Angry Indian Goddesses

Loved this movie.

It was so apt and to the point. The problems most of the women face irrespective of their family backgrounds, professions and the perk that they get. The way they are treated and judged by others. The difficulty to get the acceptance of who they are and always trying to prove themselves.

The movie was perfect. Great scripting; portraying the actual issues. Amazing actors. Amazing music.

Ladies you need to watch this movie. I'm sure you'd be able to connect at least at one point. And guys you should too. It'll give you an insight of the struggle that the women around you go through.

It's something that you don't usually get to see from indian cinema, hitting the progressive topics and questioning the society's hypocritical attitudes towards woman. Its a worthwhile film.

As a foreigner, coming from a country with a very high degree of gender equality, I am not native to the realities portrayed in this film, nor have I watched many Bollywood movies. Yet it is my opinion that the film in an emotionally moving and very aesthetically pleasing way,through captivating music and great cinematography, raises the important themes of women equality, emancipation and the hardship of discrimination in today's India. From the ease of the intimate dialogue among the varied women, the viewers are allowed to experience the challenges first hand, in the voice of the characters themselves. The viewer is included, almost as if he is sitting there beside them as they laugh, quarrel, debate, cry and grief ...

I loved this movie and I still listen to the songs: the "Dil dola re"is very catchy and energetic, while the "Zindagi" ("life") is profound in all its beauty and tenderness (look them up at Youtube). If you're new to Bollywood movies this seems like a good place to start, while at the same time you are exposed to a very important theme in contemporary Indian society.

Angry Indian goddesses may be good movie for world cinema but is an important movie for Indian cinema. Though there have been movies showing difficulties faced by females in Indian society none has been so comprehensive.

Almost every other dialogue quips the hypocrisy of Indian mindset. They have been allowed to fly,but, that like a kite with everybody actively controlling their limits. With such different characters, common thread joining them all is anguish against the society venerating and denigrating females at the same time.

Nalin has given another brilliant piece of cinema with strong female characters like the ones we worship. Cinematography is enchanting using the right balance of light and dark.

Only God knows what censor board has been trying to censor when everything is so true...

Angry Indian Goddesses (2015) is an Indian movie co-written and directed by Pan Nalin. In my summary, I wrote "actually two movies." By that I meant that the first three-quarters of the film is a happy "buddy movie" among six intelligent, capable women. Each of them encounters misogyny and sexism in their day-to-day lives. They deal with this negative aspect of their lives in different ways, but none of them can avoid having to deal with it.

One of the women has returned to her home in Goa, the former Portuguese colony. She invites her friends to join her for her wedding. For the next hour-and-a-half the women sing together, dance together, talk together, and sometimes argue. There's a serious conflict between two of them. One is a local activist trying to stop the ecological destruction caused by a factory. The factory is being built by a company whose CEO is another one of the guests. So, it's not all love and laughter, but mostly that's what it is.

After the "first movie" has run its course, the "second movie" begins. This is a serious, terrible part of the film. In retrospect we might have seen it coming, but I didn't expect it. The film takes on a serious documentary-type aspect, and ends with an extremely dramatic scene. You may like or dislike the last half-hour of the film, but you won't forget it.

The actors in this film were all excellent. They played well in ensemble. Also, they are all extremely beautiful. It struck me as unlikely that all the friends would be so attractive. However, that's the decision director Nalin made. Nalin is male. I don't know if a female director would have made the same choice.

The movie will work best on the large screen, because you'll have a better feel for the scenic beauty of the Goan location. However, even if you have to watch it on the small screen, I'd still recommend it.

We saw the film at Rochester's excellent Little Theatre, as part of the outstanding ImageOut LGBT Film Festival. I suggest you seek it out and see it. It's not perfect, but it's still a great movie.