En 1980 los X-men deberán derrotar a un súper poderoso mutante, En Sabah Nur, cuya intención es destruir el mundo.En 1980 los X-men deberán derrotar a un súper poderoso mutante, En Sabah Nur, cuya intención es destruir el mundo.En 1980 los X-men deberán derrotar a un súper poderoso mutante, En Sabah Nur, cuya intención es destruir el mundo.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 19 nominaciones en total
Resumen
Opiniones destacadas
There are lot of plot threads to follow. Fortunately or unfortunately it does not require much inferring or complex thinking to follow the story. It is very simple and it is in its simplicity that it loses out on the richness of character than past xmen movies had. Our characters are all reduced to two dimensional archetypes each with familiar story arcs. So familiar in fact that the whole movie is a pastiche of plot points taken from past xmen movies. Eric is the grief stricken blood knight who goes evil with vengeance when tragedy strikes, again. Scott jean and Kurt are the inexperienced loners who have to work together to overcome their challenges, a little like pyro, Bobby drake (ice man) and kitty pryde (shadow cat) in X-men 2. Mystique replaces wolverine as the badass wanderer who is thrown into a leadership position to guide our young loners. Xavier is once again captured and the X-men's home base is compromised, again like X-MEN 2. Powerful mutant with delusions of godhood and a gang of loyal followers is Apocalypse this time replacing magneto's role in the first 3 xmen movies. Call it homage or call it cliché, I feel that this story manages to toe the line between familiar and fresh. The familiar elements gives us a sense of the revolving nature of conflict, that history repeats despite the best intentions. The fresh elements of course add new facets to a film which could have otherwise been a complete bore, thanks to the slow burn nature of the plot which mostly sees both good guys and bad guys gathering their key players for the final showdown. Those who can appreciate a slow build up would love this while those who need their immediate action fix would be left disappointed.
Divisive might be the best word to describe this movie. When the action does come, it is a special effects spectacle of mutant powers on display where everyone.......pretty much stands around shooting things at each other. Oh look, the villain is getting the upper hand! Let's shoot more! Where physical stunts and fights come, they are a thrill to behold except the dated wire work which feels artificial. Interspersed between these divisive battles are particular scenes of movie magic. Quicksilver (last see in DAYS OF FUTURE PAST) returns and we get to see the full extent of his powers once again only on a larger scale. And at least this time he has a purpose in the story other than being a just a miraculous attempt. But as mentioned earlier his motivations are touched on but not explored. His character is simplified into yet another archetype.
Beneath the visual spectacle, the movie under utilises its cast of characters. Ty Sheridan's Scott Summers could have been great as the new audience surrogate, going from meek bullied loser to taking his first steps as confident leader of the X-Men. Instead he is also shoved into the background after his introduction. Kodi-smith mcfee's more feline looking Nightcrawler is also another intriguing character sidelined. Instead we get more Charles Xavier and more Eric playing out their character drama like star crossed lovers. Don't get me wrong, they are fantastic actors, especially Michael Fassbender completely nailing the tragedy of Eric's character arc. But their story came to a decent close in the last movie and this one just feels like more of the same.
Apocalypse himself is a villain that is as equally divisive as the movie itself. On one hand, it seemed that the creators were going for the "all powerful but frail" type of villain ala emperor Palpatine of Star Wars. The snake-like menace that Oscar Isaac exudes through his sinister delivery is betrayed by a design that borders on corny. Oversized platform boots, plastic looking Armour and an ill defined set of powers all downplay the threatening presence of the villain. His motivations could have been much deeper. A commentary on modern commercialism replacing the religions of old perhaps as the new "cult following"? Or a criticism of humanity's arrogance and self glorifying nature? Maybe even a critique on how common folk are quick to idolise mortal "false gods" of the influential and powerful? No, no and no. None of that thematic depth here. Apocalypse is merely your Saturday morning cartoon variety villain who wants to destroy the world to rebuild in his image.
It is not a bad movie per se. Visually stunning, an easy-to-follow plot and well cast characters set to a script filled with witty dialogue that does not overdo the comedy. The acting is professional and the music by John Ottman is a grand thematic continuation of But for a grand finale it pales in comparison to films like X-MEN 2 by glossing over its deeper themes of social commentary especially, in the treatment of mutants as an allegory to prejudice against social minorities. It lacks the urgency, high stakes tension and emotional depth of DAYS OF FUTURE PAST and the chemistry among the cast is no where near XMEN FIRST CLASS. I would place it as a middling entry into the X-men franchise that succeeds in opening the doors to a whole new generation of X-men movies.
Firstly I found it to have a perfectly serviceable story, with Apocalypse and his followers recruiting the very vulnerable and angry Magneto as part of his plan to destroy civilisation and rebuild it in his image. Fassbender turns in another solid performance and you really feel his pain and confusion for the Erik/Magneto character. I also thought all the supporting cast were absolutely fine in their roles, and to me Evan Peters as Quicksilver really stole the scenes he was in and makes a fine addition to the cast. The same also goes to Tye Sheridan as Scott/Cyclops, whose back story is filled in better and with more depth than it was in the Wolverine origins film.
I see the critics have been moaning about having too many characters in the film, yet I actually think it was handled better than it was in the Captain America: Civil War film. In Apocalypse the large cast do actually have something to do and contribute to the story, whereas the Captain America film felt like some were shoe horned in, which I felt made that film feel bloated and repetitive whereas this one at least get the storyline moving. I felt that Civil War felt way too long because of all the story padding yet Apocalypse, whilst also a long film, kept my interest to the end (and yes there is a post credits scene that I suspect is setting up Wolverine 3). I should also add that Apocalypse, despite it's bleak story, does have some moments of humour and wit that went down well with the audience.
I also felt the surprise appearance of Wolverine fitted in nicely with the back story that we already know, particularly the one told in X Men 2 and the Origins film, nicely closing that particular characters story arc and fitting in perfectly with the circumstances surrounding his appearance in the very first X-Men film of 16 years ago. If this is to be Wolverines final appearance with the X-men then they have given him a lovely send off.
I did find some minor flaws with the film though, particularly with the visual appearance of some of the characters and how their ages don't compute when the first X-men film of 2000 is taken into account. However, asides from that I thoroughly enjoyed X-Men Apocalypse and thought it was a solid & worthy addition to the other X-Men films. The films had spectacle, action, laughs and carried on with the journeys of the characters we have got to know and love over the past sixteen years.
¿Sabías que…?
- TriviaAlthough not in the movie, Sir Patrick Stewart jokingly informed Bryan Singer that he would be willing to play Mystique, should Jennifer Lawrence "start playing up." He said: "I am so ready to be naked, painted blue, and the world is ready for it too."
- Errores(at around 44 mins) When Apocalypse collects the information of the current world from TV, a picture of the Big Buddha in Hong Kong is shown. The construction of the Big Buddha started in 1990, and finished 1993.
- Citas
Charles Xavier: The world's already begun rebuilding its arsenals.
Erik Lensherr: It's human nature, Charles.
Charles Xavier: I still have hope.
Erik Lensherr: [wry laugh] Oh, yes. Hope.
Charles Xavier: I was right about Raven. I was even right about you.
Erik Lensherr: What about the rest of the world? Doesn't it ever wake you up in the middle of the night? The feeling that one day they'll come for you, and your children?
Charles Xavier: It does indeed.
Erik Lensherr: What do you do when you wake up to that?
Charles Xavier: I feel a great swell of pity for the poor soul that comes to my school looking for trouble.
- Créditos curiososSPOILER: There is a scene at the end of the closing credits: Men from Essex Corporation (run by X-Men villain Mister Sinister, aka Nathaniel Essex) arrive at the Weapon X base and collect samples of Wolverine's blood. This leads into Logan. Wolverine (2017).
- ConexionesEdited from Wolverine: Inmortal (2013)
- Bandas sonorasGlory Of The Trumpets
Written by J. Bronshire
Arranged by Isaac Jenkins
Courtesy of APM Music
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- X-Men: Apocalypse
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 178,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 155,442,489
- Fin de semana de estreno en EE. UU. y Canadá
- USD 65,769,562
- 29 may 2016
- Total a nivel mundial
- USD 543,934,105
- Tiempo de ejecución2 horas 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1