgic trip with little of the positive connotations usually associated with that term. The surprisingly deep cast features Ethan Hawke and Julianne Nicholson (August: Osage County, 2013) as parents to son Jude played by Asa Butterfield (Hugo, 2011). Emily Mortimer plays Hawke's new girlfriend and mother to Eliza played by Hailee Steinfeld (True Grit, 2010). Avan Jogia plays Jude's best friend Teddy, and Emile Hirsch is Teddy's big brother Johnny. It's an unusually high number of flawed characters who come together in a story that features some familiar coming-of-age moments, yet still manages to keep our interest.

The story centers on Jude as he comes to terms with finding out he's adopted, works to overcome his less than stellar parents, and spends an inordinate amount of time finding new ways to experiment with drugs. One night changes everything as it leads to a tragic end for one character and pregnancy for Eliza. Ms. Steinfeld is extraordinary as Eliza and really makes an impressive step from child actress to young adult. Julianne Nicholson is also a standout, and Ethan Hawke provides some offbeat comic relief.

So many elements of 1980's New York are included, and no effort is made to add any touches of glamour. The Tompkins Square park riots also play a role, if only briefly as the key characters realize life is just not so simple … a consistent theme for both kids and parents. The fragility of life is always an interesting topic, and the filmmakers bring this to light through some characters that we feel like we know – and wish we could help.

Hailee Steinfeld is very good as Eliza. In her early scenes she starts out as confident, sarcastic and likeable. Then she gets serious, then she is terrified. Eliza goes through many emotions through the course of the movie, and she has many decisions to make about her life.

Teddy is a likable character but we don't get to see much of him. Avian Jogia does a good job.

Les is a cool dad, which means he doesn't always do things the way good parents should. He's not a good influence but he and his son get along really well. It's a fine performance by Ethan Hawke.

Most of the major actors do a good job.

At one point, Eliza moves in with Harriet, which is surprisingly pleasant. Harriet also has a better than expected relationship with Diane, though when they first meet, it is quite satisfying for those who recall how the movie began.

Religion is a topic mentioned several times. Eliza had a bat mitzvah but she and her mother don't seem all that religious. There is a funeral where the scripture reading mentions "10,000 saints". There is also a scene with dancers in beautifully colored costumes where the music seems Middle Eastern or South Asian; Hare Krishnas are mentioned.

There are many questions of morality, and disputes with yuppies who want to move into the rundown neighborhood where most of the characters live. Mostly we see the protesters; if there were yuppies I don't recall them. And there are effective otherworldly scenes where one or more characters used something and we kind of see things as they would have.

Every mention of a word for any drug has been removed in the edited-for-TV version of the movie, with the sound going out and the character's mouth is blurred, and every drug is blurry. The same thing happens with numerous words, some of which might normally be allowed on broadcast TV, but someone must have been overly cautious.

The listings showed this as "comedy, drama, music". I really don't understand this. There are a few funny scenes but comedy shouldn't be listed first.

As for music, there's not much for someone with my musical taste. Most of the music is some form of rock, including softer artists that sound like Sting that don't appeal to me personally. There is also "music" that sounds like 90s grunge except it's just noise and not whatever appealed to those who liked the music in Seattle. My perception is that a lot of the softer music is good quality, but just not what I care for. I liked one song, "I Can't Wait" by Nu Shooz, which isn't typical of my taste but has some sort of appeal for me.

It's a really good movie if it's your taste. It's just not mine.

Another movie that makes you think humanity has no hope. Broken kids, broken parents, broken ideals. The movie takes place in the eighties and I remember the time well. So, yes, a lot of us were screwed up but this is just hopelessness incarnate. I did not like any of the characters as dysfunction seemed to be the running theme with everyone. I would suggest finding a better coming of age movie to watch as there are many good ones out there. I gave this an extra star for the very brief inclusion of CBGB's, it was the highlight of the movie. The rest was just so depressing it made me want to embrace traditional conservative values for the sake of humanity. Maybe I am getting wiser in my old age. . who knows?