X-Men: Apocalipsis

The word "apocalypse" brings to mind an end-of-the world event of biblical proportions. X- MEN APOCALYPSE brings to mind some Japanese anime and a yearning for the better X- men movies of the past. The third in this "new trilogy" that began with X-MEN FIRST CLASS, the franchise reached its high point in the epic X-MEN DAYS OF FUTURE PAST but now tips back down to a rather typical tale of good vs evil intertwined with the usual hero's journey. Thankfully the masterful execution of dialogue and acting chops saves this film from sinking into mediocrity.

There are lot of plot threads to follow. Fortunately or unfortunately it does not require much inferring or complex thinking to follow the story. It is very simple and it is in its simplicity that it loses out on the richness of character than past xmen movies had. Our characters are all reduced to two dimensional archetypes each with familiar story arcs. So familiar in fact that the whole movie is a pastiche of plot points taken from past xmen movies. Eric is the grief stricken blood knight who goes evil with vengeance when tragedy strikes, again. Scott jean and Kurt are the inexperienced loners who have to work together to overcome their challenges, a little like pyro, Bobby drake (ice man) and kitty pryde (shadow cat) in X-men 2. Mystique replaces wolverine as the badass wanderer who is thrown into a leadership position to guide our young loners. Xavier is once again captured and the X-men's home base is compromised, again like X-MEN 2. Powerful mutant with delusions of godhood and a gang of loyal followers is Apocalypse this time replacing magneto's role in the first 3 xmen movies. Call it homage or call it cliché, I feel that this story manages to toe the line between familiar and fresh. The familiar elements gives us a sense of the revolving nature of conflict, that history repeats despite the best intentions. The fresh elements of course add new facets to a film which could have otherwise been a complete bore, thanks to the slow burn nature of the plot which mostly sees both good guys and bad guys gathering their key players for the final showdown. Those who can appreciate a slow build up would love this while those who need their immediate action fix would be left disappointed.

Divisive might be the best word to describe this movie. When the action does come, it is a special effects spectacle of mutant powers on display where everyone.......pretty much stands around shooting things at each other. Oh look, the villain is getting the upper hand! Let's shoot more! Where physical stunts and fights come, they are a thrill to behold except the dated wire work which feels artificial. Interspersed between these divisive battles are particular scenes of movie magic. Quicksilver (last see in DAYS OF FUTURE PAST) returns and we get to see the full extent of his powers once again only on a larger scale. And at least this time he has a purpose in the story other than being a just a miraculous attempt. But as mentioned earlier his motivations are touched on but not explored. His character is simplified into yet another archetype.

Beneath the visual spectacle, the movie under utilises its cast of characters. Ty Sheridan's Scott Summers could have been great as the new audience surrogate, going from meek bullied loser to taking his first steps as confident leader of the X-Men. Instead he is also shoved into the background after his introduction. Kodi-smith mcfee's more feline looking Nightcrawler is also another intriguing character sidelined. Instead we get more Charles Xavier and more Eric playing out their character drama like star crossed lovers. Don't get me wrong, they are fantastic actors, especially Michael Fassbender completely nailing the tragedy of Eric's character arc. But their story came to a decent close in the last movie and this one just feels like more of the same.

Apocalypse himself is a villain that is as equally divisive as the movie itself. On one hand, it seemed that the creators were going for the "all powerful but frail" type of villain ala emperor Palpatine of Star Wars. The snake-like menace that Oscar Isaac exudes through his sinister delivery is betrayed by a design that borders on corny. Oversized platform boots, plastic looking Armour and an ill defined set of powers all downplay the threatening presence of the villain. His motivations could have been much deeper. A commentary on modern commercialism replacing the religions of old perhaps as the new "cult following"? Or a criticism of humanity's arrogance and self glorifying nature? Maybe even a critique on how common folk are quick to idolise mortal "false gods" of the influential and powerful? No, no and no. None of that thematic depth here. Apocalypse is merely your Saturday morning cartoon variety villain who wants to destroy the world to rebuild in his image.

It is not a bad movie per se. Visually stunning, an easy-to-follow plot and well cast characters set to a script filled with witty dialogue that does not overdo the comedy. The acting is professional and the music by John Ottman is a grand thematic continuation of But for a grand finale it pales in comparison to films like X-MEN 2 by glossing over its deeper themes of social commentary especially, in the treatment of mutants as an allegory to prejudice against social minorities. It lacks the urgency, high stakes tension and emotional depth of DAYS OF FUTURE PAST and the chemistry among the cast is no where near XMEN FIRST CLASS. I would place it as a middling entry into the X-men franchise that succeeds in opening the doors to a whole new generation of X-men movies.

Suffering from bizarre narrative choices and weak character development, X-Men: Apocalypse is an otherwise passable and occasionally great installment of the franchise, mainly due to the continued strong performances and glorious action set pieces.

X-Men Apocalypse takes place in the 1980's, 10 years after the events in Days of Future Past. A god-like mutant has awaken and wants to destroy civilization in order to regain his rule. The X-Men must stop him before he becomes to powerful.

I simply didn't find this story to be particularly interesting or believable compared to the other superhero movies in recent years. Apocalypse didn't look or feel all that powerful even though his powers would indicate he was. He was shorter than some of the mutants when in the comics he is a giant and didn't need much assistance. The gathering of the horseman was also kind of sad as he felt like he just picked up the first four mutants that he saw. There was nothing special about them, they each said I will join you but that is about it. Apocalpse is the kind of villain that you make into two movies, like what Disney is doing with Thanos. The first movie could have been used for Apocaplse to acquire his army of followers and the second could have focused on the battle and how the X-Men will respond to the situation. I guess that is why they are not doing that as the two would look similar. I personally don't think we needed another end of the world X-men movie given that we just got one. DoFP just seemed more intense of a situation which also lead to my mediocre interest in this battle.

The scenes that didn't involve Apocalypse were for the most part quite enjoyable. Most notably the Quicksilver scenes as Evan Peters once again steals the show. The new actors also did great in their roles and had good chemistry with one another. Of course, this may be my own personal problem but again I find Jennifer Lawrence's Mystique to be just bland. The lines she spewed just lacked emotion and her one liners fell flat. I am glad that this was her last movie.

I didn't enjoy the movie as a whole but the parts that I did like made up for the fact that it is just rather mediocre. I still recommend seeing it just be warned. 7/10

En Sabah Nur is Apocalypse, the first mutant who ruled ancient Egypt until he was entombed. It's the 80's. CIA agent Moira MacTaggert goes to Egypt and witnesses his emergence. He recruits his four horsemen Magneto, Storm, Psylocke, and Angel giving them greater power. Meanwhile, Raven recruits Kurt Wagner/Nightcrawler from an East Berlin fight club. Alex Summers brings his younger brother Scott to Professor Charles Xavier's school. Quicksilver arrives at the school just in time to rescue almost everybody from an explosion but Professor X is kidnapped by Apocalypse.

I really like the first half. There are some good introduction of the new characters. It's working fine for the most part. It hits the pinnacle with Quicksilver's rescue which is funny and exciting. It is visually dynamic and a joy to behold. The rest of the movie feels like a long slow slide into mediocrity.

The most troubling problem for the continuing franchise is the use of Mystique as the leading X-Men. That character has never been in that role. JLaw is struggling to put out the intensity to match the central part. She and her character is not up to the task so far. It's also funny that her powers is to not be JLaw. The other problem is Apocalypse. I hoped for better but his mega-destruction is underwhelming. It's a lot of bland and his powers are nebulous. I actually think it would have been better to allow Apocalypse to be a two-parter. As an one-and-done villain, he isn't allowed to be anything more than a monster of the moment. With a lower level of power from him, it could be more compelling to struggle for the soul of each horseman. As it stands, the character Apocalypse is nothing special.

The first X-Men trilogy was weirdly obsessed with Wolverine, and by extension Rouge. I never understood why... This new trilogy is obsessed with Mystique just because America's sweetheart Jennifer Lawrence is portraying her. I don't mind it, but Mystique is no hero, she is a devious villain! And Beast should be well a Beast, but a handsome Nicholas Hoult is better to look at I presume. Storm is not a villain, she is a beloved X-Men character that has never been done justice. These are things that enrage fans over and over again.

It is not about being a purist, but about honoring the original. In an age where superheros are invading our cinemas, one could do worse if one watches a film about hope and freedom, about homophobia, racism, bigotry, immigration and all sort of other social issues. And somehow none of the X-men films so far have successfully brought these themes to the screen.

This film suffers from having to focus on thousands of characters and locations. Some characters like Mystique and Magneto are given substantial screen time, while others such as Psylocke are given only a few scenes. The film also tries to fit into the overall X-Men continuity, while trying to stand up on its own.

A great film for a pop-corn viewing with your friends, but a sub-par X-Men film in general... It is sad that the most substantial superheroes of our age, that really have something to say about the world we live in, are treated as badly as this...

Mutant and proud? Unfortunately there is nothing to be proud of except the money the film is about to make.